Anton Kirchhofer – författare
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6 produkter
6 produkter
- Nyhet
Inbunden, Engelska, 2026
1 362 kr
Skickas inom 10-15 vardagar
Since first they emerged into the Victorian limelight, dinosaurs have fascinated generations of artists, scientists, and general readers. This book approaches their history from a literary-critical perspective, arguing that the enormous and enduring popularity of Mesozoic fauna offers a fresh way to understand the relationship between the arts and sciences. We tend to treat those two as opposites -- but dinosaurs, Will Tattersdill argues, cannot exist without an entanglement of both evidence and imagination. Tracing these entanglements across scientific works, literary texts, artworks, and museum displays of all kinds from the nineteenth century to the present day, this book suggests that the history of dinosaurs is one in which the boundaries between categories of knowledge, genre, and species are constantly being renegotiated.
- Nyhet
Häftad, Engelska, 2026
470 kr
Skickas inom 10-15 vardagar
Moving from the micro world of quantum physics to the macro scales of earth science and ecology, this book considers how, in contemporary literature, affective experiences like desire, suffering, anxiety, and joy shape scientific persons, practices, and products.This book brings into dialogue close readings of scientific writing and contemporary literary works by authors like Jeanette Winterson, Richard Powers, Hanya Yanagihara, Thalia Field, and Jenny Offill. Combining narrative and affect studies, it uses formal strategies such as moving metaphor, visceral or affective description, plot-level analogy, contraction, and rhythm to engage with western scientific epistemologies, which still tends towards the impassive, universal, and objective.While each chapter focuses on a different field (or fields) of science, all foreground bodies—human and nonhuman—as a way of exploring knowledge production. Through close readings, the book argues that select ‘scientific stories’ raise important questions about how ‘knowledge’ is defined and who (and what) is invited into its processes of production.
Häftad, Engelska
404 kr
Skickas inom 3-6 vardagar
Häftad, Engelska, 2016
507 kr
Skickas inom 11-20 vardagar
Starting from an analysis of practices of participation in contemporary print and other media, the volume opens up a historical perspective, probing the potential of the concept of participatory cultures for the exploration of past forms of collaboration between individual and collective actors (i.e. authors, editors, publishers, fans, critics etc.). In doing so, the volume sheds new light on the historically, culturally, and medially specific forms and functions as well as on the economic, political and institutional parameters that contributed to the emergence and transformation of what turn out to be precarious alliances.
E-bok
PDF, Engelska456 kr
Läs direkt efter köp
Starting from an analysis of practices of participation in contemporary print and other media, the volume opens up a historical perspective, probing the potential of the concept of participatory cultures for the exploration of past forms of collaboration between individual and collective actors (i.e. authors, editors, publishers, fans, critics etc.). In doing so, the volume sheds new light on the historically, culturally, and medially specific forms and functions as well as on the economic, political and institutional parameters that contributed to the emergence and transformation of what turn out to be precarious alliances.
Inbunden, Engelska, 2009
1 089 kr
Tillfälligt slut
The Internet is nothing less than a medium for the indiscriminate and global dissemination of information if we take 'information' in its cybernetic sense as bits of data – any data. As such, it is also a massive, amorphous, rhizomic collection of substantiated facts, guesswork, fantasy, madness, debate, criminal energy, big business, stupidity, brilliance, all in all a seemingly limitless multiplication of voices, all clamouring to be heard. It is a medium which proliferates stories, narratives, fictions, in ways which are both new and familiar. It is as a generator of fictions that the Internet seems to be just waiting to be explored by the disciplines of literary, cultural and linguistic studies: Fan-fiction, slash and straight; scam baiting; fan sites; 'wild' or 'rogue' interpretive universes; gossip, theories, musings, opinions. As a singularly unstructured – and hence as yet uncanonizable – body of texts, the stories told on the Internet have a distinct element of 'grass-roots' fictionalization and so offer an unprecedented opportunity to access, hear and investigate the stories and fantasies woven by non-professional writers alongside their more formally recognized colleagues. As a medium which is beginning to investigate itself by means of various meta-debates within the vast community of Internet fictionalizers, it is also a location where emergent phenomena may be debated in their process of being generated. This collection seeks to explore this for the most part uncharted territory in creative, innovative, theory-savvy ways using the manifold fictions the Internet generates. It brings together a wide variety of expertise from the fields of linguistic, literary, media and cultural studies. All contributors bring to the collection their individual voices and approaches which speak from various positions of involvedness or critique to provide searching and passionate discussions of the issues involved in Internet Fictions.