Anne Sauvagnargues – författare

In Deleuze and Art Anne Sauvagnargues, one of the world's most renowned Deleuze scholars, offers a unique insight into the constitutive role played by art in the formation of Deleuze's thought. By reproducing Deleuze's social and intellectual references, Sauvagnargues is able to construct a precise map of the totality of Deleuze's work, pinpointing where key Deleuzian concepts first emerge and eventually disappear. This innovative methodology, which Sauvagnargues calls "periodization", provides a systematic historiography of Deleuze's philosophy that remains faithful to his affirmation of the principle of exteriority. By analyzing the external relations between Deleuze's self-proclaimed three philosophical periods, Sauvagnargues gives the reader an inside look into the conceptual and artistic landscape that surrounded Deleuze and the creation of his philosophy. With extreme clarity and precision, Sauvagnargues provides an important glimpse into Deleuze's philosophy by reconstructing the social and intellectual contexts that contributed to the trajectory of his thought. This book is the product of insightful and careful research, which has not been made available to English readers of Deleuze before now.

The work of Deleuze immerses Kantian transcendental criticism into the dissolving bath of a renewed form of empiricism. Anne Sauvagnargues sets out to reconstruct this undertaking, and to analyse the astonishing creation of the concept of transcendental empiricism, which Deleuze pursues from his first monographs in 1953 to Différence et Répétition (1968), engaging in fertile debate and dialogue with the history of philosophy.How does Deleuze use distortion and collage to combine Hume's empiricism, Nietzsche's theory of the sign as force, Bergson's virtuality and multiplicities, Spinoza's modes and Simondon's impersonal individuation to renew Kantian theory of the transcendental? This is the overarching purpose of Sauvagnargues’ investigation, which takes us into the thinker's laboratory in order to grasp philosophy in the making and helps to explain the insistence of the transcendental in all of Deleuze’s work.

The work of Deleuze immerses Kantian transcendental criticism into the dissolving bath of a renewed form of empiricism. Anne Sauvagnargues sets out to reconstruct this undertaking, and to analyse the astonishing creation of the concept of transcendental empiricism, which Deleuze pursues from his first monographs in 1953 to Difference et Repetition (1968), engaging in fertile debate and dialogue with the history of philosophy.How does Deleuze use distortion and collage to combine Hume's empiricism, Nietzsche's theory of the sign as force, Bergson's virtuality and multiplicities, Spinoza's modes and Simondon's impersonal individuation to renew Kantian theory of the transcendental? This is the overarching purpose of Sauvagnargues’ investigation, which takes us into the thinker's laboratory in order to grasp philosophy in the making and helps to explain the insistence of the transcendental in all of Deleuze’s work.

The work of Deleuze immerses Kantian transcendental criticism into the dissolving bath of a renewed form of empiricism. Anne Sauvagnargues sets out to reconstruct this undertaking, and to analyse the astonishing creation of the concept of transcendental empiricism, which Deleuze pursues from his first monographs in 1953 to Difference et Repetition (1968), engaging in fertile debate and dialogue with the history of philosophy.How does Deleuze use distortion and collage to combine Hume's empiricism, Nietzsche's theory of the sign as force, Bergson's virtuality and multiplicities, Spinoza's modes and Simondon's impersonal individuation to renew Kantian theory of the transcendental? This is the overarching purpose of Sauvagnargues’ investigation, which takes us into the thinker's laboratory in order to grasp philosophy in the making and helps to explain the insistence of the transcendental in all of Deleuze’s work.

In Deleuze and Art Anne Sauvagnargues, one of the world's most renowned Deleuze scholars, offers a unique insight into the constitutive role played by art in the formation of Deleuze's thought. By reproducing Deleuze's social and intellectual references, Sauvagnargues is able to construct a precise map of the totality of Deleuze's work, pinpointing where key Deleuzian concepts first emerge and eventually disappear. This innovative methodology, which Sauvagnargues calls "periodization", provides a systematic historiography of Deleuze's philosophy that remains faithful to his affirmation of the principle of exteriority. By analyzing the external relations between Deleuze's self-proclaimed three philosophical periods, Sauvagnargues gives the reader an inside look into the conceptual and artistic landscape that surrounded Deleuze and the creation of his philosophy. With extreme clarity and precision, Sauvagnargues provides an important glimpse into Deleuze's philosophy by reconstructing the social and intellectual contexts that contributed to the trajectory of his thought. This book is the product of insightful and careful research, which has not been made available to English readers of Deleuze before now.

In Deleuze and Art Anne Sauvagnargues, one of the world's most renowned Deleuze scholars, offers a unique insight into the constitutive role played by art in the formation of Deleuze's thought. By reproducing Deleuze's social and intellectual references, Sauvagnargues is able to construct a precise map of the totality of Deleuze's work, pinpointing where key Deleuzian concepts first emerge and eventually disappear. This innovative methodology, which Sauvagnargues calls "periodization", provides a systematic historiography of Deleuze's philosophy that remains faithful to his affirmation of the principle of exteriority. By analyzing the external relations between Deleuze's self-proclaimed three philosophical periods, Sauvagnargues gives the reader an inside look into the conceptual and artistic landscape that surrounded Deleuze and the creation of his philosophy. With extreme clarity and precision, Sauvagnargues provides an important glimpse into Deleuze's philosophy by reconstructing the social and intellectual contexts that contributed to the trajectory of his thought. This book is the product of insightful and careful research, which has not been made available to English readers of Deleuze before now.

In Deleuze and Art Anne Sauvagnargues, one of the world's most renowned Deleuze scholars, offers a unique insight into the constitutive role played by art in the formation of Deleuze's thought. By reproducing Deleuze's social and intellectual references, Sauvagnargues is able to construct a precise map of the totality of Deleuze's work, pinpointing where key Deleuzian concepts first emerge and eventually disappear. This innovative methodology, which Sauvagnargues calls "periodization", provides a systematic historiography of Deleuze's philosophy that remains faithful to his affirmation of the principle of exteriority. By analyzing the external relations between Deleuze's self-proclaimed three philosophical periods, Sauvagnargues gives the reader an inside look into the conceptual and artistic landscape that surrounded Deleuze and the creation of his philosophy. With extreme clarity and precision, Sauvagnargues provides an important glimpse into Deleuze's philosophy by reconstructing the social and intellectual contexts that contributed to the trajectory of his thought. This book is the product of insightful and careful research, which has not been made available to English readers of Deleuze before now.

Across 13 essays – 12 of which were previously unavailable in English – Deleuze specialist Anne Sauvagnargues reveals the continuing potential of Deleuze, Guattari and Simondon to invent new concepts and new modes of creativity and existence. She redeploys their work, together with other key philosophers including Bergson, Lacan, Deligny and Ruyer, to create new concepts including geophilosophy, the artmachine, the ritornello, schizoanalysis and the machinic assemblage.