Anna Livia – författare

Queerly Phrased is a groundbreaking collection of previously unpublished essays that examine the relationship between language and the construction of gender and sexuality. Bridging the gap between sociolinguistics and gay studies, the contributors draw on traditional models of language analysis as well as recent developments in gender theory to show how language plays a crucial role in the creation of culture and its representation.

Queerly Phrased is a groundbreaking collection of previously unpublished essays that examine the relationship between language and the construction of gender and sexuality. Bridging the gap between sociolinguistics and gay studies, the contributors draw on traditional models of language anaylsis of well as recent developments in gender theory to show how language plays a crucial role in the creation of culture and its representation.

In this interdisciplinary book, Livia examines a broad corpus of written texts in English and French, concentrating on those texts which problematize the traditional functioning of the linguistic gender system. They range from novels and prose poems to film scripts and personal testimonies, and in time from the nineteenth century to the present. Her goal is to show that rather than being a case of misguided envy, battles over gendered language are central to feminist concerns. This fresh and exciting scholarship will appeal to linguists and scholars in literary and gender studies.

In this interdisciplinary book, Livia examines a broad corpus of written texts in English and French, concentrating on those texts which problematize the traditional functioning of the linguistic gender system. They range from novels and prose poems to film scripts and personal testimonies, and in time from the nineteenth century to the present. Her goal is to show that rather than being a case of misguided envy, battles over gendered language are central to feminist concerns. This fresh and exciting scholarship will appeal to linguists and scholars in literary and gender studies.

This pioneering collection of previously unpublished articles on lesbian, gay, bisexual, and transgender language combines queer theory and feminist theory with the latest thinking on language and gender. The book expands the field well beyond the study of "gay slang" to consider gay dialects (such as Polari in England), early modern discourse on gay practices, and late twentieth-century descriptions of homosexuality. These essays examine the conversational patterns of queer speakers in a wide variety of settings, from women''s friendship groups to university rap groups and electronic mail postings.Taking a global--rather than regional--approach, the contributors herein study the language usage of sexually liminal communities in a variety of linguistic and cultural contexts, such as lesbian speakers of American Sign Language, Japanese gay male couples, Hindi-speaking hijras (eunuchs) in North India, Hausa-speaking ''yan daudu (feminine men) in Nigeria, and French and Yiddish gay groups. The most accessible and diverse collection of its kind, Queerly Phrased: Language, Gender, and Sexuality sets a new standard in the study of language''s impact on the construction of sexuality.

Controversy over gendered pronouns, for example using the generic "he," has been a staple of feminist arguments about patriarchal language over the last 30 years, and is certainly the most contested political issue in Western feminist linguistics. Most accounts do not extend beyond policy issues like the official institution of non-sexist language. In this volume, Anna Livia reveals continuities both before and after the sexist language refore movement and shows how the creative practices of pronoun use on the part of feminist writers had both aesthetic and political ends. Livia uses the term "pronoun envy" ironically to show that rather being a case of misguided envy, battles over gendered language are central to feminist concerns.Livia examines a broad corpus of written texts in English and French, concentrating on those texts which problematize the traditional functioning of the linguistic gender system. They range from novels and prose poems to film scripts and personal testimonies, and in time from the 19th century to the present. Some withhold any indication of gender; others have non-gendered characters. Livia''s goal is two-fold; to help bridge the divide between linguistic and literary analysis, and to show how careful study of the manipulation of linguistic gender in these texts informs larger concerns. This fresh and highly interdisciplinary work lies at the intersection of several vital areas, including language and gender, sociolinguistics, and feminist literary analysis.

Set in the lesbian and gay circles of Paris in the 1920s, The Angel and the Perverts tells the story of a hermaphrodite born to upper class parents in Normandy and ignorant of his/her physical difference. As an adult, s/he lives a double life as Marion/Mario, passing undetected as a lesbian in the literary salons of the times, and as a gay man in the cocaine dens made famous by Colette.Delarue-Mardrus's novel belongs to a category of literature, written between the turn of the century and approximately 1930, which depicted lesbians as members of a third sex. The hermaphrodite became the visual representation of the ways in which lesbians were different from their heterosexual sisters, and Rene Vivien, Natalie Clifford Barney, Rachilde, and Colette, among others, shared Delarue-Mardrus's fascination with the topic.This is the first translation into English of The Angel and the Perverts. In an astute introduction, Anna Livia rereads Lucie Delarue-Mardrus as a prolific and significant writer, despite the fact that previous scholars viewed her primarily as the wife of the scholar and translator Joseph-Charles Mardrus. Livia also places Delarue-Mardrus's life in a lesbian context for the first time and decodes this delightful novel so that readers will feel quite at home in Mario/Marion's unusual world, which runs the gamut from Auguste Rodin to Jean Cocteau and Sarah Bernhardt.

Set in the lesbian and gay circles of Paris in the 1920s, The Angel and the Perverts tells the story of a hermaphrodite born to upper class parents in Normandy and ignorant of his/her physical difference. As an adult, s/he lives a double life as Marion/Mario, passing undetected as a lesbian in the literary salons of the times, and as a gay man in the cocaine dens made famous by Colette.Delarue-Mardrus's novel belongs to a category of literature, written between the turn of the century and approximately 1930, which depicted lesbians as members of a third sex. The hermaphrodite became the visual representation of the ways in which lesbians were different from their heterosexual sisters, and Rene Vivien, Natalie Clifford Barney, Rachilde, and Colette, among others, shared Delarue-Mardrus's fascination with the topic.This is the first translation into English of The Angel and the Perverts. In an astute introduction, Anna Livia rereads Lucie Delarue-Mardrus as a prolific and significant writer, despite the fact that previous scholars viewed her primarily as the wife of the scholar and translator Joseph-Charles Mardrus. Livia also places Delarue-Mardrus's life in a lesbian context for the first time and decodes this delightful novel so that readers will feel quite at home in Mario/Marion's unusual world, which runs the gamut from Auguste Rodin to Jean Cocteau and Sarah Bernhardt.

Photographs of scales measuring heavy and light objects are supported by informative text. Readers learn the difference between heavy and light.