Anne-Marie Fortier – författare

The intensity of feeling that multiculturalism invariably ignites is considered in this timely analysis of how the ‘New Britain’ of the twenty-first century is variously re-imagined as multicultural. Introducing the concept of ‘multicultural intimacies’, Anne-Marie Fortier offers a new form of critical engagement with the cultural politics of multiculturalism, one that attends to ideals of mixing, loving thy neighbour and feelings for the nation.In the first study of its kind, Fortier considers the anxieties, desires, and issues that form representations of ‘multicultural Britain’ available in the British public domain. She investigates: the significance of gender, sex, generations and kinship, as well as race and ethnicity, in debates about cultural difference the consolidation of religion as a marker of absolute difference‘moral racism’, the criteria for good citizenship and the limits of civility. This book presents a unique analysis of multiculturalism that draws on insights from critical race studies, feminist and queer studies, postcolonialism and psychoanalysis.

The intensity of feeling that multiculturalism invariably ignites is considered in this timely analysis of how the ‘New Britain’ of the twenty-first century is variously re-imagined as multicultural. Introducing the concept of ‘multicultural intimacies’, Anne-Marie Fortier offers a new form of critical engagement with the cultural politics of multiculturalism, one that attends to ideals of mixing, loving thy neighbour and feelings for the nation.In the first study of its kind, Fortier considers the anxieties, desires, and issues that form representations of ‘multicultural Britain’ available in the British public domain. She investigates: the significance of gender, sex, generations and kinship, as well as race and ethnicity, in debates about cultural difference the consolidation of religion as a marker of absolute difference‘moral racism’, the criteria for good citizenship and the limits of civility. This book presents a unique analysis of multiculturalism that draws on insights from critical race studies, feminist and queer studies, postcolonialism and psychoanalysis.

This book traces the formation of Italian migrant belongings in Britain, and scrutinizes the identity narratives through which they are stabilized. A key theme of this study is the constitution of identity through both movement and attachment. The study follows the Italian identity project since 1975, when community leaders first raised concerns about ''the future of invisible immigrants''. The author uses the image of ''invisible immigrants'' as the starting point of her inquiry, for it captures the ambivalent position Italians occupy within the British political and social landscape. As a cultural minority absorbed within the white European majority, their project is steeped in the ideal of visibility that relies on various ''displays of presence''. Drawing on a wide range of material, from historical narratives, to political debates, processions, religious rituals, activities of the Women''s Club, war remembrances, card games, and beauty contests, the author explores the notion of migrant belongings in relation to performative acts that produce what they claim to be reproducing. She reveals how these acts work upon the historical and cultural environment to re-member localized terrains of migrant belongings, while they simultaneously manufacture gendered, generational and ethnicized subjects. Located at the crossroads of cultural studies, ''diaspora'' studies, and feminist/queer theory, this book is distinctive in connecting an empirical study with wider theoretical debates on identity. Nominated for the Philip Abrams Memorial Book Prize 2001.

New forms of transnational mobility and diasporic belonging have become emblematic of a supposed ‘global'' condition of uprootedness. Yet much recent theorizing of our so-called ‘postmodern'' life emphasizes movement and fluidity without interrogating who and what is ‘on the move''. This original and timely book examines the interdependence of mobility and belonging by considering how homes are formed in relationship to movement. It suggests that movement does not only happen when one leaves home, and that homes are not always fixed in a single location. Home and belonging may involve attachment and movement, fixation and loss, and the transgression and enforcement of boundaries. What is the relationship between leaving home and the imagining of home itself? And having left home, what might it mean to return? How can we re-think what it means to be grounded, or to stay put? Who moves and who stays? What interaction is there between those who stay and those who arrive and leave? Focusing on differences of race, gender, class and sexuality, the contributors reveal how the movements of bodies and communities are intrinsic to the making of homes, nations, identities and boundaries. They reflect on the different experiences of being at home, leaving home, and going home. They also explore ways in which attachment to place and locality can be secured - as well as challenged - through the movements that make up our dwelling places.Uprootings/Regroundings: Questions of Home and Migration is a groundbreaking exploration of the parallel and entwined meanings of home and migration. Contributors draw on feminist and postcolonial theory to explore topics including Irish, Palestinian, and indigenous attachments to ‘soils of significance''; the making of and trafficking across European borders; the female body as a symbol of home or nation; and the shifting grounds of ‘queer'' migrations and ‘creole'' identities.This innovative analysis will open up avenues of research an

This book traces the formation of Italian migrant belongings in Britain, and scrutinizes the identity narratives through which they are stabilized. A key theme of this study is the constitution of identity through both movement and attachment. The study follows the Italian identity project since 1975, when community leaders first raised concerns about ''the future of invisible immigrants''. The author uses the image of ''invisible immigrants'' as the starting point of her inquiry, for it captures the ambivalent position Italians occupy within the British political and social landscape. As a cultural minority absorbed within the white European majority, their project is steeped in the ideal of visibility that relies on various ''displays of presence''. Drawing on a wide range of material, from historical narratives, to political debates, processions, religious rituals, activities of the Women''s Club, war remembrances, card games, and beauty contests, the author explores the notion of migrant belongings in relation to performative acts that produce what they claim to be reproducing. She reveals how these acts work upon the historical and cultural environment to re-member localized terrains of migrant belongings, while they simultaneously manufacture gendered, generational and ethnicized subjects. Located at the crossroads of cultural studies, ''diaspora'' studies, and feminist/queer theory, this book is distinctive in connecting an empirical study with wider theoretical debates on identity. Nominated for the Philip Abrams Memorial Book Prize 2001.

New forms of transnational mobility and diasporic belonging have become emblematic of a supposed ‘global'' condition of uprootedness. Yet much recent theorizing of our so-called ‘postmodern'' life emphasizes movement and fluidity without interrogating who and what is ‘on the move''. This original and timely book examines the interdependence of mobility and belonging by considering how homes are formed in relationship to movement. It suggests that movement does not only happen when one leaves home, and that homes are not always fixed in a single location. Home and belonging may involve attachment and movement, fixation and loss, and the transgression and enforcement of boundaries. What is the relationship between leaving home and the imagining of home itself? And having left home, what might it mean to return? How can we re-think what it means to be grounded, or to stay put? Who moves and who stays? What interaction is there between those who stay and those who arrive and leave? Focusing on differences of race, gender, class and sexuality, the contributors reveal how the movements of bodies and communities are intrinsic to the making of homes, nations, identities and boundaries. They reflect on the different experiences of being at home, leaving home, and going home. They also explore ways in which attachment to place and locality can be secured - as well as challenged - through the movements that make up our dwelling places.Uprootings/Regroundings: Questions of Home and Migration is a groundbreaking exploration of the parallel and entwined meanings of home and migration. Contributors draw on feminist and postcolonial theory to explore topics including Irish, Palestinian, and indigenous attachments to ‘soils of significance''; the making of and trafficking across European borders; the female body as a symbol of home or nation; and the shifting grounds of ‘queer'' migrations and ‘creole'' identities.This innovative analysis will open up avenues of research an

The intensity of feeling that multiculturalism invariably ignites is considered in this timely analysis of how the ‘New Britain’ of the twenty-first century is variously re-imagined as multicultural. Introducing the concept of ‘multicultural intimacies’, Anne-Marie Fortier offers a new form of critical engagement with the cultural politics of multiculturalism, one that attends to ideals of mixing, loving thy neighbour and feelings for the nation.

In the first study of its kind, Fortier considers the anxieties, desires, and issues that form representations of ‘multicultural Britain’ available in the British public domain. She investigates:

the significance of gender, sex, generations and kinship, as well as race and ethnicity, in debates about cultural difference the consolidation of religion as a marker of absolute difference ‘moral racism’, the criteria for good citizenship and the limits of civility.

This book presents a unique analysis of multiculturalism that draws on insights from critical race studies, feminist and queer studies, postcolonialism and psychoanalysis.

The intensity of feeling that multiculturalism invariably ignites is considered in this timely analysis of how the ‘New Britain’ of the twenty-first century is variously re-imagined as multicultural. Introducing the concept of ‘multicultural intimacies’, Anne-Marie Fortier offers a new form of critical engagement with the cultural politics of multiculturalism, one that attends to ideals of mixing, loving thy neighbour and feelings for the nation.

In the first study of its kind, Fortier considers the anxieties, desires, and issues that form representations of ‘multicultural Britain’ available in the British public domain. She investigates:

the significance of gender, sex, generations and kinship, as well as race and ethnicity, in debates about cultural difference the consolidation of religion as a marker of absolute difference ‘moral racism’, the criteria for good citizenship and the limits of civility.

This book presents a unique analysis of multiculturalism that draws on insights from critical race studies, feminist and queer studies, postcolonialism and psychoanalysis.

Uncertainty is central to the governance of citizenship, but in ways that erase, even deny, this uncertainty. This book investigates uncertain citizenship from the unique vantage point of ‘citizenisation’: twenty-first-century integration and naturalisation measures that make and unmake citizens and migrants, while indefinitely holding many applicants for citizenship in what Fortier calls the ‘waiting room of citizenship’. Fortier’s distinctive theory of citizenisation foregrounds how the full achievement of citizenship is a promise that is always deferred: if migrants and citizens are continuously citizenised, so too are they migratised. Citizenisation and migratisation are intimately linked within the structures of racial governmentality that enables the citizenship of racially minoritised citizens to be questioned and that casts them as perpetual migrants. Drawing on multi-sited fieldwork with migrants applying for citizenship or settlement and with intermediaries of the state tasked with implementing citizenisation measures and policies, Fortier brings life to the waiting room of citizenship, giving rich empirical backing to her original theoretical claims. Scrutinising life in the waiting room enables Fortier to analyse how citizenship takes place, takes time and takes hold in ways that conform, exceed, and confound frames of reference laid out in both citizenisation policies and taken-for-granted understandings of ‘the citizen’ and ‘the migrant’. Uncertain Citizenship’s nuanced account of the social and institutional function of citizenisation and migratisation offers its readers a grasp of the array of racial inequalities that citizenisation produces and reproduces, while providing theoretical and empirical tools to address these inequalities.

Uncertainty is central to the governance of citizenship, but in ways that erase, even deny, this uncertainty. This book investigates uncertain citizenship from the unique vantage point of ‘citizenisation’: twenty-first-century integration and naturalisation measures that make and unmake citizens and migrants, while indefinitely holding many applicants for citizenship in what Fortier calls the ‘waiting room of citizenship’. Fortier’s distinctive theory of citizenisation foregrounds how the full achievement of citizenship is a promise that is always deferred: if migrants and citizens are continuously citizenised, so too are they migratised. Citizenisation and migratisation are intimately linked within the structures of racial governmentality that enables the citizenship of racially minoritised citizens to be questioned and that casts them as perpetual migrants.Drawing on multi-sited fieldwork with migrants applying for citizenship or settlement and with intermediaries of the state tasked with implementing citizenisation measures and policies, Fortier brings life to the waiting room of citizenship, giving rich empirical backing to her original theoretical claims. Scrutinising life in the waiting room enables Fortier to analyse how citizenship takes place, takes time and takes hold in ways that conform, exceed, and confound frames of reference laid out in both citizenisation policies and taken-for-granted understandings of ‘the citizen’ and ‘the migrant’. Uncertain Citizenship’s nuanced account of the social and institutional function of citizenisation and migratisation offers its readers a grasp of the array of racial inequalities that citizenisation produces and reproduces, while providing theoretical and empirical tools to address these inequalities.

This book traces the formation of Italian migrant belongings in Britain, and scrutinizes the identity narratives through which they are stabilized. A key theme of this study is the constitution of identity through both movement and attachment. The study follows the Italian identity project since 1975, when community leaders first raised concerns about 'the future of invisible immigrants'. The author uses the image of 'invisible immigrants' as the starting point of her inquiry, for it captures the ambivalent position Italians occupy within the British political and social landscape. As a cultural minority absorbed within the white European majority, their project is steeped in the ideal of visibility that relies on various 'displays of presence'. Drawing on a wide range of material, from historical narratives, to political debates, processions, religious rituals, activities of the Women's Club, war remembrances, card games, and beauty contests, the author explores the notion of migrant belongings in relation to performative acts that produce what they claim to be reproducing. She reveals how these acts work upon the historical and cultural environment to re-member localized terrains of migrant belongings, while they simultaneously manufacture gendered, generational and ethnicized subjects. Located at the crossroads of cultural studies, 'diaspora' studies, and feminist/queer theory, this book is distinctive in connecting an empirical study with wider theoretical debates on identity. Nominated for the Philip Abrams Memorial Book Prize 2001.

This book traces the formation of Italian migrant belongings in Britain, and scrutinizes the identity narratives through which they are stabilized. A key theme of this study is the constitution of identity through both movement and attachment. The study follows the Italian identity project since 1975, when community leaders first raised concerns about 'the future of invisible immigrants'. The author uses the image of 'invisible immigrants' as the starting point of her inquiry, for it captures the ambivalent position Italians occupy within the British political and social landscape. As a cultural minority absorbed within the white European majority, their project is steeped in the ideal of visibility that relies on various 'displays of presence'. Drawing on a wide range of material, from historical narratives, to political debates, processions, religious rituals, activities of the Women's Club, war remembrances, card games, and beauty contests, the author explores the notion of migrant belongings in relation to performative acts that produce what they claim to be reproducing. She reveals how these acts work upon the historical and cultural environment to re-member localized terrains of migrant belongings, while they simultaneously manufacture gendered, generational and ethnicized subjects. Located at the crossroads of cultural studies, 'diaspora' studies, and feminist/queer theory, this book is distinctive in connecting an empirical study with wider theoretical debates on identity. Nominated for the Philip Abrams Memorial Book Prize 2001.

New forms of transnational mobility and diasporic belonging have become emblematic of a supposed ‘global' condition of uprootedness. Yet much recent theorizing of our so-called ‘postmodern' life emphasizes movement and fluidity without interrogating who and what is ‘on the move'. This original and timely book examines the interdependence of mobility and belonging by considering how homes are formed in relationship to movement. It suggests that movement does not only happen when one leaves home, and that homes are not always fixed in a single location. Home and belonging may involve attachment and movement, fixation and loss, and the transgression and enforcement of boundaries. What is the relationship between leaving home and the imagining of home itself? And having left home, what might it mean to return? How can we re-think what it means to be grounded, or to stay put? Who moves and who stays? What interaction is there between those who stay and those who arrive and leave? Focusing on differences of race, gender, class and sexuality, the contributors reveal how the movements of bodies and communities are intrinsic to the making of homes, nations, identities and boundaries. They reflect on the different experiences of being at home, leaving home, and going home. They also explore ways in which attachment to place and locality can be secured - as well as challenged - through the movements that make up our dwelling places.Uprootings/Regroundings: Questions of Home and Migration is a groundbreaking exploration of the parallel and entwined meanings of home and migration. Contributors draw on feminist and postcolonial theory to explore topics including Irish, Palestinian, and indigenous attachments to ‘soils of significance'; the making of and trafficking across European borders; the female body as a symbol of home or nation; and the shifting grounds of ‘queer' migrations and ‘creole' identities.This innovative analysis will open up avenues of research an