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In 1986 there was an exhibition of local photography called 'Just Another Day' in which 20 local photographers had combined to capture life in Colchester over a 24-hour period on October 21 and 22nd that year. The exhibition attracted a great deal of attention, but in due course it closed and the photographs were put into storage. Twenty five years passed, and in 2011 another team of photographers founded the Colchester 24 Trust to photograph Colchester over another 24-hour period from Noon on Friday October 21st to Noon on Saturday October 22nd 2011 - exactly 25 years after the original event. By now, of course, there had been a revolution in photography thanks to the widespread availability of electronic cameras. By contrast, with strong backing from the Essex County Standard newspaper, 'Colchester 24' was thrown open to the Colchester public, inviting them to capture life in Colchester in 2011; to compile an archive for future generations to see. The outcome was overwhelming. Over 5,000 electronic images were contributed by about 200 photographers, which included schoolchildren, students, grandparents and amateur photographers of all kinds.
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A poetry collection that considers climate change and the possibility of wholeness within the Anthropocene. Through a series of experimental poems centered on ecology, Anthony Cody’s The Rendering confronts the history of the Dust Bowl and its residual impacts on our current climate crisis, while acknowledging the complicities of capitalism. These poems grapple with questions of wholeness and annihilation in an Anthropocenic world where the fallout of settler colonialism continues to inflict environmental and cultural devastation. Cody encourages readers to participate in radical acts of refreshing and reimagining the page, poem, collection, and the self, and he invites us to reflect on what lies ahead should our climate continue on its current trajectory toward destruction.These poems consider if wholeness, or a journey toward wholeness, can exist in the Anthropocene. And, if wholeness cannot exist in these times, we are invited to look at our lives and the world through and beyond annihilation.
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In Architectures of FuturoPasados, histories jostle futures in literary works of great power. The extraordinary works collected by poet Anthony Cody offer forceful perceptions of Latinx identity from across the Americas and the Caribbean. They attest to the vigor of literary imagination beyond and between borders and languages. Cody has collected here poems, essays, art, and short fiction sounding distinctive themes of remembrance and forecasting. The literary voices he convenes in these pages are lyrical and assertive, experimental and rigorous, iconoclastic and reverential—the moods and expressive forms found in Architectures of FuturoPasados speak loudly and eloquently to the dynamism of a region equally on the move and firmly in place. The variety is in itself a lesson in literary imagination beyond nations and nation-ness. With this collection, Mānoa, always an American journal, joins in the reimagination of our América for a collective future through new as well as well-established voices.