Annette Lassen - Böcker

This book is about the Old Norse god Odin. It includes references to all occurrences of Odin in the Old Norse/Icelandic texts, including Saxo’s Gesta Danorum, the eddic poems, Snorri’s Edda, and Ynglinga saga and analyses the high medieval reception and literary representations of Odin rather than the religious character of the god. This is the only existing study of Odin in all the Old Norse/Icelandic texts and applies a contextual method: the different guises of Odin are studied on the basis of the various textual contexts and on their background in the literary and Christian intellectual milieu of the time. Contrary to existing studies, this method is non-reductive in that it does not aim at providing a synthesis about Odin’s original nature on the basis of the differing textual uses of Odin in the Middle Ages. The book argues that the perceived complexity of Odin, often highlighted in research, is first and foremost a function of the complex textual material spanning a wide variety of genres each with its particular literary conventions and of the reception of Odin in early modern and modern mythological studies.

This book is about the Old Norse god Odin. It includes references to all occurrences of Odin in the Old Norse/Icelandic texts, including Saxo’s Gesta Danorum, the eddic poems, Snorri’s Edda, and Ynglinga saga and analyses the high medieval reception and literary representations of Odin rather than the religious character of the god. This is the only existing study of Odin in all the Old Norse/Icelandic texts and applies a contextual method: the different guises of Odin are studied on the basis of the various textual contexts and on their background in the literary and Christian intellectual milieu of the time. Contrary to existing studies, this method is non-reductive in that it does not aim at providing a synthesis about Odin’s original nature on the basis of the differing textual uses of Odin in the Middle Ages. The book argues that the perceived complexity of Odin, often highlighted in research, is first and foremost a function of the complex textual material spanning a wide variety of genres each with its particular literary conventions and of the reception of Odin in early modern and modern mythological studies.

This book offers an accessible and concise introduction to the sagas of Icelanders, perfect for both general and academic readers. Authored by a recognized expert, it immerses readers in the sagas’ world, exploring their cultural and historical context. The book surveys major themes such as belief systems, family dynamics, legal matters, honor, and gender roles, elucidating Icelandic society’s fundamental worldview. Covering diverse tales from the Middle Ages, the sagas depict the struggles of ordinary farmers, fierce heroes, and shrewd women, including epic expeditions to Greenland and Vinland. The book also examines the influence of foreign literature, manuscript evidence, and dating, categorizing the sagas into three periods. Additionally, it explores their unique literary style, including paranormal elements and skaldic poetry. The final section provides concise summaries and information about the dating, manuscripts, and transmission of the forty preserved sagas, offering a comprehensive understanding of these captivating narratives.

This book offers an accessible and concise introduction to the sagas of Icelanders, perfect for both general and academic readers. Authored by a recognized expert, it immerses readers in the sagas’ world, exploring their cultural and historical context. The book surveys major themes such as belief systems, family dynamics, legal matters, honor, and gender roles, elucidating Icelandic society’s fundamental worldview. Covering diverse tales from the Middle Ages, the sagas depict the struggles of ordinary farmers, fierce heroes, and shrewd women, including epic expeditions to Greenland and Vinland. The book also examines the influence of foreign literature, manuscript evidence, and dating, categorizing the sagas into three periods. Additionally, it explores their unique literary style, including paranormal elements and skaldic poetry. The final section provides concise summaries and information about the dating, manuscripts, and transmission of the forty preserved sagas, offering a comprehensive understanding of these captivating narratives.