Annegret Oehme – författare

This study features essays from leading scholars highlighting the important Jewish contributions to the popular medieval genre of romance. Writing against strict notions of genre boundaries and canonization, this volume provides a new understanding of medieval and early modern romance through a working definition consisting of variable elements, including language, literary devices, plot, and characters. The contributions in this volume establish that many texts written in the medieval and early modern Jewish communities across Europe and beyond can be classified as "romance.” Each of the nine chapters as well as the afterword by Eli Yassif discusses romance as it relates to the medieval and early modern Jewish world, as well as the greater non-Jewish context. This volume places Jewish texts into the scholarly conversation as sources for forming a new understanding of the genre of romance across religious and cultural boundaries.

This publication uncovers two previously dismissed pre-modern adaptations of the Middle High German Wigalois (1215) by exploring their different approaches to female agency in comparison with the original Wigalois, the Yiddish Viduvilt (14th ct.) and the German Wigoleis (15th ct.). Traditionally, scholarship often concentrated on the Yiddish text presenting female figures as behaving in a "Jewish manner" or embodying famous Jewish mythical figures such as Lilith (see Achim Jaeger / Robert G. Warnock). Rather than trying to argue for or against a figure’s "Jewishness," I evaluate these interpretations from the perspective of Arthurian Literature by showing that the construction of female agency is at the center of all three adaptations of this important chapter of German-Jewish literature and culture.