Anne Green – författare

This 1982 book offers an evaluation of one of Flaubert's major and most controversial novels. Dr Green begins by discussing the nineteenth-century debate about the relation between history and fiction, and examines Flaubert's distinctive responses to it. Then, through a detailed study of the manuscript plans for Salammbô, she shows how Flaubert worked to develop a new kind of historical novel. She shows the balance in his work between careful historical research and imaginative reconstruction; she charts how he modified, amplified, or omitted certain elements in the sources, and suggests his reasons for doing so. The result is a case history of the historical novelist's imagination at work, and one which indicates illuminating perspectives with this area of research. Instead of escaping into a vanished world of the past, Flaubert drew on contemporary French social, political, and economic issues in his recreation of a distant and decadent civilisation nearing its end.

The French Second Empire (1852-70) was a time of exceptionally rapid social, industrial and technological change. French literature also underwent fundamental changes during this period as writers embraced ‘modernity’ and incorporated new technologies, fashions and inventions into their work. Focusing on cultural areas such as exhibitions, transport, food, dress and photography, ‘Changing France’ shows how apparently trivial aspects of modern life provided Second Empire writers with a versatile means of thinking about deeper issues. This volume brings literature and material culture together to reveal how writing itself changed as writers recognised the extraordinarily rich possibilities of expression opened up to them by the changing material world.

The French Second Empire (1852-70) was a time of exceptionally rapid social, industrial and technological change. French literature also underwent fundamental changes during this period as writers embraced ‘modernity’ and incorporated new technologies, fashions and inventions into their work. Focusing on cultural areas such as exhibitions, transport, food, dress and photography, ‘Changing France’ shows how apparently trivial aspects of modern life provided Second Empire writers with a versatile means of thinking about deeper issues. This volume brings literature and material culture together to reveal how writing itself changed as writers recognised the extraordinarily rich possibilities of expression opened up to them by the changing material world.

From hand-knitted mittens to exquisitely embroidered confections and Bluetooth-enabled gloves that function like a mobile phone, the extraordinary variety of gloves is a tribute to human ingenuity. So, too, is the diversity of their often contradictory cultural associations. Gloves have been linked to honour, status and identity, but also to decadence and deceit. Their powers have extended to marriage, magic and even murder.This beautifully illustrated history of gloves draws on examples from across the world to explore their cultural significance. Anne Green explores gloves both as material objects with their own fascinating history, and as fictional creations from folktale, literature and film. That rich heritage lies behind the recent resurgence of gloves as items of high fashion.