Anne Desmet – författare

This in-depth guide to the art and craft of wood engraving, from a recognised expert in the field, offers a fount of information, advice and top tips into working effectively in this medium. Aimed both at beginners and at those with experience, Anne Desmet RA generously shares her extensive knowledge explaining traditional techniques in clear step-by-step stages. She also introduces new, unexpected, never-before-published ideas, possibilities and directions based on her own creative experiments with wood engraving over four decades.Wood Engraving – A Personal Approach invites both beginners and more experienced practitioners to engage with the processes and possibilities – orthodox and otherwise – of the art and craft of engraving on end-grain woodblocks to produce original, handmade prints of amazing diversity and finesse. Exploring, in particular, the medium’s great potential for creating images in light, the reader is supported on their own creative path with plenty of step-by-step guidance, top tips and user-friendly ideas and advice.Enriched with a wealth of inspiring images by the author herself, spanning her 40 years as a wood engraver, alongside excellent examples by other leading practitioners, the book extends well beyond the scope of other engraving manuals. While advocating and imparting traditional processes, the author actively encourages the breaking of the medium’s traditional boundaries using modern methods and technical innovations. The book facilitates a lively personal engagement by the reader who will be empowered to take up this historic medium and make it their own.This book explains how to prepare blocks, handle and sharpen tools, scale and prepare imagery for engraving using traditional approaches and the latest digital aids. Shares ideas to combine wood engraving with linocut, stencils and other mixed-media methods, as well as innovative collage-making on unusual surfaces. Features inspiring examples of prints using hand-printing and press-printing, in black and white and in blended colours, and new abstract compositions printed digitally. Offers a new perspective on a medium with extraordinary capacity for expressing light, shade and precision-cut detail

This jewel-like book evokes unmistakable Italian landscapes and cityscapes. Anne Desmet's pen commits every detail to paper, and the small-scale format emphasises her distinctive flair for capturing the relationship between extreme foreground and distance. This is an opportunity to explore Italy, from Apennines to Veneto, through the eyes of a very particular artist.

The Ashmolean Museum houses one of the most extensive collections of wood engravings in the world. The collection effectively began with the gift in 1964, by Arthur Mitchell, of over 3,000 prints, including a large group of wood engravings. During the 1980s and 1990s, it expanded remarkably with acquisitions of large groups of prints, often as gifts from the artists, resulted in a succession of monographic exhibitions on some of the most important wood engravers. They included John Farleigh (1986), John Buckland Wright (1990), Clare Leighton (1992), Monica Poole (1993) and Anne Desmet (1998). A key point in this period of expansion was the acquisition of a comprehensive body of work by Gertrude Hermes and Blair Hughes-Stanton in 1995 from the artists’ family, which resulted in a memorable exhibition organised by Katharine Eustace. More recently, the Ashmolean has formed a close partnership with the SWE, and has been keeping the collection up to date by acquiring work by members, both at the Society’s annual exhibition and privately.

The Ashmolean Museum houses one of the most extensive collections of wood engravings in the world. The collection effectively began with the gift in 1964, by Arthur Mitchell, of over 3,000 prints, including a large group of wood engravings. During the 1980s and 1990s, it expanded remarkably with acquisitions of large groups of prints, often as gifts from the artists, resulting in a succession of monographic exhibitions on some of the most important wood engravers. They included John Farleigh (1986), John Buckland Wright (1990), Clare Leighton (1992), Monica Poole (1993) and Anne Desmet (1998). A key point in this period of expansion was the acquisition of a comprehensive body of work by Gertrude Hermes and Blair Hughes-Stanton in 1995 from the artists' family, which resulted in a memorable exhibition organised by Katharine Eustace. More recently, the Ashmolean has formed a close partnership with the Society of Wood Engravers (SWE) and has been keeping the collection up to date by acquiring work by members, both at the Society's annual exhibition and privately.This exhibition catalogue covers the entire history of wood engraving, including every major artist of the genre.