Anne Longmuir – författare

Victorian Literature: Criticism and Debates offers a comprehensive and critically engaging introduction to the study of Victorian literature and addresses the most popular and vibrant topics in the field today.Separated into twelve sections, this anthology investigates issues as diverse as neo-formalism, sensationalism, religion, evolution, psychology, gender and sexuality, colonialism, imperialism, and economics. Each section contains at least three classic essays from leading scholars which offer a variety of approaches and theories from the liveliest areas of current criticism and debate in the field. Each section concludes with a newly written essay from a subject expert that reflects on this work and looks forward to new directions. A sign-posted introduction to the key critical contributions in Victorian studies from the past twenty-five years sets the reader on their path.Providing both the essential criticism along with clear introductions and analysis, this book is the perfect guide for students and scholars of Victorian literature.

Victorian Literature: Criticism and Debates offers a comprehensive and critically engaging introduction to the study of Victorian literature and addresses the most popular and vibrant topics in the field today.Separated into twelve sections, this anthology investigates issues as diverse as neo-formalism, sensationalism, religion, evolution, psychology, gender and sexuality, colonialism, imperialism, and economics. Each section contains at least three classic essays from leading scholars which offer a variety of approaches and theories from the liveliest areas of current criticism and debate in the field. Each section concludes with a newly written essay from a subject expert that reflects on this work and looks forward to new directions. A sign-posted introduction to the key critical contributions in Victorian studies from the past twenty-five years sets the reader on their path.Providing both the essential criticism along with clear introductions and analysis, this book is the perfect guide for students and scholars of Victorian literature.

John Ruskin and the Victorian Woman Writer addresses the little-considered personal and literary relationships of John Ruskin and four major Victorian women writers: Elizabeth Barrett Browning, George Eliot, Elizabeth Gaskell, and Christina Rossetti. Drawing on new archival, primary research, the book provides detailed biographical contexts for each of these relationships before considering the interplay of each woman’s writing with Ruskin’s. Focusing on literature, art, economics, and gender, it offers close readings of a selection of each woman’s oeuvre alongside Ruskin’s prose to demonstrate the affinities and the moments of disagreement between Ruskin and these writers. Though primarily aimed at an academic audience, the book will also be of interest to general readers with a developed interest in nineteenth-century culture. It advances readers’ understandings of the complex web of influence that existed between Ruskin and women writers in the 1850s and 1860s, establishing the opportunities that Ruskin’s art theory offered women writers engaged with social questions and the apparent influence of these writers on Ruskin’s own emerging political economy. By analysing women writers’ responses to Ruskin’s work—and his response to theirs—this book complicates and challenges assumptions about Ruskin’s supposedly troubled relationship with women.

John Ruskin and the Victorian Woman Writer addresses the little-considered personal and literary relationships of John Ruskin and four major Victorian women writers: Elizabeth Barrett Browning, George Eliot, Elizabeth Gaskell, and Christina Rossetti. Drawing on new archival, primary research, the book provides detailed biographical contexts for each of these relationships before considering the interplay of each woman’s writing with Ruskin’s. Focusing on literature, art, economics, and gender, it offers close readings of a selection of each woman’s oeuvre alongside Ruskin’s prose to demonstrate the affinities and the moments of disagreement between Ruskin and these writers. Though primarily aimed at an academic audience, the book will also be of interest to general readers with a developed interest in nineteenth-century culture. It advances readers’ understandings of the complex web of influence that existed between Ruskin and women writers in the 1850s and 1860s, establishing the opportunities that Ruskin’s art theory offered women writers engaged with social questions and the apparent influence of these writers on Ruskin’s own emerging political economy. By analysing women writers’ responses to Ruskin’s work—and his response to theirs—this book complicates and challenges assumptions about Ruskin’s supposedly troubled relationship with women.

John Ruskin and the Victorian Woman Writer addresses the little-considered personal and literary relationships of John Ruskin and four major Victorian women writers: Elizabeth Barrett Browning, George Eliot, Elizabeth Gaskell, and Christina Rossetti. Drawing on new archival, primary research, the book provides detailed biographical contexts for each of these relationships before considering the interplay of each womans writing with Ruskins. Focusing on literature, art, economics, and gender, it offers close readings of a selection of each womans oeuvre alongside Ruskins prose to demonstrate the affinities and the moments of disagreement between Ruskin and these writers. Though primarily aimed at an academic audience, the book will also be of interest to general readers with a developed interest in nineteenth-century culture. It advances readers understandings of the complex web of influence that existed between Ruskin and women writers in the 1850s and 1860s, establishing the opportunities that Ruskins art theory offered women writers engaged with social questions and the apparent influence of these writers on Ruskins own emerging political economy. By analysing women writers responses to Ruskins worka "e;and his response to theirsa "e;this book complicates and challenges assumptions about Ruskins supposedly troubled relationship with women.