Anthony Hope – författare

Classics, modern fiction, non-fiction and more. Written for secondary and adult students the Oxford Bookworms Library has seven reading levels from A1-C1 of the CEFR. Listen along with downloadable MP3 audio.We must leave for Zenda at once, to find the King!' cried Sapt. 'If we're caught, we'll all be killed!' So Rudolf Rassendyll and Sapt gallop through the night to find the King of Ruritania. But the King is now a prisoner in the Castle of Zenda. Who will rescue him from his enemies, the dangerous Duke Michael and Rupert of Hentzau? And who will win the heart of the beautiful Princess Flavia?

Classics, modern fiction, non-fiction and more. Written for secondary and adult students the Oxford Bookworms Library has seven reading levels from A1-C1 of the CEFR.We must leave for Zenda at once, to find the King!' cried Sapt. 'If we're caught, we'll all be killed!' So Rudolf Rassendyll and Sapt gallop through the night to find the King of Ruritania. But the King is now a prisoner in the Castle of Zenda. Who will rescue him from his enemies, the dangerous Duke Michael and Rupert of Hentzau? And who will win the heart of the beautiful Princess Flavia?

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'If love were the only thing, I would follow you-in rags if need be ... But is love the only thing?'Anthony Hope's The Prisoner of Zenda is a swashbuckling adventure set in Ruritania, a mythical pocket kingdom. Englishman Rudolf Rassendyll closely resembles the King of Ruritania, and to foil a coup by his rival to the throne, he is persuaded to impersonate him for a day. However, Rassendyll's role becomes more complicated when the real king is kidnapped, and he falls for the lovely Princess Flavia. Although the story is set in the near past, Ruritania is a semi-feudal land in which a strong sword arm can carry the day, and Rassendyll and his allies fight to rescue the king. But if he succeeds, our hero and Flavia will have to choose between love and honour. As Nicholas Daly's introduction outlines, this thrilling tale inspired not only stage and screen adaptations, but also place names, and even a popular board game. A whole new subgenre of 'Ruritanian romances' followed, though no imitation managed to capture the charm, exuberance, and sheer storytelling power of Hope's classic tale.