Annik LaFarge – författare

A modern take on a classical icon: this “luminous book” (Susan Orlean, New York Times bestselling author of The Library Book) tells the story of when, where, and how Chopin composed his most famous work, uncovering many surprises along the way and showing how his innovative music still animates and thrives in our culture centuries later.In this widely-praised book, Annik LaFarge presents a very different Frédéric Chopin from the melancholy, sickly, Romantic figure that has predominated for so long. The artist she discovered is, instead, a purely independent—and endlessly relevant—spirit: an innovator who created a new musical language; an autodidact who became a spiritually generous, trailblazing teacher; a stalwart patriot during a time of revolution, pandemic, and exile. One of America’s foremost pianists, Jeremy Denk, wrote in The New York Times: “It is almost impossible for me to imagine a world in which [Chopin’s “Funeral March”] is both fresh and tragic, where its death is real. LaFarge’s charming and loving new book attempts to recover this world…This book took me into many unexpected corners…For a book about death, it’s bursting with life and lively research.” In this “entertaining dual music history and memoir” (Publishers Weekly), a “seamless blend of the musical and literary verve” (Kirkus Reviews, starred review) LaFarge “brilliantly traces the footsteps of Chopin’s life” (Scott Yoo, host of PBS Now Hear This) during the three years, 1837–1840, when he composed the now-iconic Funeral March, using its composition story to illuminate the key themes of Chopin’s life. As part of her research into Chopin’s world, then and now, LaFarge visited piano makers, monuments, churches, and archives; she talked to scholars, jazz musicians, video game makers, music teachers, theater directors, and of course dozens of pianists. She has given us, says pianist, author, and New York Times columnist Michael Kimmelman, “a tour-de-force and journey of the soul.” It is an engrossing, “impeccably researched” (Library Journal) work of musical discovery and an artful portrayal of a man whose work and life continue to inspire artists and cultural innovators in astonishing ways. An acclaimed companion website, WhyChopin, presents links to each piece of music mentioned in the book, organized by chapter, along with photos, resources, and more.

The most comprehensive, up-to-date, and acclaimed guide to the High Line by the leading expert on the history of the park—now in a fully revised editionBuilt atop a former freight railroad, the "park in the sky" is regularly cited as one of the premiere examples of adaptive reuse and quickly became one of New York's most popular destinations, attracting more than 8 million visitors a year. This updated Third Edition of On the High Line— published to coincide with the fifteenth anniversary of the park's opening—remains the definitive guide to the park that transformed an entire neighborhood and became an inspiration to cities around the globe.In short entries organized by roughly two city block sections, the guide provides rich details about everything in view on both sides of the park. Illustrated with more than 110 black & white photographs, it covers historic and modern architecture; plants and horticulture; and important industries and technological innovations that developed in the neighborhoods the park traverses, from book publishing and food distribution to the introduction of cold storage and the development of radar, the elevator, and talking movies. Updated to include newly opened sections of the park, this edition also features a new conversation pertaining to the more controversial side of the High Line's story and how it became a poster child for the most grievous manifestations of gentrification and inequity in public spaces. Author Annik LaFarge provides a frank discussion on how the park's leadership created a platform for discussing these issues and for advising other projects on how to work more inclusively and from a social justice and equity perspective.On the High Line serves as an educated travel companion, someone invisibly perched on a visitor's shoulder who can answer every question, including what was here before, moving back in time through the early 20th century, the Industrial Revolution, and the colonial and pre-European times when this stretch of what we call Manhattan was home to the Lenape people and much of it was covered by the waters of the Hudson River. A companion website with more than 650 photos—historic, contemporary, rooftop and aerial—can be viewed at HighLineBook.com.

The first and only book devoted to the landscape Frederic Church designed at Olana—what he considered his greatest work of art—timed to coincide with the bicentennial of his birthModelled on her acclaimed On the High Line (now in its third edition from Fordham University Press), Composing Olana unfolds as a series of walks along the seven carriage roads Frederic Edwin Church built here in 1860s–1880s. Along the way, LaFarge unpacks the history of everything we see, and much that we don’t, in the greater landscape, from the Ice Age geology that created it to the artists and conservationists who preserved it. We learn about lesser-known women painters of the Hudson River School; the Native Peoples who lived here before the Europeans arrived; and the mentorship of Church’s only teacher, Thomas Cole.Archival letters, diaries, and historic accounts reveal Church’s vital role in preserving Niagara Falls; his contributions to Central Park and the Metropolitan Museum of Art; and his engagement with music, photography, and global exploration throughout the second half of the nineteenth century.Published to coincide with the 200th anniversary of his birth, Composing Olana enables readers to finally comprehend Church’s vital, and still not properly recognized, place in the American story. Illustrated with dozens of historic and contemporary photographs, it is both a guidebook and a meditation on American art, landscape, and preservation.An innovative companion website, OlanaBook.com, provides hundreds of photos, audio clips from the soundscape, and an interactive version of the specially created "Rambler’s Map." Designed as an accessible and lively companion for armchair readers and park visitors, Composing Olana shows why this landscape, still intact today, matters so profoundly in the history of American art and public parks.

A modern take on a classical icon: this “luminous book” (Susan Orlean, New York Times bestselling author of The Library Book) tells the story of when, where, and how Chopin composed his most famous work, uncovering many surprises along the way and showing how his innovative music still animates and thrives in our culture centuries later.In this widely-praised book, Annik LaFarge presents a very different Frédéric Chopin from the melancholy, sickly, Romantic figure that has predominated for so long. The artist she discovered is, instead, a purely independent—and endlessly relevant—spirit: an innovator who created a new musical language; an autodidact who became a spiritually generous, trailblazing teacher; a stalwart patriot during a time of revolution, pandemic, and exile. One of America’s foremost pianists, Jeremy Denk, wrote in The New York Times: “It is almost impossible for me to imagine a world in which [Chopin’s “Funeral March”] is both fresh and tragic, where its death is real. LaFarge’s charming and loving new book attempts to recover this world…This book took me into many unexpected corners…For a book about death, it’s bursting with life and lively research.” In this “entertaining dual music history and memoir” (Publishers Weekly), a “seamless blend of the musical and literary verve” (Kirkus Reviews, starred review) LaFarge “brilliantly traces the footsteps of Chopin’s life” (Scott Yoo, host of PBS Now Hear This) during the three years, 1837–1840, when he composed the now-iconic Funeral March, using its composition story to illuminate the key themes of Chopin’s life. As part of her research into Chopin’s world, then and now, LaFarge visited piano makers, monuments, churches, and archives; she talked to scholars, jazz musicians, video game makers, music teachers, theater directors, and of course dozens of pianists. She has given us, says pianist, author, and New York Times columnist Michael Kimmelman, “a tour-de-force and journey of the soul.” It is an engrossing, “impeccably researched” (Library Journal) work of musical discovery and an artful portrayal of a man whose work and life continue to inspire artists and cultural innovators in astonishing ways. An acclaimed companion website, WhyChopin, presents links to each piece of music mentioned in the book, organized by chapter, along with photos, resources, and more.

Probablemente casi todo el mundo haya escuchado, en una versión u otra, la cadencia plúmbea de los acordes que abren la célebre "Marcha fúnebre" de Chopin. Sin embargo, la historia que rodea a la composición de la Sonata para piano n.º 2, opus 35, de la que la marcha forma parte, va mucho más allá del cliché al que la melodía se ha visto reducida en nuestros días. En este libro, Annik LaFarge sigue los pasos de Chopin entre 1837 y 1840, los años que dedicó a la composición de su pieza más famosa, para trazar un retrato íntimo y original de un creador inigualable: su compromiso con la Polonia que le vio nacer, su complicada relación con la escritora George Sand, su inestimable labor pedagógica, el desarrollo del piano y su consolidación como un instrumento clave en el canon musical europeo, el bullicio político, artístico y científico de una Europa que daba sus primeros pasos en una modernidad deslumbrante... Todos estos elementos confluyen en un viaje que nos lleva desde Polonia, a través del París revolucionario, hasta el invierno de Mallorca y de vuelta a Francia, a la finca de George Sand en Nohant, en la que escribió las últimas notas de su carismática creación, para presentarnos la obra y la vida de un artista y una música que siguen interpelándonos después de casi dos siglos.