Anna Henningsson – författare
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4 produkter
4 produkter
Häftad, Svenska, 2011
128 kr
Skickas inom 5-8 vardagar
En studie av färg som ytskydd och kulturhistoria inom svensk stenkonservering och restaurering. Rapporten ger en värdefull överblick av kunskapsområdet och kartläggningen av hur sten bemålats kan ge verksamma i kulturmiljöarbetet bättre underlag inför val av åtgärder. Färgundersökningen om förekomst av färger och bindemedel på sten ger en kulturhistorisk kunskap som kan användas i en bredare forskning på området.
Häftad, Svenska, 2017
146 kr
Skickas inom 5-8 vardagar
För att bidra till kunskapsuppbyggnaden kring det här området, initierade Riksantikvarieämbetet forsknings- och utvecklingsprojektet Vibrationers påverkan på arkitekturbunden konst. Forskningsprojektet har undersökt vilken påverkan olika former av byggrelaterade vibrationer kan ha på fast konst i kulturhistoriska byggnader, isolerat från annan påverkan från omgivningen. Vibrationsprovning på historiska material i laboratorium visar en differentierad bild av vibrationers påverkan. Det bidrar till att riskanalyser i framtiden kan bygga på fakta relaterat till respektive material och vibrationsart. Som komplement till laboratorieprovning har regelbundna workshops genomförts och utgjort ett reflekterande och kreativt moment i ett forskningsområde som annars kan bli detaljfokuserat och tekniskt. En viktig erfarenhet från projektet är, att fakta om den arkitekturintegrerade konstens material och tillverkningssätt, är central för att hantera vibrationsrelaterade risker.
Häftad, Engelska, 2020
286 kr
Skickas inom 5-8 vardagar
The materials that are used in artworks can function as catalysts for remembrance. They can help us to envisage intangible aspects of the past that are currently hidden from the present. Studies that focus on materials offer us other ways in which we can gain insights into the past that would otherwise have been inaccessible areas of inquiry. There are rarely any written or other sources from the past that capture and detail, for us, how decisions about an artwork’s materials and construction were made – items that can tell us how it was originally created and about which materials were used – and why. As such, the materials from which artworks were made can be seen as forming a rich archive that enables us to explore forms of non-written information. In turn, these can help us to gain a better understanding of cultural relations, intended messages of spirituality, exercises in intellectuality and the visual transformation from its original aesthetic state to its present one. This book explores which aspects of history might be retrieved by considering the materials and construction of an altarpiece as a primary source. By applying deconstructionist theory and art technological methodology to analyses of Burchardt Precht’s early eighteenth-century altarpiece – created for Uppsala Cathedral and later translocated to Gustaf Vasa Church in Stockholm – Anna Henningsson elucidates new aspects of research and re-contextualises her findings in the broader context of the cultural heritage discourse on sacred art in Swedish churches today.
254 kr
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The materials that are used in artworks can function as catalysts for remembrance. They can help us to envisage intangible aspects of the past that are currently hidden from the present. Studies that focus on materials offer us other ways in which we can gain insights into the past that would otherwise have been inaccessible areas of inquiry. There are rarely any written or other sources from the past that capture and detail, for us, how decisions about an artwork’s materials and construction were made – items that can tell us how it was originally created and about which materials were used – and why. As such, the materials from which artworks were made can be seen as forming a rich archive that enables us to explore forms of non-written information. In turn, these can help us to gain a better understanding of cultural relations, intended messages of spirituality, exercises in intellectuality and the visual transformation from its original aesthetic state to its present one. This book explores which aspects of history might be retrieved by considering the materials and construction of an altarpiece as a primary source. By applying deconstructionist theory and art technological methodology to analyses of Burchardt Precht’s early eighteenth-century altarpiece – created for Uppsala Cathedral and later translocated to Gustaf Vasa Church in Stockholm – Anna Henningsson elucidates new aspects of research and re-contextualises her findings in the broader context of the cultural heritage discourse on sacred art in Swedish churches today.