Anneke Bokern - Böcker

Whatever Rotterdam may be, it is not a cliché image of Holland. Maybe that is exactly the reason why characterizations of the city usually cannot do without a comparison with arch-rival Amsterdam. In contrast to its picture-perfect big sister, war-traumatized Rotterdam is full of urban ruptures: buildings come and go like in no other Dutch city. The transitory nature of architecture might also be related to its identity as a harbour city. “Other cities have a harbour, but in Rotterdam the harbour has a city”, goes a local saying. The book Rotterdam. Architectural Guide presents 150 buildings, arranged by neighbourhood. On this foray through the city, the reader is introduced to its history – from the Dutch Golden Age in the 17th century to the massive expansion of the harbour in the 19th century, from “the beautiful merchant’s city” to industrial Rotterdam –, even if the focus is clearly on the 20th century and on the latest developments. For although the social problems are great, the city has recently become much more attractive. Around 2014 four iconic buildings were opened: high-rise De Rotterdam, the new Central Station, Markthal, and Timmerhuis. They kicked off a brand-new hype. At the other end of the spectrum lies a range of bottom-up, low-budget projects. Rotterdam offered ample space for such initiatives, with its openness for experiments and and the idea of the city as a prototype that continues to spread there. In combination with the upgrading of the city centre and the gentrification of former harbour areas, all this led to Rotterdam suddenly being called the “Dutch Brooklyn”, praising its off-beat charm in comparison to overcrowded, mainstream Amsterdam. The book Rotterdam. Architectural Guide shows where this charm comes from and where you can find it.

Ten critics from different European countries discuss 20 outstanding architecture projects in Luxembourg. Their texts open up new perspectives on contemporary architecture in the Grand Duchy and enable readers to get involved in the architectural debate, as after all, they will be the ones to determine who wins the Luxembourg Prize for Architectural Criticism for the first time.Texts/Textes/Texte:Anneke Bokern, Beatrix Flagner, Jakub Gołębiewski, Werner Huber, Jean Philippe Hugron, David Kasparek, Inês Moreira, Maik Novotny, Tom Ravenscroft, Christophe Van GerreweyIn cooperation with the OAI, LuxembourgEn partenariat avec l'OAI, LuxembourgIn Zusammenarbeit mit dem OAI, Luxemburg

Das Buch dokumentiert die spannendsten Projekte von Amsterdams aktueller Architekturszene – darunter schwimmende Häuser, Hotels in ehemaligen Brückenwärterhäuschen und sorgsam sanierte Kulturdenkmäler wie das Felix Meritis oder eine Fahrradgarage unter einem Hafenbecken. Die gebauten Vorzeigeprojekte geben Einblick in Amsterdams urbane Resilienz und innovative Ansätze im Wohnungsbau. Ergänzende Essays und Interviews mit den Protagonisten und Protagonistinnen der Architektur blicken hinter die Kulissen in die Ideenwerkstatt. Sie thematisieren etwa neue Wohnformen, adaptive Architekturkonzepte und die Wiederentdeckung der ehemaligen Hafen- und Gewerbegebiete am Ufer des IJ. Damit vervollständigen die Beiträge das Bild einer lebhaften und in die Zukunft gerichteten Baukultur.

The book documents the most exciting projects in Amsterdam's current architectural scene, including floating houses, hotels in former bridge keepers' cottages, and carefully renovated cultural monuments such as the Felix Meritis or a bicycle garage under a harbour basin. The built showcase projects provide an insight into Amsterdam's urban resilience and innovative approaches to housing. Supplementary essays and interviews with the protagonists of architecture take a look behind the scenes of their ideas workshop. They focus, for example, on new forms of housing, adaptive architectural concepts and the rediscovery of the former port and commercial areas on the banks of the IJ. The contributions complete the picture of a vibrant and forward-looking architectural culture.