Annie Finch - Böcker

In this micro-book, acclaimed “Poetry-Witch” Annie Finch harvests her Spells, spun at the intersection of magic, word, and world. These ritual poems invite readers to experience words not just in the mind, but also in the body and spirit. Celebrated for her extraordinary love and knowledge of poetic craft and commitment to female, earth-centered spirituality, Finch has created a haunting innovative voice and radically traditional aesthetic.

In two intertwined songs, a feminist epic poem and a dreamlike opera libretto, Among the Goddesses traces one woman’s harrowing mythological journey of discovery. Tutored by encounters with seven Goddesses, both frightening and nurturing, Marie/Lily is tested by loss, rape, and abortion as she finds her community and her spiritual strength. This magical book embodies the goddesses in every woman and gives voice to the power of the feminist spirituality movement.

A landmark literary anthology of poems, stories, and essays, Choice Words collects essential voices that renew our courage in the struggle to defend reproductive rights. Twenty years in the making, the book spans continents and centuries. This collection magnifies the voices of people reclaiming the sole authorship of their abortion experiences. These essays, poems, and prose are a testament to the profound political power of defying shame. Contributors include Ai, Amy Tan, Anne Sexton, Audre Lorde, Bobbie Louise Hawkins. Camonghne Felix, Carol Muske-Dukes, Diane di Prima, Dorothy Parker, Gloria Naylor, Gloria Steinem, Gwendolyn Brooks, Jean Rhys, Joyce Carol Oates, Judith Arcana, Kathy Acker, Langston Hughes, Leslie Marmon Silko, Lindy West, Lucille Clifton, Mahogany L. Browne, Margaret Atwood, Molly Peacock, Ntozake Shange, Ruth Prawer Jhabvala, Sharon Doubiago, Sharon Olds, Shirley Geok-lin Lim, Sholeh Wolpe, Ursula Le Guin, and Vi Khi Nao.

A landmark literary anthology of poems, stories, and essays, Choice Words collects essential voices that renew our courage in the struggle to defend reproductive rights. Twenty years in the making, the book spans continents and centuries. This collection magnifies the voices of people reclaiming the sole authorship of their abortion experiences. These essays, poems, and prose are a testament to the profound political power of defying shame. Contributors include Ai, Amy Tan, Anne Sexton, Audre Lorde, Bobbie Louise Hawkins. Camonghne Felix, Carol Muske-Dukes, Diane di Prima, Dorothy Parker, Gloria Naylor, Gloria Steinem, Gwendolyn Brooks, Jean Rhys, Joyce Carol Oates, Judith Arcana, Kathy Acker, Langston Hughes, Leslie Marmon Silko, Lindy West, Lucille Clifton, Mahogany L. Browne, Margaret Atwood, Molly Peacock, Ntozake Shange, Ruth Prawer Jhabvala, Sharon Doubiago, Sharon Olds, Shirley Geok-lin Lim, Sholeh Wolpe, Ursula Le Guin, and Vi Khi Nao.

With its intricate rhyme scheme and dance-like pattern of repeated lines, its marriage of recurrence and surprise, the villanelle has fascinated poets ever since it was introduced almost two centuries ago. Many well-known names in the past have tried their hand at it, and the villanelle is enjoying a revival among writers today. The poems collected here range from the classic villanelles of the nineteenth century - by Thomas Hardy, Edwin Arlington Robinson, Oscar Wilde and others - to such famous and memorable examples as Dylan Thomas's 'Do not go gentle into that good night,' Elizabeth Bishop's 'One Art' and Sylvia Plath's 'Mad Girl's Love Song'. Here too are the cutting-edge works of contemporary poets, including Seamus Heaney, Paul Muldoon, Sherman Alexie and Rita Dove, demonstrating the dazzling variety that can be found within the parameters of a single strict poetic form.

Two contemporary poets turns their attention to poetry as a living, rhythmic, often musical performance. Their wide-ranging selections encompass epic, folk songs, the Romantics, the Victorians, poets of the Harlem Renaissance and contemporary hip hop. For many readers, the most familiar poetic metre is the iambic pentameter of Shakespeare, but this only scratches the surface of the extraordinary diversity of rhythmic patterns that poets have employed over the ages. Measure for Measure has sections on Accentual Metre (Kipling, Bishop, Auden), Trochees (Blake, Dickinson, Dorothy Parker), Anapests (Byron, Frost, Langston Hughes); other sections cover iambs, ballads, and more exotic metres like amphibrachs, dipodics, hendecasyllabics and sapphics