Annie Cohen-Solal – författare

Soon after his arrival in 1901, he was flagged as an anarchist by the security services—the first of many entries in an extensive case file. Though he became increasingly wealthy as his reputation grew worldwide, Picasso’s art was largely excluded from public collections in France for the next four decades. The genius who conceived Guernica in 1937 as a visceral statement against fascism was even denied French citizenship three years later, on the eve of the Nazi occupation. In France, Picasso faced a triple stigma—as a foreigner, a political radical, and an avant-garde artist.Picasso the Foreigner approaches the artist from an entirely new angle, making use of long-overlooked archival sources. In this groundbreaking narrative, Picasso emerges as an artist who ignored national modes in favor of contemporary cosmopolitan forms. Annie Cohen-Solal reveals how Picasso strategized and fought to preserve his agency, eventually leaving Paris for good in 1955. He chose the south over the north and craftspeople over academicians, while simultaneously achieving widespread fame. The artist never became a citizen of France, yet he dynamized the country’s culture like few other figures in its history. This book, for the first time, explains how.

From a description of Sartre's hitherto unknown father to the painful last moments of Sartre's declining years, this intimate portrait incorporates previously untold aspects of Sartre's private, political, and literary life, in a new edition of the acclaimed biography, honoring the centennial of Sartre's birth. Reprint.

Christo and Jeanne-Claude are renowned above all for their ephemeral yet monumental interventions in landscapes and cities. Fabric is a defining feature of their projects; they use it to wrap, conceal and otherwise manipulate our visual perception of the world. They have created numerous oil barrel sculptures and installations since the beginning of their careers, though these are less well known. This book is dedicated to these barrel creations, a niche portion of two great artists' ouevre.In the late 1950s, Christo started to wrap used oil drums which he had found on scrapyards or bought cheaply at recycling sites. Later, he began piling the untreated oil drums to form ever larger structures. The largest project of this kind to date is a giant sculpture made up of 410,000 oil barrels in the desert of the United Arab Emirates. The project has been developing since 1977; ever since the death of Jeanne-Claude in 2009, Christo has continued it on his own.This book, published to accompany a large exhibition at Fondation Maeght in the south of France, shows many photos as well as images of drawings and collages, some of which have never been published before. They offer a comprehensive insight into Christo and Jeanne-Claude's oil barrel projects. Significantly, it contains a detailed documentation of a sculpture specially created by Christo for the famous Giacometti courtyard at Fondation Maeght. Exhibition: 4 June - 27 November 2016, Fondation Maeght, Saint-Paul-de-Vence, France.