Antonio Lázaro-Reboll – författare

Spanish Horror Film is the first in-depth exploration of the genre in Spain from the 'horror boom' of the late 1960s and early 1970s to the most recent production in the current renaissance of Spanish genre cinema, through a study of its production, circulation, regulation and consumption. The examination of this rich cinematic tradition is firmly located in relation to broader historical and cultural shifts in recent Spanish history and as an important part of the European horror film tradition and the global culture of psychotronia.Key Features*The first critical study on Spanish horror film to be published in English.*An overview of key directors, cycles and representative films as well as of more obscure and neglected horror production.*A detailed analysis of the work of directors such as Jesús Franco, Amando de Ossorio, Narciso Ibáñez Serrador, Eloy de la Iglesia, Jaume Balagueró, Nacho Cerdá and Guillermo del Toro's "Spanish" films.*A focus on critical and cult contexts of reception in Spain, Great Britain and USA.

The Films of Jess Franco looks at the work of Jesús ""Jess"" Franco (1930-2013), one of the most prolific and madly inventive filmmakers in the history of cinema. He is best known as the director of jazzy, erotically charged horror movies featuring mad scientists, lesbian vampires, and women in prison, but he also dabbled in a multitude of genres from comedy to science fiction to pornography. Although he built his career in the ghetto of low-budget exploitation cinema, he managed to create a body of work that is deeply personal, frequently political, and surprisingly poetic. Editors Antonio Lázaro-Reboll and Ian Olney have assembled a team of scholars to examine Franco’s offbeat films, which command an international cult following and have developed a more mainstream audience in recent years.Arguing that his multifaceted, paradoxical cinema cannot be pinned down by any one single approach, this edited volume features twelve original essays on Franco’s movies written from a variety of different perspectives. This collection does not avoid the methodologies most commonly used in the past to analyze Franco’s work—auteur criticism, genre criticism, and cult film criticism—yet it does show how Franco’s films complicate these critical approaches. The contributors open up fresh avenues for academic inquiry by considering his oeuvre from a range of viewpoints, including transnational film studies, cinephilia studies, and star studies. The Films of Jess Franco seeks to address the scholarly neglect of this legendary cult director and to broaden the conversation around the director’s work in ways that will be of interest to fans and academics alike.

The Films of Jess Franco looks at the work of Jesús ""Jess"" Franco (1930-2013), one of the most prolific and madly inventive filmmakers in the history of cinema. He is best known as the director of jazzy, erotically charged horror movies featuring mad scientists, lesbian vampires, and women in prison, but he also dabbled in a multitude of genres from comedy to science fiction to pornography. Although he built his career in the ghetto of low-budget exploitation cinema, he managed to create a body of work that is deeply personal, frequently political, and surprisingly poetic. Editors Antonio Lázaro-Reboll and Ian Olney have assembled a team of scholars to examine Franco’s offbeat films, which command an international cult following and have developed a more mainstream audience in recent years.Arguing that his multifaceted, paradoxical cinema cannot be pinned down by any one single approach, this edited volume features twelve original essays on Franco’s movies written from a variety of different perspectives. This collection does not avoid the methodologies most commonly used in the past to analyze Franco’s work—auteur criticism, genre criticism, and cult film criticism—yet it does show how Franco’s films complicate these critical approaches. The contributors open up fresh avenues for academic inquiry by considering his oeuvre from a range of viewpoints, including transnational film studies, cinephilia studies, and star studies. The Films of Jess Franco seeks to address the scholarly neglect of this legendary cult director and to broaden the conversation around the director’s work in ways that will be of interest to fans and academics alike.