Anthea Taylor – författare

This intellectually vibrant volume is the first collection to deal with Australian celebrity in ways that account for both cultural and gendered specificities, demonstrating how gendered ways of imagining Australia are reinforced and contested in celebrity representations and self-presentations.

Gender and Australian Celebrity Culture engages with celebrities across a diverse range of fields – actors, journalists, athletes, comedians, writers, and television personalities – and in doing so critically reflects upon different forms of Australian fame and the media platforms and practices that sustain them. Authors in this volume engage directly with pertinent issues relating to gender and sexuality, including celebrity feminism and the generative capacity of feminist rage; normative femininity and its instability; hegemonic masculinities; and queerness and its (in)visibility. Contributors also intervene in a number of ongoing debates in media and cultural studies more broadly, including those around the politics and affordances of digital media; whiteness and Australia’s colonial histories; celebrity labour; and methodologies for celebrity studies. This timely collection urges scholars of celebrity to attend further both to the gendered nature of celebrity culture and to local conditions of production and consumption.

This book will be of key interest to researchers and graduate students in cultural studies, television and film studies, digital media studies, critical race and whiteness studies, gender and sexuality studies, and literary studies.

This intellectually vibrant volume is the first collection to deal with Australian celebrity in ways that account for both cultural and gendered specificities, demonstrating how gendered ways of imagining Australia are reinforced and contested in celebrity representations and self-presentations.

Gender and Australian Celebrity Culture engages with celebrities across a diverse range of fields – actors, journalists, athletes, comedians, writers, and television personalities – and in doing so critically reflects upon different forms of Australian fame and the media platforms and practices that sustain them. Authors in this volume engage directly with pertinent issues relating to gender and sexuality, including celebrity feminism and the generative capacity of feminist rage; normative femininity and its instability; hegemonic masculinities; and queerness and its (in)visibility. Contributors also intervene in a number of ongoing debates in media and cultural studies more broadly, including those around the politics and affordances of digital media; whiteness and Australia’s colonial histories; celebrity labour; and methodologies for celebrity studies. This timely collection urges scholars of celebrity to attend further both to the gendered nature of celebrity culture and to local conditions of production and consumption.

This book will be of key interest to researchers and graduate students in cultural studies, television and film studies, digital media studies, critical race and whiteness studies, gender and sexuality studies, and literary studies.

Germaine Greer is one of the most enduring and influential figures of the second wave of the women’s movement. The Female Eunuch (1970) is one of second-wave feminism’s most widely recognised publications and its author has come to embody and indeed expand our understanding of second-wave feminism in a way that few others have. Yet, while Greer’s public visibility never seems to wane, her writings and her politics have failed to attract the kind of sustained critical engagement they warrant. This volume represents the first collection of essays to examine Greer, her politics, her writing, and her status as a feminist celebrity. The essays in this collection cover The Female Eunuch (1970), Greer’s public rivalry with Arianna Stassinopoulos, her time in America, her ideas and politics, and her styling as feminist fashion icon. Many essays include new insights drawn from previously unseen material in the recently launched Germaine Greer Archive at the University of Melbourne, Australia.

This book was originally published as a Special Issue of Australian Feminist Studies.

Germaine Greer is one of the most enduring and influential figures of the second wave of the women’s movement. The Female Eunuch (1970) is one of second-wave feminism’s most widely recognised publications and its author has come to embody and indeed expand our understanding of second-wave feminism in a way that few others have. Yet, while Greer’s public visibility never seems to wane, her writings and her politics have failed to attract the kind of sustained critical engagement they warrant. This volume represents the first collection of essays to examine Greer, her politics, her writing, and her status as a feminist celebrity. The essays in this collection cover The Female Eunuch (1970), Greer’s public rivalry with Arianna Stassinopoulos, her time in America, her ideas and politics, and her styling as feminist fashion icon. Many essays include new insights drawn from previously unseen material in the recently launched Germaine Greer Archive at the University of Melbourne, Australia.

This book was originally published as a Special Issue of Australian Feminist Studies.

Germaine Greer, Celebrity Feminism and the Archive, the first scholarly book on this internationally renowned feminist, draws upon Greer’s largely unexplored archive to demonstrate her impact on readers and viewers since the 1970s.

Across many decades in the limelight and through multiple media forms, the provocative Greer has worked to shape audience understandings of gender, sexuality, and feminism. Through deep engagement with archival material, Anthea Taylor offers a compelling reassessment of Greer’s celebrity feminist labour and its effects over time. Examining archived letters from fans, anti-fans, and those in between, this innovative volume shows how and why readers and viewers have come to affectively invest – or disinvest – in this iconoclastic feminist.

Advancing debates about the social and political function of celebrity, Germaine Greer, Celebrity Feminism and the Archive is essential reading for scholars in Gender Studies, History, Archival Studies, and Media and Cultural Studies.

Germaine Greer, Celebrity Feminism and the Archive, the first scholarly book on this internationally renowned feminist, draws upon Greer’s largely unexplored archive to demonstrate her impact on readers and viewers since the 1970s.

Across many decades in the limelight and through multiple media forms, the provocative Greer has worked to shape audience understandings of gender, sexuality, and feminism. Through deep engagement with archival material, Anthea Taylor offers a compelling reassessment of Greer’s celebrity feminist labour and its effects over time. Examining archived letters from fans, anti-fans, and those in between, this innovative volume shows how and why readers and viewers have come to affectively invest – or disinvest – in this iconoclastic feminist.

Advancing debates about the social and political function of celebrity, Germaine Greer, Celebrity Feminism and the Archive is essential reading for scholars in Gender Studies, History, Archival Studies, and Media and Cultural Studies.

Postfeminism in Context studies the representation of women in Australian popular culture over the past three decades to locate postfeminism in a specific time and place.

Margaret Henderson and Anthea Taylor argue that ‘postfeminism’, as a critical term, has been too often deployed in ways that fail to account for historical and cultural specificity. This book analyses Australian popular culture – chick lit novels; ‘dramedy’ television shows; women’s magazines; YouTube beauty vlogs; self-help manuals; and newspapers – to reveal the tensions, contradictions and ambiguities that have always been constitutive of postfeminism, including in Australia. Examining how these popular forms intervene in dominant conversations about contemporary Australian femininities, Postfeminism in Context maps the ways in which various aspects of Australia’s history and national identity have shaped its postfeminism. While Henderson and Taylor identify some of the limited postfeminist tropes and patterns of representation evident in comparable locales, they also find that Australian popular culture has responded to feminism in a much more hopeful way.

Adding some much-needed cultural specificity to the ongoing debate around this loaded term, Postfeminism in Context is essential reading for those interested in Australian popular culture, feminism, and the gendered politics of representation.

Postfeminism in Context studies the representation of women in Australian popular culture over the past three decades to locate postfeminism in a specific time and place.

Margaret Henderson and Anthea Taylor argue that ‘postfeminism’, as a critical term, has been too often deployed in ways that fail to account for historical and cultural specificity. This book analyses Australian popular culture – chick lit novels; ‘dramedy’ television shows; women’s magazines; YouTube beauty vlogs; self-help manuals; and newspapers – to reveal the tensions, contradictions and ambiguities that have always been constitutive of postfeminism, including in Australia. Examining how these popular forms intervene in dominant conversations about contemporary Australian femininities, Postfeminism in Context maps the ways in which various aspects of Australia’s history and national identity have shaped its postfeminism. While Henderson and Taylor identify some of the limited postfeminist tropes and patterns of representation evident in comparable locales, they also find that Australian popular culture has responded to feminism in a much more hopeful way.

Adding some much-needed cultural specificity to the ongoing debate around this loaded term, Postfeminism in Context is essential reading for those interested in Australian popular culture, feminism, and the gendered politics of representation.