Antony Shugaar – författare

A brilliant anthology of the 40-plus year history of FMR, the Italian magazine that taught the world to see art, bound in silk and adorned with gold. “The most beautiful magazine in the world.” —Jacqueline Kennedy Onassis Founded by Franco Maria Ricci (FMR) in Italy in 1982, FMR is the ultimate art magazine, a treasure trove for art lovers and a touchstone in the formation of personal taste for the past half century. This gorgeous book, filled with the very best of FMR, is essential for art lovers seeking to expand their knowledge, taste, and imagination. Featuring some 400 images as well as articles drawn from the entire history of the sumptuous black-background magazine, this superbly produced book is printed on heavy, glossy paper with rich blacks and deep, saturated colors. With a distinctive black silk cover, adorned with gold and paired with elegant typography, it is itself a true collector’s item. Ricci traversed the boundaries of art, architecture, and design, and his unprecedented magazine became an unequivocal success. FMR is cherished by curators and gallerists around the world for its presentation of daringly bold world art of every description and contributions from some of the world’s greatest writers. Paused in 2009, the biannual publication was revived in 2022 and today its US, British, French, Spanish, and Italian editions combine to make it the world’s largest art magazine. Sustainability is integral to Vendome's publishing process. All materials used in our books are 100% FSC-certified and we are proud to be a brand partner of Trees for the Future (https://trees.org), supporting global communities through sustainable land use. By planting trees, we help create thriving regional economies, robust food systems, and a healthier planet.

A fresh perspective on the early mafia as a means of resistance against invasion, this gripping history illustrates the previously unknown extent of these families’ power in the 14th century.1343: there is famine in Naples. After nightfall, a Genoese ship loaded with wheat is attacked by members of two local clans who brutally kill several sailors and their captain. The attackers returned to the city, greeted by the cheers of their countrymen, and the blind eye of the authorities. The Republic of Genoa presented the Kingdom of Naples with a formal protest against the incident. But, in a historical document of great importance today, King Charles I of Anjou admitted he did not control his own city, that the true rulers of Naples were the “family.”The purpose of this book is not to retrace the birth of the Camorra through the traditional roads of ethnology, anthropology, sociology, or even folklore for the umpteenth time. Amedeo Feniello takes a new route through a number of previously unstudied elements and makes a unique observation: that these “families” of Naples were in power at the time of the birth of the Angevin Kingdom of Naples—one of the first European nation states. They would have been leaders of the new state, actively participating in the business of the royal family and serving as a new class of directors, officers, and bureaucrats.