Antonia Murphy – författare

This book is intended for anyone with either an interest in suicide or suicidal behaviour. It is not aimed solely at the professional psychotherapist but at a broad range of professionals who encounter suicidal people in their work. It is also intended for those of us who have been touched by suicide personally. The book approaches suicide from the point of view of the suicidal state of mind and is intended to help us understand more about this condition. In its essence suicide is examined as a largely unconscious aggressive act having its roots in a perceived or real experience of thwarted childhood needs. The wounds of the suicidal person are often long held and deep. The suicidal person is pursued by haunting losses and the suicidal act comes from deep disturbance created by this and from the idea of death as an acting out of some form of suicidal fantasy. The quasi delusional and split quality of the act is examined - namely that suicide is both an act for and against the self.

This book deals with effective organization and management of counselling services—a clinical service. It is intended for primary care trust chief executives and directors and commissioners and providers of national health service counselling, pyschological therapy services.

This book is intended for anyone with either an interest in suicide or suicidal behaviour. It is not aimed solely at the professional psychotherapist but at a broad range of professionals who encounter suicidal people in their work. It is also intended for those of us who have been touched by suicide personally. The book approaches suicide from the point of view of the suicidal state of mind and is intended to help us understand more about this condition. In its essence suicide is examined as a largely unconscious aggressive act having its roots in a perceived or real experience of thwarted childhood needs. The wounds of the suicidal person are often long held and deep. The suicidal person is pursued by haunting losses and the suicidal act comes from deep disturbance created by this and from the idea of death as an acting out of some form of suicidal fantasy. The quasi delusional and split quality of the act is examined - namely that suicide is both an act for and against the self.

This book deals with effective organization and management of counselling services—a clinical service. It is intended for primary care trust chief executives and directors and commissioners and providers of national health service counselling, pyschological therapy services.

This book is intended for anyone with either an interest in suicide or suicidal behaviour. It is not aimed solely at the professional psychotherapist but at a broad range of professionals who encounter suicidal people in their work. It is also intended for those of us who have been touched by suicide personally. The book approaches suicide from the point of view of the suicidal state of mind and is intended to help us understand more about this condition. In its essence suicide is examined as a largely unconscious aggressive act having its roots in a perceived or real experience of thwarted childhood needs. The wounds of the suicidal person are often long held and deep. The suicidal person is pursued by haunting losses and the suicidal act comes from deep disturbance created by this and from the idea of death as an acting out of some form of suicidal fantasy. The quasi delusional and split quality of the act is examined - namely that suicide is both an act for and against the self.

This book deals with effective organization and management of counselling services—a clinical service. It is intended for primary care trust chief executives and directors and commissioners and providers of national health service counselling, pyschological therapy services.

“One month into our stay, we’d managed to dispatch most of our charges. We executed the chickens. One of the cats disappeared, clearly disgusted with our urban ways. And Lucky [the cow] was escaping almost daily. It seemed we didn’t have much of a talent for farming. And we still had eleven months to go.”Antonia Murphy, you might say, is an unlikely farmer. Born and bred in San Francisco, she spent much of her life as a liberal urban cliché, and her interactions with the animal kingdom rarely extended past dinner.But then she became a mother. And when her eldest son was born with a rare, mysterious genetic condition, she and her husband, Peter, decided it was time to slow down and find a supportive community. So the Murphys moved to Purua, New Zealand—a rural area where most residents maintained private farms, complete with chickens, goats, and (this being New Zealand)  sheep. The result was a comic disaster, and when one day their son had a medical crisis, it was also a little bit terrifying.Dirty Chick chronicles Antonia’s first year of life as an artisan farmer. Having bought into the myth that farming is a peaceful, fulfilling endeavor that allows one to commune with nature and live the way humans were meant to live, Antonia soon realized  that the reality is far dirtier and way more disgusting than she ever imagined.  Among the things she learned the hard way: Cows are prone to a number of serious bowel ailments, goat mating involves an astounding amount of urine, and roosters are complete and unredeemable assholes.But for all its traumas, Antonia quickly embraced farm life, getting drunk on homemade wine (it doesn’t cause hangovers!), making cheese (except for the cat hair, it’s a tremendously satisfying hobby), and raising a baby lamb (which was addictively cute until it grew into a sheep). Along the way, she met locals as colorful as the New Zealand countryside, including a seasoned farmer who took a dim view of Antonia’s novice attempts, a Maori man so handy he could survive a zombie apocalypse, and a woman proficient in sculpting alpaca heads made from their own wool.''Part family drama, part cultural study, and part cautionary tale, Dirty Chick will leave you laughing, cringing, and rooting for an unconventional heroine.

A poignant and hilarious memoir from a mother who opened an ethical escort agency in small town New Zealand – the only country in the world where sex work is fully legalised – and dared to make a difference. I’m Antonia, a real-life madam. I’ve got a blended family of six kids; I spend my mornings packing lunchboxes and my evenings reading bedtime stories. And two days a week, I work as a pimp. Procurer, madam – whatever you want to call it. Personally, I think of myself as a union organiser. For vaginas.An ex-pat from San Francisco, Antonia Murphy is living on a farm in rural New Zealand with her husband and two kids, bored and isolated, when her husband leaves her. Suddenly, she has to figure out how to survive.Upon discovering the decriminalisation of sex work in New Zealand, Antonia’s mind starts to wander, and she reaches out to the international sex worker community online to learn more about the business. This group of smart, anonymous, sassy women open Antonia’s eyes to the viability of sex work that safeguards women’s health and dignity, while providing a clean, shame-free establishment for male clients. Inspired, Antonia decides to open her own agency: The Bach.Over the next three years, she encounters more than she could have imagined: domestic abuse, assault, theft, drugs and a stream of silly, horrific and sometimes touching requests from her clients. She witnesses the ways so many women are trapped – by early pregnancy, lack of education and the constraints of their circumstances. More than anything, she sees fire in the women who choose sex work: they refuse to give up and be poor, even when the odds are stacked against them.In Madam, we follow Antonia through the turbulent years of her agency, as she toils to keep both her business and family afloat, and to keep the women of The Bach safe and thriving as they practice the world's oldest profession.

*Now a major international TV series starring Rachel Griffiths and Martin Henderson* A poignant and darkly comedic memoir from a mother who opened an ethical escort agency in small town New Zealand – the only country in the world where sex work is fully legalised – and dared to make a difference. I’m Antonia, a real-life madam. I’ve got a blended family of six kids; I spend my mornings packing lunchboxes and my evenings reading bedtime stories. And two days a week, I work as a pimp. Procurer, madam – whatever you want to call it. Personally, I think of myself as a union organiser. For vaginas. An ex-pat from San Francisco, Antonia Murphy is living on a farm in rural New Zealand with her husband and two kids, bored and isolated, when her husband leaves her. Suddenly, she has to figure out how to survive. Upon discovering the decriminalisation of sex work in New Zealand, Antonia’s mind starts to wander, and she reaches out to the international sex worker community online to learn more about the business. This group of smart, anonymous, sassy women open Antonia’s eyes to the viability of sex work that safeguards women’s health and dignity, while providing a clean, shame-free establishment for male clients. Inspired, Antonia decides to open her own agency: The Bach. Over the next three years, she encounters more than she could have imagined: domestic abuse, assault, theft, drugs and a stream of silly, horrific and sometimes touching requests from her clients. She witnesses the ways so many women are trapped – by early pregnancy, lack of education and the constraints of their circumstances. More than anything, she sees fire in the women who choose sex work: they refuse to give up and be poor, even when the odds are stacked against them. In Madam, we follow Antonia through the turbulent years of her agency, as she toils to keep both her business and family afloat, and to keep the women of The Bach safe and thriving as they practice the world's oldest profession.

A poignant and hilarious memoir from a mother who opened an ethical escort agency in small town New Zealand – the only country in the world where sex work is fully legalised – and dared to make a difference. I’m Antonia, a real-life madam. I’ve got a blended family of six kids; I spend my mornings packing lunchboxes and my evenings reading bedtime stories. And two days a week, I work as a pimp. Procurer, madam – whatever you want to call it. Personally, I think of myself as a union organiser. For vaginas.An ex-pat from San Francisco, Antonia Murphy is living on a farm in rural New Zealand with her husband and two kids, bored and isolated, when her husband leaves her. Suddenly, she has to figure out how to survive.Upon discovering the decriminalisation of sex work in New Zealand, Antonia’s mind starts to wander, and she reaches out to the international sex worker community online to learn more about the business. This group of smart, anonymous, sassy women open Antonia’s eyes to the viability of sex work that safeguards women’s health and dignity, while providing a clean, shame-free establishment for male clients. Inspired, Antonia decides to open her own agency: The Bach.Over the next three years, she encounters more than she could have imagined: domestic abuse, assault, theft, drugs and a stream of silly, horrific and sometimes touching requests from her clients. She witnesses the ways so many women are trapped – by early pregnancy, lack of education and the constraints of their circumstances. More than anything, she sees fire in the women who choose sex work: they refuse to give up and be poor, even when the odds are stacked against them.In Madam, we follow Antonia through the turbulent years of her agency, as she toils to keep both her business and family afloat, and to keep the women of The Bach safe and thriving as they practice the world's oldest profession.

This book is intended for anyone with either an interest in suicide or suicidal behaviour. It is not aimed solely at the professional psychotherapist but at a broad range of professionals who encounter suicidal people in their work. It is also intended for those of us who have been touched by suicide personally.The book approaches suicide from the point of view of the suicidal state of mind and is intended to help us understand more about this condition. In its essence suicide is examined as a largely unconscious aggressive act having its roots in a perceived or real experience of thwarted childhood needs. The wounds of the suicidal person are often long held and deep. The suicidal person is pursued by haunting losses and the suicidal act comes from deep disturbance created by this and from the idea of death as an acting out of some form of suicidal fantasy. The quasi delusional and split quality of the act is examined - namely that suicide is both an act for and against the self. Consequently a strong case is made for the contribution of psychotherapy to the project of suicide prevention since it is in this carefully managed arena the suicidal fantasy can be examined and the settling of these scores can be worked through, rather than acted out by suicide. The hope is that the book will increase understanding, challenge concepts of mental illness and suicidality but most importantly address the understandable fear we all have about suicide and its power to render us impotent. In turn it is hoped this will empower readers, who might otherwise be fearful of suicide, to intervene, support and work with those who are suicidal.