Anna Katz - Böcker

A timely and expansive survey of a groundbreaking American art movement that overturned aesthetic hierarchies in a riot of color and ornamentationThe Pattern and Decoration movement emerged in the 1970s as an embrace of long-dismissed art forms associated with the decorative. Pioneering artists such as Miriam Schapiro (1923–2015), Joyce Kozloff (b. 1942), Robert Kushner (b. 1949), and others appropriated patterns, frequently from non-Western decorative arts, to produce intricate, often dizzying or gaudy designs in media ranging from painting, sculpture, and collage to ceramics, installation art, and performance. This dazzling book showcases an astonishing array of works by more than 40 artists from across the United States, examining the movement’s defiant adoption of art forms traditionally viewed as feminine, craft-based, or otherwise inferior to fine art.  In addition to offering an overview of the Pattern and Decoration movement as it is commonly recognized, this volume considers artists of the period who are not typically associated with the movement. Rethinking the significance of patterns and the decorative in postwar American art, this panoramic view provides new insights into abstraction, feminism, and installation art. Essays explore the movement’s feminist methods and values, including Miriam Schapiro’s “femmage” practice; its impact on contemporary abstract painting; and its relationship to postmodern architecture and design. Artist biographies, an exhibition history, and reprints of historically significant writings further establish With Pleasure as the most expansive publication on the subject.Published in association with The Museum of Contemporary Art, Los AngelesExhibition Schedule:Museum of Contemporary Art, Los Angeles(October 27, 2019–May 11, 2020)Hessel Museum of Art, Bard College(June 26–November 28, 2021)

This fresh look at photorealism argues for its continued relevance todayPublished with The Museum of Contemporary Art, Los Angeles.This volume, Ordinary People, recovers the social art history of the long-dismissed genre of photorealism and demonstrates the continued relevance of photorealist strategies for artists working today. Spanning the 1960s to the present, this large-scale reexamination of the postwar art movement features the work of more than 40 artists, including paintings, drawings, sculptures and murals. It recasts the work of canonical and underrecognized photorealists of the 1960s and ’70s in new frameworks and identifies younger artists who have deployed photorealism as a vehicle for social/political critique. Unlike the typical photorealism survey, Ordinary People includes a diverse, multigenerational group of artists, with a focused look at the major contributions of women and BIPOC artists to the genre. It explores the representational politics of photorealist painting in the context of the recent rise of figurative portraiture and covers the myriad ways that artists, through this seemingly nonconfrontational aesthetic, have enticed viewers to confront painful historical events and social experiences.Artists: John Ahearn and Rigoberto Torres, Michael Alvarez, John Baeder, Judie Bamber, Gina Beavers, Robert Bechtle, Dike Blair, Andrea Bowers, Vija Celmins, Lenore Chinn, Chuck Close, Cynthia Daignault, Richard Estes, Audrey Flack, Ralph Goings, Sayre Gomez, Alfonso Gonzalez Jr., Duane Hanson, Barkley L. Hendricks, Nur Koçak, Jennifer J. Lee, Marilyn Levine, Sam Lipp, Hung Liu, Richard McLean, Marilyn Minter, Catherine Murphy, Calida Rawles, Ben Sakoguchi, Shizu Saldamando, Joan Semmel, Amy Sherald, Mamie Tinkler, Betty Tompkins, Jesse Treviño, Brittany Tucker, John Valadez, Vincent Valdez, Christine Tien Wang, Idelle Weber, Kehinde Wiley, Martin Wong, Takako Yamaguchi.