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Anne Pierson Wiese's first collection of poems illuminates the everyday and the lessons to be learned amid life's routines. The poems in Floating City might be called poetry of place. Many are set in New York City, but they simultaneously inhabit a realm in which a mundane physical location or daily exchange can be seen to have human significance beyond the immediate. When one dismisses from one's mind the idea that going to the park, doing the laundry, buying a sandwich, and riding the subway are familiar experiences, one makes room for the actual to ally with the hypothetical by means of the emotions. The result, Wiese eloquently shows, is a form of truth that is silently generated whenever human beings earnestly endeavor to absorb the world.
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In Which Way Was North, Anne Pierson Wiese juxtaposes poems from her years living in New York City with work written after her relocation to South Dakota. By exploring local, historical, and personal sources, she invites readers to see an unmapped territory of the mind informed by these distinct regions of the United States.Suggesting that mundane physical places and daily routines can possess significance beyond the immediate, Which Way Was North offers elements such as wild grapevines and country cemeteries, along with subway preachers and weeds emerging from sidewalk cracks, as vital starting points for reflection. Fundamentally, Wiese's poems show that our individual powers of observation remain the most life-affirming response to the existential questions posed by our surroundings, regardless of where we happen to call home.