Anne Bony – författare

Pierre Culot (1938-2011) was a Belgian ceramist and sculptor who was trained by Antoine de Vinck and English master potter Bernard Leach. He is one of the ceramists of the 1950s who transformed their craft into an art form. In his work, Pierre Culot passionately expresses his desire to be in the world, to be on earth and to be in nature the sole generator of life and beauty. The clay that he molds into slabs, scratches and enamels becomes containers for daily use with majestic presence. Over his career Culot aimed at mastery of his practice, shaping his pieces in terms of size and in surface effect, by combining the raw earth in each item with luxuriant enamels that had unique variations.  All of Culot’s life he remained faithful to his initial experience as a potter, evolving his ceramic works from basic forms (bowls, plates, jugs) to more daring shapes (cruciform vases, gourds, compound pots, inkwells), and even into the landscape space by sculpting garden walls. This book offers a complete overview of his unique and multi-faceted career in pottery, sculpture and landscaping.   Distributed for Mercatorfonds

"Abandoned, forgotten form is reborn in the arms of an all-embracing nature, an envelope within which the origin of the human being, of a society gives us a sensibility, a presence of a fertility." - Vincent DubourgA graduate of the École nationale supérieure des Arts Décoratifs in Paris, Vincent Dubourg is a designer and a plastic artist. In 2004, he caught the eye of Julien Lombrail, founder of the Carpenters Workshop Gallery, where he has been exhibiting since 2006. Present at major salons and shows - the Pavillon des Arts et du Design, Paris; Design Miami Basel - he has received many public commissions from institutions such as Galeries Lafayette, Swarovski, Vienna, the musée de la chasse et de la nature, Paris, and the Sketch restaurant in London, among others.Vincent says that he feeds himself on the capitals like Paris and New York, which he regularly visits, and digests them in his isolated studio in the Creuse department in France. There, he questions contemporary furniture through the prism of nature and the five elements, like a perfect control of metal. With him, buffet, table and chairs become hallucinatory objects shifting between sculpture and functional furniture. A major exhibit will be devoted to him at the Carpenters Workshop Gallery in New York in late 2017. Solo Show, Carpenters Workshop Gallery, New York, November 2017.

Born in 1935 in France, Jean-Louis Avril studied architecture at École nationale supérieure des Beaux-Arts. Technique is central to his building process. He is passionate about jazz and is interested in American minimal art, particularly the work of Donald Judd. This monograph traces his career and focuses on his furniture, which represents the taste and aspirations of a generation of baby boomers. The choice of Celloderm, a derivative of cardboard, allows for a simple and accurate design language. The solutions display strong ideas: a beautiful shape, a practical function, an accessible price. His creations are very successful. With the creation of the company Marty-Lac (Carton Applications) in 1967 associated with his father-in-law, he achieved commercial success by developing numerous models of furniture, seats, tables, bed, shelves and lighting. They offer a strategy, a catalogue, sales outlet and export to England with Hull traders. Faithful to his commitment as an architect, he also imagines interior spaces with great spatial efficiency.Text in French.