Antonio Forcellino – författare

This major new biography recounts the extraordinary life of one of the most creative figures in Western culture, weaving together the multiple threads of Michelangelo’s life and times with a brilliant analysis of his greatest works. The author retraces Michelangelo’s journey from Rome to Florence, explores his changing religious views and examines the complicated politics of patronage in Renaissance Italy. The psychological portrait of Michelangelo is constantly foregrounded, depicting with great conviction a tormented man, solitary and avaricious, burdened with repressed homosexuality and a surplus of creative enthusiasm. Michelangelo’s acts of self-representation and his pivotal role in constructing his own myth are compellingly unveiled. Antonio Forcellino is one of the world’s leading authorities on Michelangelo and an expert art historian and restorer. He has been involved in the restoration of numerous masterpieces, including Michelangelo’s Moses. He combines his firsthand knowledge of Michelangelo’s work with a lively literary style to draw the reader into the very heart of Michelangelo’s genius.

Craving pleasure as well as knowledge, Raphael Sanzio was quick to realize that his talent would only be truly appreciated in the liberal, carefree and extravagantly sensual atmosphere of Rome during its golden age under Julius II and Leo X. Arriving in the city in 1508 at the age of twenty-five, he was entranced and seduced by life at the papal court and within a few months had emerged as the most brilliant star in its intellectual firmament. His art achieved a natural grace that was totally uninhibited and free from subjection. His death, at just thirty-seven, plunged the city into the kind of despair that follows the passing of an esteemed and much loved prince. In this major new biography Antonio Forcellino retraces the meteoric arc of Raphael’s career by re-examining contemporary documents and accounts and interpreting the artist’s works with the eye of an expert art restorer. Raphael’s paintings are vividly described and placed in their historical context. Forcellino analyses Raphael’s techniques for producing the large frescos for which he is so famous, examines his working practices and his organization of what was a new kind of artistic workshop, and shows how his female portraits expressed and conveyed a new attitude to women. This rich and nuanced account casts aside the misconceptions passed on by those critics who persistently tried to undermine Raphael’s mythical status, enabling one of the greatest artists of all time to re-emerge fully as both man and artist.

Craving pleasure as well as knowledge, Raphael Sanzio was quick to realize that his talent would only be truly appreciated in the liberal, carefree and extravagantly sensual atmosphere of Rome during its golden age under Julius II and Leo X. Arriving in the city in 1508 at the age of twenty-five, he was entranced and seduced by life at the papal court and within a few months had emerged as the most brilliant star in its intellectual firmament. His art achieved a natural grace that was totally uninhibited and free from subjection. His death, at just thirty-seven, plunged the city into the kind of despair that follows the passing of an esteemed and much loved prince. In this major new biography Antonio Forcellino retraces the meteoric arc of Raphael’s career by re-examining contemporary documents and accounts and interpreting the artist’s works with the eye of an expert art restorer. Raphael’s paintings are vividly described and placed in their historical context. Forcellino analyses Raphael’s techniques for producing the large frescos for which he is so famous, examines his working practices and his organization of what was a new kind of artistic workshop, and shows how his female portraits expressed and conveyed a new attitude to women. This rich and nuanced account casts aside the misconceptions passed on by those critics who persistently tried to undermine Raphael’s mythical status, enabling one of the greatest artists of all time to re-emerge fully as both man and artist.

Translated by Lucinda Byatt This book tells the remarkable story of a rare discovery: the uncovering of two lost paintings by the great Renaissance artist Michelangelo. Like many stories of artistic loss, this one begins in a library in Italy, where Antonio Forcellino - a distinguished Michelangelo scholar and restorer - stumbled across some unpublished letters among the papers of Cardinal Ercole Gonzaga, son of Isabella d’Este and an extremely important figure in the Italian Renaissance. These letters comment on the paintings of Michelangelo in a way that is completely at odds with what was to become the dominant critical tradition of Michelangelo scholarship, an inconsistency that set Forcellino off on a journey that took him to Dubrovnik, Oxford, New York and Niagara Falls and culminated in the discovery of two magnificent paintings: Pieta with Mary and Two Angels, now in a private collection in America, and Cavalieri Crucifixion, now held by an educational institution in England. Through a combination of careful historical research, extensive restoration and meticulous radiographic analysis, Forcellino shows convincingly that these paintings can be traced back to the studio of Michelangelo. This extraordinary story, brilliantly retold, calls into question the received view of Michelangelo’s work and fills in a missing piece in our understanding of one of the greatest artists of all time.

A visionary scientist, a supreme painter, a man of eccentricity and ambition: Leonardo da Vinci had many lives. Born from a fleeting affair between a country girl and a young notary, Leonardo was never legitimized by his father and received no formal education. While this freedom from the routine of rigid and codified learning may have served to stimulate his natural creativity, it also caused many years of suffering and an insatiable need to prove his own worth. It was a striving for glory and an obsessive thirst for knowledge that prompted Leonardo to seek the protection and favour of the most powerful figures of his day, from Lorenzo de’ Medici to Ludovico Sforza, from the French governors of Milan to the pope in Rome, where he could vie for renown with Michelangelo and Raphael. In this revelatory account, Antonio Forcellino draws on his expertise – both as historian and as restorer of some of the world’s greatest works of art – to give us a more detailed view of Leonardo than ever before. Through careful analyses of his paintings and compositional technique, down to the very materials used, Forcellino offers fresh insights into Leonardo’s artistic and intellectual development. He spans the great breadth of Leonardo’s genius, discussing his contributions to mechanics, optics, anatomy, geology and metallurgy, as well as providing acute psychological observations about the political dynamics and social contexts in which Leonardo worked. Forcellino sheds new light on a life all too often overshadowed and obscured by myth, providing us with a fresh perspective on the personality and motivations of one of the greatest geniuses of Western culture.

The Sistine Chapel is one of the world’s most magnificent buildings, and the frescos that decorate its ceiling and walls are a testimony to the creative genius of the Renaissance. Two generations of artists worked at the heart of Christianity, over the course of several decades in the fifteenth and sixteenth centuries, to produce this extraordinary achievement of Western civilization.In this book, the art historian and restorer Antonio Forcellino tells the remarkable story of the Sistine Chapel, bringing his unique combination of knowledge and skills to bear on the conditions that led to its creation. Forcellino shows that Pope Sixtus IV embarked on the project as an attempt to assert papal legitimacy in response to Mehmed II's challenge to the Pope's spiritual leadership. The lower part of the chapel was decorated by a consortium of master painters whose frescoes, so coherent that they seem almost to have been painted by a single hand, represent the highest expression of the Quattrocento Tuscan workshops. Then, in 1505, Sixtus IV's nephew, Julius II, imposed a change in direction. Having been captivated by the prodigious talent of a young Florentine sculptor, Julius II summoned Michelangelo Buonarroti to Rome and commissioned him to paint the ceiling of the Sistine Chapel. Two decades later, Michelangelo returned to paint The Last Judgement, which covers the wall behind the alter. Michelangelo's revolutionary work departed radically from tradition and marked a turning point in the history of Western art.Antonio Forcellino brings to life the wonders of the Sistine Chapel by describing the aims and everyday practices of the protagonists who envisioned it and the artists who created it, reconstructing the material history that underlies this masterpiece.