Annalee Newitz – författare

A cozy near-future novella about a crew of leftover robots opening their very own noodle shop, from acclaimed sci-fi author Annalee Newitz.You don’t have to eat food to know the way to a city’s heart is through its stomach. So when a group of deactivated robots come back online in an abandoned ghost kitchen, they decide to make their own way doing what they know: making food—the tastiest hand-pulled noodles around—for the humans of San Francisco, who are recovering from a devastating war.But when their robot-run business starts causing a stir, a targeted wave of one-star reviews threatens to boil over into a crisis. To keep their doors open, they’ll have to call on their customers, their community, and each other—and find a way to survive and thrive in a world that wasn’t built for them.

In Four Lost Cities, acclaimed science journalist Annalee Newitz takes readers on an entertaining and mind-bending adventure into the deep history of urban life. Investigating across the centuries and around the world, Newitz explores the rise and fall of four ancient cities, each the centre of a sophisticated civilisation: the Neolithic site of Çatalhöyük in Central Turkey, the Roman town of Pompeii on Italy’s southern coast, the medieval megacity of Angkor in Cambodia and the indigenous American metropolis Cahokia, which stood beside the Mississippi River where East St. Louis is today.Newitz travels to all four sites and investigates the cutting-edge research in archaeology, revealing the mix of environmental changes and political turmoil that doomed these ancient settlements. Tracing the early development of urban planning, Newitz also introduces us to the often-anonymous workers—slaves, women, immigrants and manual labourers—who built these cities and created monuments that lasted millennia.Four Lost Cities is a journey into the forgotten past but, foreseeing a future in which the majority of people on Earth will be living in cities. It may also reveal something of our own fate.

'Autonomous is to biotech and AI what Neuromancer was to the internet' NEAL STEPHENSON'Something genuinely and thrillingly new' WILLIAM GIBSON'Holy hell. Autonomous is remarkable' LAUREN BEUKESWINNER OF THE 2018 LAMBDA AWARD FOR SFFSHORTLISTED FOR THE NEBULA AWARD 2018SHORTLISTED FOR THE LOCUS AWARD FOR BEST DEBUT 2018Earth, 2144. Jack is an anti-patent scientist turned drug pirate, traversing the world in a submarine as a pharmaceutical Robin Hood, fabricating cheap medicines for those who can't otherwise afford them. But her latest drug hack has left a trail of lethal overdoses as people become addicted to their work, doing repetitive tasks until they become unsafe or insane.Hot on her trail is an unlikely pair: Eliasz, a brooding military agent, and his indentured robotic partner, Paladin. As they race to stop information about the sinister origins of Jack's drug from getting out, they begin to form an uncommonly close bond that neither of them fully understands.And underlying it all is one fundamental question: is freedom possible in a culture where everything, even people, can be owned?

"Do you remember when we had the vote?"In a world that's just a step away from our own, time travel is possible. But war is brewing - a secret group is trying to destroy women's rights, and their access to the timeline. If they succeed, only a small elite will have the power to shape the past, present, and future.Our only hope lies with an unlikely group of allies, from riot grrls to suffragettes, their lives separated by centuries, battling for a world where anyone can change the future. A final confrontation is coming.The Future of Another Timeline is a breathtakingly original novel from Annalee Newitz, founding editor of io9, about the lengths we'll go to make history.'A revolution is happening in speculative fiction, and Annalee Newitz is leading the vanguard' Wil Wheaton, actor Star Trek and Big Bang Theory'Clever, compelling and utterly original' Laurie Penny"Smart and profound on every level, this is a deeply satisfying novel' Publishers Weekly, STARRED review'A glorious tale of hope in the face of outrage, an anthem of timeless resistance against the powers that would lead us to our worst futures' Ken Liu'A page-turner and an ambitious feminist lens on the time-traveler story' Kelly Sue DeConnick, screenwriter for Captain Marvel'Exciting and urgent in the here and now' Saladin Ahmed'Secret history becomes a thrilling secret war' Nicola Griffith

From science fiction visionary Annalee Newitz comes The Terraformers, a sweeping, uplifting, and illuminating exploration of the future.'Fascinating and readable in equal measure, The Terraformers will remake your mind like its cast remakes an entire planet' John ScalziDestry's life is dedicated to terraforming Sask-E. As part of the Environmental Rescue Team, she cares for the planet and its burgeoning eco-systems as her parents and their parents did before her.But the bright, clean future they're building comes under threat when Destry discovers a city full of people that shouldn't exist, hidden inside a massive volcano.As she uncovers more about their past, Destry begins to question the mission she's devoted her life to, and must make a choice that will reverberate through Sask-E's future for generations to come.A science fiction epic for our times and a love letter to our future, The Terraformers will take you on a journey spanning thousands of years and exploring the triumphs, strife, and hope that find us wherever we make our home.'The Terraformers is so engaging, you could almost miss the pyrotechnic worldbuilding and bone-deep intelligence. Newitz continues doing some of the best work in the field' James S. A. Corey'A complete reimagining of the great galactic story of terraformers. Startling fun!' Kim Stanley Robinson'Newitz always sees to the heart of complex systems and breaks them down with poetic ferocity' N. K. JemisinAlso by Annalee NewitzAutonomousThe Future of Another TimelineLook out for A Wall Is Also A Road, October 2026

'A revolution is happening in speculative fiction, and Annalee Newitz is leading the vanguard' Wil Wheaton, actor on Star Trek and Big Bang TheoryGardenpath is a graduate student in biology who desperately wants to pass their exams with the highest honor possible: a prize given to scholars who discover something truly novel in the universe. Gardenpath also happens to be an amoeba-a slime mold, to be exact-from an ancient civilization that dwells in a vast network of towers between the stars. Seeking their prize, Gardenpath heads to a remote, dangerous planet that other researchers have dismissed as dead and uninteresting. There, they are surprised to discover a complicated ecosystem unlike anything they've ever encountered-including some peculiar, multicellular animals who seem to have language and culture.To learn more about these animals, Gardenpath changes their shape to resemble one of them. And that's how they meet a creature named Murtis, who lives in a city she calls Pompeii and works in a brothel known to locals as "the lupanar." Unfazed by a visitor who says she's from the stars, Murtis takes Gardenpath into her care, introducing her to the seaside tourist town full of immigrants and shopkeepers who are just trying to get by.A Wall Is Also a Road is a story about what happens when the alien becomes familiar-and beloved. Gardenpath expected to finish their research, present their discovery, and take their place among the decorated scholars of the floating cities. But when they look at their wild new friend Murtis's sensor bulb, attached to a bizarre electro-chemical control system, they begin to realize there's more to life than academic achievement. They're not sure what it is, but they're going to use science to find out.From bestselling author Annalee Newitz, A Wall Is Also a Road is a thought-provoking science fiction adventure about the meaning of life and love, seen through the many eyes of an alien grad student studying a familiar backwater planet. Perfect for fans of Ann Leckie, Everina Maxwell and Martha Wells.

A fascinating look at four of the most spectacular cities in human history-and why they were all abandoned.

In Stories Are Weapons, best-selling author Annalee Newitz traces the way disinformation, propaganda and violent threats—the essential tool kit for psychological warfare—have evolved from military weapons deployed against foreign adversaries into tools in domestic culture wars. Newitz delves into America’s deep-rooted history with psychological operations, beginning with Benjamin Franklin’s Revolutionary War–era fake newspaper and reaching its apotheosis with misinformation during twenty-first-century elections. The nation’s secret weapon has long been coercive storytelling, fashioned by operatives who drew on their experiences in the ad industry and as science fiction writers. Now, through a weapons-transfer programme long unacknowledged, it has found its way into the hands of culture warriors, in conflicts from school board fights over LGBT students to campaigns against feminist viewpoints. Stories Are Weapons delivers a powerful counter-narrative, as Newitz highlights the process of psychological disarmament, speaking with Indigenous archivists preserving their histories in new ways, activist storytellers and technology experts transforming social media.

This collection is devoted to exploring stereotypes about the social conditions of poor whites in the United States and comparing these stereotypes with the social reality.

This collection is devoted to exploring stereotypes about the social conditions of poor whites in the United States and comparing these stereotypes with the social reality.

In Pretend We’re Dead, Annalee Newitz argues that the slimy zombies and gore-soaked murderers who have stormed through American film and literature over the past century embody the violent contradictions of capitalism. Ravaged by overwork, alienated by corporate conformity, and mutilated by the unfettered lust for profit, fictional monsters act out the problems with an economic system that seems designed to eat people whole.Newitz looks at representations of serial killers, mad doctors, the undead, cyborgs, and unfortunates mutated by their involvement with the mass media industry. Whether considering the serial killer who turns murder into a kind of labor by mass producing dead bodies, or the hack writers and bloodthirsty actresses trapped inside Hollywood’s profit-mad storytelling machine, she reveals that each creature has its own tale to tell about how a freewheeling market economy turns human beings into monstrosities. Newitz tracks the monsters spawned by capitalism through b movies, Hollywood blockbusters, pulp fiction, and American literary classics, looking at their manifestations in works such as Norman Mailer’s “true life novel” The Executioner’s Song; the short stories of Isaac Asimov and H. P. Lovecraft; the cyberpunk novels of William Gibson and Marge Piercy; true-crime books about the serial killers Ted Bundy and Jeffrey Dahmer; and movies including Modern Times (1936), Donovan’s Brain (1953), Night of the Living Dead (1968), RoboCop (1987), The Silence of the Lambs (1991), and Artificial Intelligence: AI (2001). Newitz shows that as literature and film tell it, the story of American capitalism since the late nineteenth century is a tale of body-mangling, soul-crushing horror.

You don’t have to eat food to know the way to a city’s heart is through its stomach. So when a group of deactivated robots come back online in an abandoned ghost kitchen, they decide to make their own way doing what they know: making food—the tastiest hand-pulled noodles around—for the humans of San Francisco, who are recovering from a devastating war.But when their robot-run business starts causing a stir, a targeted wave of onestar reviews threatens to boil over into a crisis. To keep their doors open, they’ll have to call on their customers, their community, and each other—and find a way to survive and thrive in a world that wasn’t built for them.

In Stories Are Weapons, Annalee Newitz traces the way disinformation, propaganda and violent threats—the essential tool kit for psychological warfare—have evolved from military weapons deployed against foreign adversaries into tools in culture wars. Newitz delves into America’s deep-rooted history with psychological operations, beginning with Benjamin Franklin’s Revolutionary War–era fake newspaper and nineteenth-century wars on Indigenous nations, and reaching its apotheosis with the Cold War and twenty-first-century influence campaigns online. America’s secret weapon has long been coercive storytelling. And there’s a reason for that: operatives who shaped modern psychological warfare drew on their experiences as science fiction writers and in the advertising industry.Now, through a weapons-transfer programme long unacknowledged, psyops have found their way into the hands of culture warriors, transforming democratic debates into toxic wars over American identity. Newitz zeroes in on conflicts over race and intelligence, school board fights over LGBT students and campaigns against feminist viewpoints, revealing how, in each case, specific groups of Americans are singled out and treated as enemies of the state. Crucially, Newitz delivers a powerful counter-narrative, speaking with the researchers and activists who are outlining a pathway to achieving psychological disarmament and cultural peace.Incisive and essential, Stories are Weapons reveals how our minds have been turned into blood-soaked battlegrounds—and how we can put down our weapons to build something better.

She's Such a Geek is a ground-breaking anthology that celebrates women who have flourished in the male-dominated realms of technical and cultural arcana. Editors Annalee Newitz and Charlie Anders bring together a diverse range of critical and personal essays about the meaning of female nerdhood by women who are in love with genomics, obsessed with blogging, learned about sex from Dungeons and Dragons, and aren't afraid to match wits with men or computers. More than anything, She's Such a Geek is a celebration and call to arms: it's a hopeful book which looks forward to a day when women will invent molecular motors, design the next ultra-tiny supercomputer, and run the government.