Anna Schultz – författare

Singing a Hindu Nation explores how the political becomes devotional through musical performance. At the heart of author Anna Schultz''s study is rāshtrīya kīrtan, a western Indian performance medium that combines song, Hindu philosophical discourse, and nationalist storytelling. Performers of rāshtrīya kīrtan have impacted the political environment throughout the last century, inspiring Marathi-speaking people to resist colonial domination both violently and non-violently in the early twentieth century, supporting state health and national integration projects in the early post-colonial era, and in the last decade of the century, using their performances to buttress the rhetoric of Hindu nationalists as these groups rose to power. By performing in regional idioms with rich associations for Maharashtrian congregations, singers of rāshtrīya kīrtan use music to combine political and religious signs in ways that seem natural and desirable, and as a result effectively promote embodied experiences of nationalist devotion. As the first monograph on music and Hindu nationalism, Singing a Hindu Nation presents a rare glimpse into the lives and performance worlds of nationalists on the margins of all-India political parties and cultural organizations. The book is an essential resource for ethnomusicologists, as well as scholars of South Asian studies, religion, and political theory.

Singing a Hindu Nation is a study of rāgs>rīya kīrtan, a western Indian performance medium that combines song, Hindu philosophical discourse, and nationalist storytelling. Beginning during the anti-colonial movement of the late nineteenth-century, performers of rāgs>rīya kīrtan led masses of Marathi-speaking people in temples and streets, and they have continued to preach and sing nationalism as devotion in the post-colonial era, and into the twenty-first century. In this book, author Anna Schultz demonstrates how, through this particular form of musical performance, the political becomes devotional, and explores why it motivates people to action and violence. Through both historical and ethnographic studies, Schultz shows that rāgs>rīya kīrtan has been especially successful in combining these two realms because kīrtankārs perform as representatives of the divine sage Narad, thereby infusing their nationalist messages with ritual weight. By speaking and singing in regional idioms with rich associations for Maharashtrian congregations, they use music to combine political and religious signs in ways that seem natural and desirable, promoting embodied experiences of nationalist devotion. As the first monograph on music and Hindu-nationalism, Singing a Hindu Nation presents a rare glimpse into the lives and performance worlds of nationalists on the margins of all-India political parties and cultural organizations, and is an essential resource for ethnomusicologists, as well as scholars of South Asian studies, religion, and political theory.

Singing a Hindu Nation is a study of rāgs>rīya kīrtan, a western Indian performance medium that combines song, Hindu philosophical discourse, and nationalist storytelling. Beginning during the anti-colonial movement of the late nineteenth-century, performers of rāgs>rīya kīrtan led masses of Marathi-speaking people in temples and streets, and they have continued to preach and sing nationalism as devotion in the post-colonial era, and into the twenty-first century. In this book, author Anna Schultz demonstrates how, through this particular form of musical performance, the political becomes devotional, and explores why it motivates people to action and violence. Through both historical and ethnographic studies, Schultz shows that rāgs>rīya kīrtan has been especially successful in combining these two realms because kīrtankārs perform as representatives of the divine sage Narad, thereby infusing their nationalist messages with ritual weight. By speaking and singing in regional idioms with rich associations for Maharashtrian congregations, they use music to combine political and religious signs in ways that seem natural and desirable, promoting embodied experiences of nationalist devotion. As the first monograph on music and Hindu-nationalism, Singing a Hindu Nation presents a rare glimpse into the lives and performance worlds of nationalists on the margins of all-India political parties and cultural organizations, and is an essential resource for ethnomusicologists, as well as scholars of South Asian studies, religion, and political theory.