Anne Margaret Daniel – författare

''I tender these tales of the Jazz Age into the hands of those who read as they run and run as they read.'' Tales of the Jazz Age (1922) was Fitzgerald''s second collection of short stories, and it contains some of the best examples of his talent as a writer of short fiction. Often overshadowed by his major novels, Fitzgerald''s short stories demonstrate the same originality and inventive range, as he chronicles with wry and astute observation the temper of the hedonistic 1920s. In ''May Day'' and ''The Diamond as Big as the Ritz'', two of his greatest stories, he conjures up the spirit of the age; in other stories he adopts a variety of forms - parody, a one-act play, fantasy - with unrivalled versatility. ''The Curious Case of Benjamin Button'', a tale of a man living his life backwards, features among the ''Fantasies'' in Fitzgerald''s self-deprecatory Table of Contents, alongside the groupings ''My Last Flappers'' and ''Unclassified Masterpieces''.Fitzgerald chose the stories for his second collection when he was just twenty-five years old, and in the full flush of wild literary success. Tales of the Jazz Age is a quirky, electrifying selection reaching back into his college days, showing Fitzgerald''s strengths not only as one of America''s leading short story authors in the early 1920s, but as a playwright, farcical satirist, melodramatist, and fantastical novella-writer. He went in all these directions with equal ease and flash in 1922. Tales of the Jazz Age was a sensation then, and remains so now.ABOUT THE SERIES: For over 100 years Oxford World''s Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford''s commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

''I tender these tales of the Jazz Age into the hands of those who read as they run and run as they read.'' Tales of the Jazz Age (1922) was Fitzgerald''s second collection of short stories, and it contains some of the best examples of his talent as a writer of short fiction. Often overshadowed by his major novels, Fitzgerald''s short stories demonstrate the same originality and inventive range, as he chronicles with wry and astute observation the temper of the hedonistic 1920s. In ''May Day'' and ''The Diamond as Big as the Ritz'', two of his greatest stories, he conjures up the spirit of the age; in other stories he adopts a variety of forms - parody, a one-act play, fantasy - with unrivalled versatility. ''The Curious Case of Benjamin Button'', a tale of a man living his life backwards, features among the ''Fantasies'' in Fitzgerald''s self-deprecatory Table of Contents, alongside the groupings ''My Last Flappers'' and ''Unclassified Masterpieces''.Fitzgerald chose the stories for his second collection when he was just twenty-five years old, and in the full flush of wild literary success. Tales of the Jazz Age is a quirky, electrifying selection reaching back into his college days, showing Fitzgerald''s strengths not only as one of America''s leading short story authors in the early 1920s, but as a playwright, farcical satirist, melodramatist, and fantastical novella-writer. He went in all these directions with equal ease and flash in 1922. Tales of the Jazz Age was a sensation then, and remains so now.ABOUT THE SERIES: For over 100 years Oxford World''s Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford''s commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

'I tender these tales of the Jazz Age into the hands of those who read as they run and run as they read.' Tales of the Jazz Age (1922) was Fitzgerald's second collection of short stories, and it contains some of the best examples of his talent as a writer of short fiction. Often overshadowed by his major novels, Fitzgerald's short stories demonstrate the same originality and inventive range, as he chronicles with wry and astute observation the temper of the hedonistic 1920s. In 'May Day' and 'The Diamond as Big as the Ritz', two of his greatest stories, he conjures up the spirit of the age; in other stories he adopts a variety of forms - parody, a one-act play, fantasy - with unrivalled versatility. 'The Curious Case of Benjamin Button', a tale of a man living his life backwards, features among the 'Fantasies' in Fitzgerald's self-deprecatory Table of Contents, alongside the groupings 'My Last Flappers' and 'Unclassified Masterpieces'.Fitzgerald chose the stories for his second collection when he was just twenty-five years old, and in the full flush of wild literary success. Tales of the Jazz Age is a quirky, electrifying selection reaching back into his college days, showing Fitzgerald's strengths not only as one of America's leading short story authors in the early 1920s, but as a playwright, farcical satirist, melodramatist, and fantastical novella-writer. He went in all these directions with equal ease and flash in 1922. Tales of the Jazz Age was a sensation then, and remains so now.ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Part of the Norton Library seriesThe Norton Library edition of The Great Gatsby features the complete text of the first 1925 edition, along with a selection of earlier short stories by Fitzgerald: “Winter Dreams,” “Absolution,” and “The Sensible Thing.” An introduction by Anne Margaret Daniel sets the novel’s Jazz Age milieu, following Fitzgerald as he navigates the dramatic highs and lows of writing and publishing his masterwork.The Norton Library is a growing collection of high-quality texts and translations—influential works of literature and philosophy—introduced and edited by leading scholars. Norton Library editions prepare readers for their first encounter with the works that they’ll re-read over a lifetime.Inviting introductions highlight the work’s significance and influence, providing the historical and literary context students need to dive in with confidence.Endnotes and an easy-to-read design deliver an uninterrupted reading experience, encouraging students to read the text first and refer to endnotes for more information as needed.An affordable price (most $10 or less) encourages students to buy the book and to come to class with the assigned edition.About the Editor: Anne Margaret Daniel teaches literature at The New School in New York City and has published widely on Fitzgerald, Modernism, and music. She is the editor of I’d Die For You and Other Lost Stories, a collection of F. Scott Fitzgerald’s last previously unpublished short stories.

The cultural ubiquity of The Great Gatsby is such that it is tempting to think we know almost all there is to say about it. But F. Scott Fitzgerald's most famous work still has the capacity to surprise us. Perhaps few admirers of the novel know that it was also adapted for the stage by Owen Davis. In 1926 a successful production ran at the Ambassador Theater in New York City. This edition presents, for the first time in print, the original Broadway script: a fascinating social and literary document, now all but forgotten. The play re-forged Fitzgerald's novel into a fast-moving dramatization of parties and bootlegging, dancing and drinking, hot jazz, adultery and violence. It afforded an evening of first-rate entertainment for Manhattan theatergoers. Incorporating photographs of the original sets and actors, reviews, and publicity pasted into Fitzgerald's scrapbooks, this volume lifts the curtain anew on a singular drama.

**THE SUNDAY TIMES TOP TEN BESTSELLER** ‘This belated collection shows us the depths of Fitzgerald's vision and talent. Only now are we beginning to appreciate what was lost’ The PoolI'd Die for You is a collection of the last remaining unpublished short stories by F. Scott Fitzgerald, iconic author of The Great Gatsby and Tender Is the Night.  All eighteen short fictions collected here were lost in one sense or another: physically lost, coming to light only recently; lost in the turbulence of Fitzgerald's later life; lost to readers because his editors sometimes did not understand what he was trying to write. These fascinating stories offer a new insight into the arc of Fitzgerald's career, and demonstrate his stylistic agility and imaginative power as a writer at the forefront of Modern literature. Praise for I'd Die for You: ‘Superbly edited and annotated, this richly fascinating miscellany is a marvellous reminder of what was lost when, at forty-four, a coronary killed Fitzgerald’ Sunday Times ‘Forward-thinking for their time . . . Fitzgerald was a master of short story writing’ The Times ‘This much-vaunted collection of stories . . . is a ragtag bundle of surprises, curios, irrelevancies and delights . . . We can marvel at the strength of his imagination, his display of elegance and precision’ Sunday Telegraph ‘Readers will find much to enjoy in this gorgeously produced book’ New York Times ‘A beguiling meditation on the dark side of wealth and the American dream’ Independent

**THE SUNDAY TIMES TOP TEN BESTSELLER**‘This belated collection shows us the depths of Fitzgerald's vision and talent. Only now are we beginning to appreciate what was lost’ The PoolI'd Die for You is a collection of the last remaining unpublished short stories by F. Scott Fitzgerald, iconic author of The Great Gatsby and Tender Is the Night. All eighteen short fictions collected here were lost in one sense or another: physically lost, coming to light only recently; lost in the turbulence of Fitzgerald's later life; lost to readers because his editors sometimes did not understand what he was trying to write. These fascinating stories offer a new insight into the arc of Fitzgerald's career, and demonstrate his stylistic agility and imaginative power as a writer at the forefront of Modern literature. Praise for I'd Die for You:‘Superbly edited and annotated, this richly fascinating miscellany is a marvellous reminder of what was lost when, at forty-four, a coronary killed Fitzgerald’ Sunday Times‘Forward-thinking for their time . . . Fitzgerald was a master of short story writing’ The Times‘This much-vaunted collection of stories . . . is a ragtag bundle of surprises, curios, irrelevancies and delights . . . We can marvel at the strength of his imagination, his display of elegance and precision’ Sunday Telegraph‘Readers will find much to enjoy in this gorgeously produced book’ New York Times‘A beguiling meditation on the dark side of wealth and the American dream’ Independent

A collection of the last remaining unpublished and uncollected short stories by F. Scott Fitzgerald, the iconic American writer of The Great Gatsby who is more widely read today than ever. “A treasure trove of tales too dark for the magazines of the 1930s. Lucky us” (Newsday). “His best readers will find much to enjoy” (The New York Times Book Review).I’d Die For You, edited by Anne Margaret Daniel, is a collection of F. Scott Fitzgerald’s stories never widely shared. Some were submitted individually to major magazines during the 1930s and accepted for publication during Fitzgerald’s lifetime, but never printed. Some were written as movie scenarios and sent to studios or producers, but not filmed. Others are stories that could not be sold because their subject matter or style departed from what editors expected of Fitzgerald. Some of the eighteen stories were physically lost, coming to light only in the past few years. All were lost, in one sense or another: lost in the painful shuffle of the difficulties of Fitzgerald’s life in the middle 1930s; lost to readers because contemporary editors did not understand or accept what he was trying to write; lost because archives are like that. Readers will experience here Fitzgerald writing about controversial topics, depicting young men and women who actually spoke and thought more as young men and women did, without censorship. Rather than permit changes and sanitizing by his contemporary editors, Fitzgerald preferred to let his work remain unpublished, even at a time when he was in great need of money and review attention. Written in his characteristically beautiful, sharp, and surprising language, exploring themes both familiar and fresh, these stories provide new insight into the bold and uncompromising arc of Fitzgerald’s career. I’d Die For You is a revealing, intimate look at Fitzgerald’s creative process that shows him to be a writer working at the fore of modern literature—in all its developing complexities.