Antoon De Baets – författare

History is an important, dangerous, and fragile subject. Historical thought can be censored in widely diverging political and historiographical contexts, as historians are well aware. Yet the problems of censorship, often thought to be obvious, are rarely studied. Filling a significant void, this guide supplies information on the censorship of historical thought and the fate of persecuted historians in over 130 countries from Afghanistan to Zimbabwe and from 1945 to 2000. With each entry providing a chronological overview of cases and giving a full listing of sources, the book is the first systematic effort to overview the repression of historical thought.Aiming to encompass all countries in which censorship and persecution have taken place, De Baets sketches a world map of repression that goes beyond the well-known and well-studied cases. It assembles scattered data from three types of sources: the works of censors and censored, historical and biographical dictionaries and historiographical surveys, and reports from international human rights organizations. Showing the universality of historical censorship and its infinite variety in amount and degree, the book also provides a basis for further comparative research.

The idea of human rights has been much criticized from a historical perspective but curiously enough its theoretical and practical contributions to the study of time, memory, and history have never been systematically explored. How is it to look at the past from a human rights perspective? How can historical writing benefit from applying a human rights logic? In tackling these questions, the Element first clarifies what a human rights view of the past is. The constituent dimensions of the past - time, memory, and history - are then reviewed, indicating what a human rights perspective can add to the study of each. Finally, the benefits accruing froma human rights view of the past to historical theory and practice are highlighted.

The idea of human rights has been much criticized from a historical perspective but curiously enough its theoretical and practical contributions to the study of time, memory, and history have never been systematically explored. How is it to look at the past from a human rights perspective? How can historical writing benefit from applying a human rights logic? In tackling these questions, the Element first clarifies what a human rights view of the past is. The constituent dimensions of the past - time, memory, and history - are then reviewed, indicating what a human rights perspective can add to the study of each. Finally, the benefits accruing froma human rights view of the past to historical theory and practice are highlighted.

Crimes against History takes a global approach to the extreme forms of censorship to which history and historians have been subjected through the ages.The book opens by considering the varieties of censorship, from suppression, dismissal, and defamation to persecution and murder. Part I, "Kill switch," tells the tragic story of how the censorship of history has sometimes turned into deadly crimes against history, with chapters looking at topics such as historians and archivists being killed for political reasons, attacks by political leaders on historians, iconoclastic breaks with the past, and fake news. Part II, "Fragile freedom," reverses the perspective and examines how the censorship of history has backfired. Chapters consider the subversive power of historical analogies and resistance to the censorship of history. The book also contains a "Provisional memorial for history producers killed for political reasons (from ancient times until 2017)". It is a double tribute: to the history producers who were killed and to those who mustered the courage to resist the blows of censorship.

Crimes against History takes a global approach to the extreme forms of censorship to which history and historians have been subjected through the ages.The book opens by considering the varieties of censorship, from suppression, dismissal, and defamation to persecution and murder. Part I, "Kill switch," tells the tragic story of how the censorship of history has sometimes turned into deadly crimes against history, with chapters looking at topics such as historians and archivists being killed for political reasons, attacks by political leaders on historians, iconoclastic breaks with the past, and fake news. Part II, "Fragile freedom," reverses the perspective and examines how the censorship of history has backfired. Chapters consider the subversive power of historical analogies and resistance to the censorship of history. The book also contains a "Provisional memorial for history producers killed for political reasons (from ancient times until 2017)". It is a double tribute: to the history producers who were killed and to those who mustered the courage to resist the blows of censorship.