Anne Boyd Rioux – författare

Constance Fenimore Woolson (1840–1894), who contributed to Henry James’s conception of his heroine Isabelle Archer of The Portrait of a Lady, was one of the most accomplished American writers of the nineteenth century. The best known (and most misunderstood) facts of her life are her relationship with James and her suicide in Venice. Uncovering new sources, Anne Boyd Rioux provides a fuller picture of Woolson’s life, her fight against depression, her sources for her writing and her capacity for love and joy.As an expatriate in Europe, Woolson explored women’s thwarted ambitions while challenging the foremost male writers of her era. Rioux reveals an exceptional artist who pursued and received serious recognition despite the stigma attached to female authors.

Soon after its publication on 30 September 1868, Little Women became an enormous international bestseller. When Anne Boyd Rioux read it in her twenties, it had a powerful effect on her and through teaching it, she has seen its effect on many others. In Meg, Jo, Beth, Amy, she recounts Louisa May Alcott’s inspiration for the book and examines why this tale set in the American Civil War has resonated through time.Alcott’s novel has moved generations of women, amongst them writers such as Simone de Beauvoir, J.K. Rowling, Cynthia Ozick and Ursula K. Le Guin. Rioux sees the novel’s beating heart in its portrayal of family resilience and its look at the struggles of girls growing into women. In gauging its current status, she shows why it remains a book with such power that people carry its characters and spirit throughout their lives.

In this gathering Anne Boyd Rioux has chosen fiction over the course of Constance Fenimore Woolson’s life. Woolson’s stories travel from the rural Midwest to the deep South and then across the Atlantic to Italy and Britain.

Soon after its publication on 30 September 1868, Little Women became an enormous international bestseller. When Anne Boyd Rioux read it in her twenties, it had a powerful effect on her and through teaching it, she has seen its effect on many others. In Meg, Jo, Beth, Amy, she recounts Louisa May Alcott’s inspiration for the book and examines why this tale set in the American Civil War has resonated through time.Alcott’s novel has moved generations of women, amongst them writers such as Simone de Beauvoir, J.K. Rowling, Cynthia Ozick and Ursula K. Le Guin. Rioux sees the novel’s beating heart in its portrayal of family resilience and its look at the struggles of girls growing into women. In gauging its current status, she shows why it remains a book with such power that people carry its characters and spirit throughout their lives.

A beautiful new Deluxe Edition of Alcott''s beloved novel, with a foreword by National Book Award-winning author and musician Patti Smith. Nominated as one of America’s most-loved novels by PBS’s The Great American ReadLittle Women is recognized as one of the best-loved classic children''s stories, transcending the boundaries of time and age, making it as popular with adults as it is with young readers. The beloved story of the March girls is a classic American feminist novel, reflecting the tension between cultural obligation and artistic and personal freedom. But which of the four March sisters to love best? For every reader must have their favorite. Independent, tomboyish Jo; delicate, loving Beth; pretty, kind Meg; or precocious and artistic Amy, the baby of the family? The charming story of these four "little women" and their wise and patient mother Marmee enduring hardships and enjoying adventures in Civil War New England was an instant success when first published in 1868 and has been adored for generations.

A landmark of literary recovery: the first major edition of an overlooked genius who in her lifetime was considered 19th-century America's greatest woman writer In the eyes of her contemporaries, Constance Fenimore Woolson (1840-1894) ranked with George Eliot as one of the two greatest women writers of the English language. She wrote fiction of remarkable intellectual power that outsold those of her male contemporaries Henry James and Willian Dean Howells. James enshrined memories of his long, complicated friendship with Woolson in The Beast in the Jungle and The Wings of the Dove, and more recently Colm Tobin treated the relationship in his novel The Master. But Woolson's close association with James, and her likely suicide in Venice, have tended to overshadow her own literary accomplishments, pigeonholing her as a martyr to the male literary establishment. This volume, the most comprehensive gathering of Woolson's stories to date, represents the culmination of decades of recovery work done by scholars, and puts the focus back on the work, where it belongs.Set variously in the Great Lakes region, the post-Civil War South, and Europe, Woolson's short stories often concern outsiders of one kind or another--prophets and misfits living in remote landscapes, uneducated coal miners, impoverished spinsters, neglected nuns, a haunted caretaker of the dead, destitute southerners, and female artists driven to extreme behavior as they seek the admiration or approval of established (male) critics or writers. Woolson's minute realism captures both the social texture of her time and the inner emotional lives of these overlooked and marginalized characters. Most of all her writings startle us with their simmering intensity, their sensual descriptions of the environment, and refusal to smooth out the ambiguities and tensions that inevitably result from human efforts to communicate and connect. Her fiction is deeply human, resonating with a power across the centuries that makes them remarkably modern for today's readers.