Anzia Yezierska – författare

A timeless American novel about an immigrant girl growing up on the Lower East Side, who dares to challenge her Orthodox Jewish family's narrow conceptions of a woman's place in the worldThe youngest of four daughters in a family that left Poland in the 1920s for the crowded tenements of New York City's Lower East Side, Sara Smolinsky has seen her sisters reign themselves in, under the rabbi father's iron fist, to loveless marriages and empty futures. They are "bread givers", working to feed the family while their father studies the Torah - according to which, as their father reminds them, a woman without her father or husband is "less than nothing". But Sara hungers for more. In defiance of her father, she breaks free, escaping home to see what the American dream holds for her in this poignant coming-of-age tale and striking portrait of feminist rebellion.

The story of a young, aspiring Jewish woman from the ghetto who will do anything to get her man in this case an upper-class WASP. When she discovers he is not really what she wanted, she will do anything to get away. Based on the real-life story of the Jewish immigrant activist Rose Pastor's fairytale romance with the millionaire socialist Graham Stokes, the novel also reflects Yezierska's own doomed romance with the famous educator John Dewey. Passionate and engagingly sardonic, it criticizes the concept of the American "Melting Pot" in the language of the Lower East Side and exposes the hypocrisy of the "good works" of the privileged class and their so-called dedication to the poor. Gay Wilentz's introduction discusses Anzia Yezierska's life and work.Originally published in 1923.

A determined young woman challenges her Jewish immigrant family’s rigid norms in this "raw, uncontrollable" (The New York Times) classic American novelMore and more I began to think inside myself, I don’t want to sell herring for the rest of my days. I want to learn something. I want to do something. I want some day to make myself for a person and come among people. But how can I do it if I live in this hell house of Father’s preaching and Mother’s complaining?Sara Smolinsky and her sisters are bread givers: They work to support their mother, who once lived a life of luxury, and their father, who cares more about studying the Torah than feeding his family. As Sara watches her father trade her sisters’ futures for his own financial gain, she sets out to find happiness for herself, even if that happiness goes against the traditions she was raised to follow.Originally published in 1925, Bread Givers draws inspiration from Anzia Yezierska’s own experiences growing up in an Orthodox Jewish family in New York City. This witty, fiercely hopeful novel tells the story of a young woman searching for herself as she navigates Old World expectations and New World dreams, the misery of defeat and the glory of success, and finding what it means “to be a person among people.”

The target of intense critical comment when it was first published in 1927, Arrogant Beggar’s scathing attack on charity-run boardinghouses remains one of Anzia Yezierska’s most devastating works of social criticism. The novel follows the fortunes of its young Jewish narrator, Adele Lindner, as she leaves the impoverished conditions of New York’s Lower East Side and tries to rise in the world. Portraying Adele’s experiences at the Hellman Home for Working Girls, the first half of the novel exposes the “sickening farce” of institutionalized charity while portraying the class tensions that divided affluent German American Jews from more recently arrived Russian American Jews. The second half of the novel takes Adele back to her ghetto origins as she explores an alternative model of philanthropy by opening a restaurant that combines the communitarian ideals of Old World shtetl tradition with the contingencies of New World capitalism. Within the context of this radical message, Yezierska revisits the themes that have made her work famous, confronting complex questions of ethnic identity, assimilation, and female self-realization. Katherine Stubbs’s introduction provides a comprehensive and compelling historical, social, and literary context for this extraordinary novel and discusses the critical reaction to its publication in light of Yezierska’s biography and the once much-publicized and mythologized version of her life story. Unavailable for over sixty years, Arrogant Beggar will be enjoyed by general readers of fiction and be of crucial importance for feminist critics, students of ethnic literature. It will also prove an exciting and richly rewarding text for students and scholars of Jewish studies, immigrant literature, women’s writing, American history, and working-class fiction.

The target of intense critical comment when it was first published in 1927, Arrogant Beggar’s scathing attack on charity-run boardinghouses remains one of Anzia Yezierska’s most devastating works of social criticism. The novel follows the fortunes of its young Jewish narrator, Adele Lindner, as she leaves the impoverished conditions of New York’s Lower East Side and tries to rise in the world. Portraying Adele’s experiences at the Hellman Home for Working Girls, the first half of the novel exposes the “sickening farce” of institutionalized charity while portraying the class tensions that divided affluent German American Jews from more recently arrived Russian American Jews.The second half of the novel takes Adele back to her ghetto origins as she explores an alternative model of philanthropy by opening a restaurant that combines the communitarian ideals of Old World shtetl tradition with the contingencies of New World capitalism. Within the context of this radical message, Yezierska revisits the themes that have made her work famous, confronting complex questions of ethnic identity, assimilation, and female self-realization.Katherine Stubbs’s introduction provides a comprehensive and compelling historical, social, and literary context for this extraordinary novel and discusses the critical reaction to its publication in light of Yezierska’s biography and the once much-publicized and mythologized version of her life story. Unavailable for over sixty years, Arrogant Beggar will be enjoyed by general readers of fiction and be of crucial importance for feminist critics, students of ethnic literature. It will also prove an exciting and richly rewarding text for students and scholars of Jewish studies, immigrant literature, women’s writing, American history, and working-class fiction.