Music and the Commedia dell'Arte narrates the story of the most famous commedia dell'arte troupe of the late Renaissance, focusing in particular on the representation of women on stage and on the role of music-making in their craft. In its thorough integration of the fields of music history, theatre history, performance studies, women's studies and Classics, this is the first comprehensive analysis of the leading actresses of the Compagnia dei Gelosi and their contributions to the Renaissance stage. Including an extensive survey of documents concerning comedians, their patrons, colleagues and audiences, Music and the Commedia dell'Arte provides a rich context for the study of musical-theatrical performance before the advent of opera and re-defines our perceptions of women, music and theatre in the Renaissance.
The 100 poems presented in this volume represent a broad cross-section of Isabella Andreini's lyric poetry, both in its original language and in verse translations. Of the nearly 500 poems published in Andreini's two books of Rime in the first decade of the seventeenth century, the 100 included here optimally demonstrate Andreini's range of style, the diversity of genres in which she composed, her views on Renaissance court society, and her interactions with other poets and patrons of the late sixteenth century.An extensive historical and analytical introduction aims to deepen the reader's understanding of Andreini, and hopefully, to inspire further study of this poet's little-known writings, including her Fragmenti d'alcune scritture, and the remaining large share of her lyric poetry. Students and researchers specializing in comparative literatures, women's studies, and Italian studies will find this a helpful addition to their discipline.
Music and the Commedia dell'Arte narrates the story of the most famous commedia dell'arte troupe of the late Renaissance, focusing in particular on the representation of women on stage and on the role of music-making in their craft. In its thorough integration of the fields of music history, theatre history, performance studies, women's studies and Classics, this is the first comprehensive analysis of the leading actresses of the Compagnia dei Gelosi and their contributions to the Renaissance stage. Including an extensive survey of documents concerning comedians, their patrons, colleagues and audiences, Music and the Commedia dell'Arte provides a rich context for the study of musical-theatrical performance before the advent of opera and re-defines our perceptions of women, music and theatre in the Renaissance.
The 100 poems presented in this volume represent a broad cross-section of Isabella Andreini's lyric poetry, both in its original language and in verse translations. Of the nearly 500 poems published in Andreini's two books of Rime in the first decade of the seventeenth century, the 100 included here optimally demonstrate Andreini's range of style, the diversity of genres in which she composed, her views on Renaissance court society, and her interactions with other poets and patrons of the late sixteenth century.An extensive historical and analytical introduction aims to deepen the reader's understanding of Andreini, and hopefully, to inspire further study of this poet's little-known writings, including her Fragmenti d'alcune scritture, and the remaining large share of her lyric poetry. Students and researchers specializing in comparative literatures, women's studies, and Italian studies will find this a helpful addition to their discipline.