Aram Goudsouzian – författare

“My idol growing up, all I wanted to be, was Stan Isaacs.” --Tony Kornheiser “Stan Isaacs is directly responsible for my television career--and much of how I approached what I’ve said and whom I’ve said it about.” --Keith Olbermann Iconoclastic and irreverent, Stan Isaacs was part of a generation that bucked the sports establishment with a skepticism for authority, an appreciation for absurdity, and a gift for placing athletes and events within the context of their tumultuous times. Isaacs draws on his trademark wink-and-a-grin approach to tell the story of the long-ago Brooklyn that formed him and a career that placed him amidst the major sporting events of his era. Mixing reminiscences with column excerpts, Isaacs recalls antics like stealing a Brooklyn Dodgers pennant after the team moved to Los Angeles and his many writings on Paul Revere’s horse. But Isaacs also reveals the crusading and humanist instincts that gave Black athletes like Muhammad Ali a rare forum to express their views and celebrated the oddball, unsung Mets over the straitlaced Yankees. Insightful and hilarious, Out of Left Field is the long-awaited memoir of the influential sportswriter and his adventures in the era of Jim Brown, Arthur Ashe, and the Amazin’ Mets.

Bill Russell was not the first African American to play professional basketball, but he was its first black superstar. From the moment he stepped onto the court of the Boston Garden in 1956, Russell began to transform the sport in a fundamental way, making him, more than any of his contemporaries, the Jackie Robinson of basketball. In "King of the Court", Aram Goudsouzian provides a vivid and engrossing chronicle of the life and career of this brilliant champion and courageous racial pioneer. Russell's leaping, wide-ranging defense altered the game's texture. His teams provided models of racial integration in the 1950s and 1960s, and, in 1966, he became the first black coach of any major professional team sport. Yet, like no athlete before him, Russell challenged the politics of sport. Instead of displaying appreciative deference, he decried racist institutions, embraced his African roots, and challenged the nonviolent tenets of the civil rights movement. This beautifully written book - sophisticated, nuanced, and insightful - reveals a singular individual who expressed the dreams of Martin Luther King Jr. while echoing the warnings of Malcolm X.

Bill Russell was not the first African American to play professional basketball, but he was its first black superstar. From the moment he stepped onto the court of the Boston Garden in 1956, Russell began to transform the sport in a fundamental way, making him, more than any of his contemporaries, the Jackie Robinson of basketball. In King of the Court, Aram Goudsouzian provides a vivid and engrossing chronicle of the life and career of this brilliant champion and courageous racial pioneer. Russell’s leaping, wide-ranging defense altered the game’s texture. His teams provided models of racial integration in the 1950s and 1960s, and, in 1966, he became the first black coach of any major professional team sport. Yet, like no athlete before him, Russell challenged the politics of sport. Instead of displaying appreciative deference, he decried racist institutions, embraced his African roots, and challenged the nonviolent tenets of the civil rights movement. This beautifully written book—sophisticated, nuanced, and insightful—reveals a singular individual who expressed the dreams of Martin Luther King Jr. while echoing the warnings of Malcolm X.

In the first full biography of actor Sidney Poitier, Aram Goudsouzian analyzes the life and career of a Hollywood legend, from his childhood in the Bahamas to his 2002 Oscar for lifetime achievement. Poitier is a gifted actor, a great American success story, an intriguing personality, and a political symbol; his life and career illuminate America''s racial history. In such films as Lilies of the Field, In the Heat of the Night, and Guess Who''s Coming to Dinner, Poitier''s middle-class, mannered, virtuous screen persona contradicted prevailing film stereotypes of blacks as half-wits, comic servants, or oversexed threats. His screen image and public support of nonviolent integration assuaged the fears of a broad political center, and by 1968, Poitier was voted America''s favorite movie star.Through careful readings of every Poitier film, Goudsouzian shows that Poitier''s characters often made sacrifices for the good of whites and rarely displayed sexuality. As the only black leading man during the civil rights era, Poitier chose roles and public positions that negotiated the struggle for dignity. By 1970, times had changed and Poitier was the target of a backlash from film critics and black radicals, as the new heroes of "blaxploitation" movies reversed the Poitier model. In the 1970s, Poitier shifted his considerable talents toward directing, starring in, and producing popular movies that employed many African Americans, both on and off screen. After a long hiatus, he returned to starring roles in the late 1980s. More recently, the film industry has reappraised his career, and Poitier has received numerous honors recognizing his multi-faceted work for black equality in Hollywood. As this biography affirms, Poitier remains one of American popular culture''s foremost symbols of the possibilities for and limits of racial equality.

Scholars examine the activist efforts of Black Americans in Memphis in a series of essays ranging from the Reconstruction era to the twenty-first century.In An Unseen Light: Black Struggles for Freedom in Memphis, Tennessee, eminent and rising scholars present a multidisciplinary examination of African American activism in Memphis from the dawn of emancipation to the twenty-first century. Together, they investigate episodes such as the 1940 “Reign of Terror” when Black Memphians experienced a prolonged campaign of harassment, mass arrests, and violence at the hands of police. They also examine topics including the relationship between the labor and civil rights movements, the fight for economic advancement in Black communities, and the impact of music on the city’s culture. Covering subjects as diverse as politics, sports, music, activism, and religion, An Unseen Light illuminates Memphis’s place in the long history of the struggle for African American freedom and human dignity.Praise for Unseen Light“From the aftermath of the post-Civil War race massacre to continuous violence, murder, and bitter confrontations into the twenty-first century, contributors illuminate An Unseen Light on those Black Memphians forging lives nonetheless, through negotiation, protest, music, accommodation, prayer, faith and sometimes sheer stubbornness . . . . Scholars intellectually and personally invested in the city as a site of family and community, and career, bring an unequivocal depth of understanding and richness about place and belonging that textures the pages with life, from the church pews, the music studios, or the myriad of social or political organizations, to the land itself, adding more layers to underscore how black lives have mattered in the historical grassroots building of the nation. This is thoughtful and beautiful work.” —Françoise Hamlin, author of Crossroads at Clarksdale: The Black Freedom Struggle After World War II“This rich collection covers a broad range of topics pertaining to the African American freedom struggle in Memphis, Tennessee. One of its greatest strengths is the breadth of the essays, which span a long period from the end of the Civil War to the twenty-first century. An Unseen Light is a valuable addition to civil rights scholarship.” —Cynthia Griggs Fleming, author of Yes We Did?: From King''s Dream to Obama''s Promise“The collection did an excellent job in explaining the inner workings of Memphis . . . . The works highlighted the past actions, organizing and insurgency which created the dynamics of racism, classism, social, and political power seen in modern Memphis. I recommend this collection to those interested in the shaping of a large southern city. I also recommend to new and lifelong Memphians to provide a blueprint of the historical legacy of Memphis and how this legacy continues to impact the lives of African Americans.” —Tennessee Libraries

Scholars examine the activist efforts of Black Americans in Memphis in a series of essays ranging from the Reconstruction era to the twenty-first century.In An Unseen Light: Black Struggles for Freedom in Memphis, Tennessee, eminent and rising scholars present a multidisciplinary examination of African American activism in Memphis from the dawn of emancipation to the twenty-first century. Together, they investigate episodes such as the 1940 “Reign of Terror” when Black Memphians experienced a prolonged campaign of harassment, mass arrests, and violence at the hands of police. They also examine topics including the relationship between the labor and civil rights movements, the fight for economic advancement in Black communities, and the impact of music on the city’s culture. Covering subjects as diverse as politics, sports, music, activism, and religion, An Unseen Light illuminates Memphis’s place in the long history of the struggle for African American freedom and human dignity.Praise for Unseen Light“From the aftermath of the post-Civil War race massacre to continuous violence, murder, and bitter confrontations into the twenty-first century, contributors illuminate An Unseen Light on those Black Memphians forging lives nonetheless, through negotiation, protest, music, accommodation, prayer, faith and sometimes sheer stubbornness . . . . Scholars intellectually and personally invested in the city as a site of family and community, and career, bring an unequivocal depth of understanding and richness about place and belonging that textures the pages with life, from the church pews, the music studios, or the myriad of social or political organizations, to the land itself, adding more layers to underscore how black lives have mattered in the historical grassroots building of the nation. This is thoughtful and beautiful work.” —Françoise Hamlin, author of Crossroads at Clarksdale: The Black Freedom Struggle After World War II“This rich collection covers a broad range of topics pertaining to the African American freedom struggle in Memphis, Tennessee. One of its greatest strengths is the breadth of the essays, which span a long period from the end of the Civil War to the twenty-first century. An Unseen Light is a valuable addition to civil rights scholarship.” —Cynthia Griggs Fleming, author of Yes We Did?: From King''s Dream to Obama''s Promise“The collection did an excellent job in explaining the inner workings of Memphis . . . . The works highlighted the past actions, organizing and insurgency which created the dynamics of racism, classism, social, and political power seen in modern Memphis. I recommend this collection to those interested in the shaping of a large southern city. I also recommend to new and lifelong Memphians to provide a blueprint of the historical legacy of Memphis and how this legacy continues to impact the lives of African Americans.” —Tennessee Libraries

Broadly speaking, the traditionally conceptualized mid-twentieth century Civil Rights Movement and the newer #BlackLivesMatter Movement possess some similar qualities. They both represent dynamic, complex moments of possibility and progress. They also share mass-based movement activities, policy/legislative advocacy, grass-roots organizing, and targeted media campaigns. Innovation, growth, and dissension—core aspects of movement work—mark them both. Crucially, these moments also engender aggressive, repressive, multi-level responses to these assertions of Black Humanity.Rights and Lives critically engages the dynamic relationship between these two moments of liberatory possibility on the Black Freedom Struggle timeline. McKinney and Hamlin invite the contributors to take up what we can learn when we place these moments of struggle in dialogue with each other. They grapple with how our understanding of the postwar moment shapes our analysis of #BLM and wherein lie the discontinuities, in order to glean lessons for future moments of insurgency.

Broadly speaking, the traditionally conceptualized mid-twentieth century Civil Rights Movement and the newer #BlackLivesMatter Movement possess some similar qualities. They both represent dynamic, complex moments of possibility and progress. They also share mass-based movement activities, policy/legislative advocacy, grass-roots organizing, and targeted media campaigns. Innovation, growth, and dissension—core aspects of movement work—mark them both. Crucially, these moments also engender aggressive, repressive, multi-level responses to these assertions of Black Humanity.Rights and Lives critically engages the dynamic relationship between these two moments of liberatory possibility on the Black Freedom Struggle timeline. McKinney and Hamlin invite the contributors to take up what we can learn when we place these moments of struggle in dialogue with each other. They grapple with how our understanding of the postwar moment shapes our analysis of #BLM and wherein lie the discontinuities, in order to glean lessons for future moments of insurgency.

In the first full biography of actor Sidney Poitier, Aram Goudsouzian analyzes the life and career of a Hollywood legend, from his childhood in the Bahamas to his 2002 Oscar for lifetime achievement. Poitier is a gifted actor, a great American success story, an intriguing personality, and a political symbol; his life and career illuminate America''s racial history. In such films as Lilies of the Field, In the Heat of the Night, and Guess Who''s Coming to Dinner, Poitier''s middle-class, mannered, virtuous screen persona contradicted prevailing film stereotypes of blacks as half-wits, comic servants, or oversexed threats. His screen image and public support of nonviolent integration assuaged the fears of a broad political center, and by 1968, Poitier was voted America''s favorite movie star.Through careful readings of every Poitier film, Goudsouzian shows that Poitier''s characters often made sacrifices for the good of whites and rarely displayed sexuality. As the only black leading man during the civil rights era, Poitier chose roles and public positions that negotiated the struggle for dignity. By 1970, times had changed and Poitier was the target of a backlash from film critics and black radicals, as the new heroes of "blaxploitation" movies reversed the Poitier model. In the 1970s, Poitier shifted his considerable talents toward directing, starring in, and producing popular movies that employed many African Americans, both on and off screen. After a long hiatus, he returned to starring roles in the late 1980s. More recently, the film industry has reappraised his career, and Poitier has received numerous honors recognizing his multi-faceted work for black equality in Hollywood. As this biography affirms, Poitier remains one of American popular culture''s foremost symbols of the possibilities for and limits of racial equality.

In the first full biography of actor Sidney Poitier, Aram Goudsouzian analyzes the life and career of a Hollywood legend, from his childhood in the Bahamas to his 2002 Oscar for lifetime achievement. Poitier is a gifted actor, a great American success story, an intriguing personality, and a political symbol; his life and career illuminate America's racial history. In such films as Lilies of the Field, In the Heat of the Night, and Guess Who's Coming to Dinner, Poitier's middle-class, mannered, virtuous screen persona contradicted prevailing film stereotypes of blacks as half-wits, comic servants, or oversexed threats. His screen image and public support of nonviolent integration assuaged the fears of a broad political center, and by 1968, Poitier was voted America's favorite movie star.Through careful readings of every Poitier film, Goudsouzian shows that Poitier's characters often made sacrifices for the good of whites and rarely displayed sexuality. As the only black leading man during the civil rights era, Poitier chose roles and public positions that negotiated the struggle for dignity. By 1970, times had changed and Poitier was the target of a backlash from film critics and black radicals, as the new heroes of ""blaxploitation"" movies reversed the Poitier model. In the 1970s, Poitier shifted his considerable talents toward directing, starring in, and producing popular movies that employed many African Americans, both on and off screen. After a long hiatus, he returned to starring roles in the late 1980s. More recently, the film industry has reappraised his career, and Poitier has received numerous honors recognizing his multi-faceted work for black equality in Hollywood. As this biography affirms, Poitier remains one of American popular culture's foremost symbols of the possibilities for and limits of racial equality.

The presidential election of 1968 forever changed American politics. In this character-driven narrative history, Aram Goudsouzian portrays the key transformations that played out over that dramatic year. It was the last ""old politics"" campaign, where political machines and party bosses determined the major nominees, even as the ""new politics"" of grassroots participation powered primary elections. It was an election that showed how candidates from both the Left and Right could seize on ""hot-button"" issues to alter the larger political dynamic. It showcased the power of television to ""package"" politicians and political ideas, and it played out against an extraordinary dramatic global tableau of chaos and conflict. More than anything else, it was a moment decided by a contest of political personalities, as a group of men battled for the presidency, with momentous implications for the nation's future. Well-paced, accessible, and engagingly written, Goudsouzian's book chronicles anew the characters and events of the 1968 campaign as an essential moment in American history, one with clear resonance in our contemporary political moment.

The presidential election of 1968 forever changed American politics. In this character-driven narrative history, Aram Goudsouzian portrays the key transformations that played out over that dramatic year. It was the last "Old Politics" campaign, where political machines and party bosses determined the major nominees, even as the "New Politics" of grassroots participation powered primary elections. It was an election that showed how candidates from both the Left and Right could seize on "hot-button" issues to alter the larger political dynamic. It showcased the power of television to "package" politicians and political ideas, and it played out against an extraordinary dramatic global tableau of chaos and conflict. More than anything else, it was a moment decided by a contest of political personalities, as a group of men battled for the presidency, with momentous implications for the nation''s future. Well-paced, accessible, and engagingly written, Goudsouzian''s book chronicles anew the characters and events of the 1968 campaign as an essential moment in American history, one with clear resonance in our contemporary political moment.

The presidential election of 1968 forever changed American politics. In this character-driven narrative history, Aram Goudsouzian portrays the key transformations that played out over that dramatic year. It was the last ”Old Politics” campaign, where political machines and party bosses determined the major nominees, even as the ”New Politics” of grassroots participation powered primary elections. It was an election that showed how candidates from both the Left and Right could seize on “hot-button” issues to alter the larger political dynamic. It showcased the power of television to “package” politicians and political ideas, and it played out against an extraordinary dramatic global tableau of chaos and conflict. More than anything else, it was a moment decided by a contest of political personalities, as a group of men battled for the presidency, with momentous implications for the nation's future. Well-paced, accessible, and engagingly written, Goudsouzian's book chronicles anew the characters and events of the 1968 campaign as an essential moment in American history, one with clear resonance in our contemporary political moment.

In 1962, James Meredith famously desegregated the University of Mississippi (a.k.a. Ole Miss). As the first Black American admitted to the school, he demonstrated great courage amidst the subsequent political clashes and tragic violence. After President Kennedy summoned federal troops to help maintain order, the South—and America at large—would never be the same.Man on a Mission depicts Meredith’s relentless pursuit of justice, beginning with his childhood in rural Mississippi and culminating with the confrontation at Ole Miss. A blend of historical research and creative inspiration, this graphic history tells Meredith’s dramatic story in his own singular voice. From the dawn of the modern civil rights movement, Meredith has offered a unique perspective on democracy, racial equality, and the meaning of America. Man on a Mission presents his captivating saga for a new generation in the era of Black Lives Matter.

The presidential election of 1968 forever changed American politics. In this character-driven narrative history, Aram Goudsouzian portrays the key transformations that played out over that dramatic year. It was the last "Old Politics" campaign, where political machines and party bosses determined the major nominees, even as the "New Politics" of grassroots participation powered primary elections. It was an election that showed how candidates from both the Left and Right could seize on "hot-button" issues to alter the larger political dynamic. It showcased the power of television to "package" politicians and political ideas, and it played out against an extraordinary dramatic global tableau of chaos and conflict. More than anything else, it was a moment decided by a contest of political personalities, as a group of men battled for the presidency, with momentous implications for the nation''s future. Well-paced, accessible, and engagingly written, Goudsouzian''s book chronicles anew the characters and events of the 1968 campaign as an essential moment in American history, one with clear resonance in our contemporary political moment.

The presidential election of 1968 forever changed American politics. In this character-driven narrative history, Aram Goudsouzian portrays the key transformations that played out over that dramatic year. It was the last "Old Politics" campaign, where political machines and party bosses determined the major nominees, even as the "New Politics" of grassroots participation powered primary elections. It was an election that showed how candidates from both the Left and Right could seize on "hot-button" issues to alter the larger political dynamic. It showcased the power of television to "package" politicians and political ideas, and it played out against an extraordinary dramatic global tableau of chaos and conflict. More than anything else, it was a moment decided by a contest of political personalities, as a group of men battled for the presidency, with momentous implications for the nation''s future. Well-paced, accessible, and engagingly written, Goudsouzian''s book chronicles anew the characters and events of the 1968 campaign as an essential moment in American history, one with clear resonance in our contemporary political moment.

In the first full biography of actor Sidney Poitier, Aram Goudsouzian analyzes the life and career of a Hollywood legend, from his childhood in the Bahamas to his 2002 Oscar for lifetime achievement. Poitier is a gifted actor, a great American success story, an intriguing personality, and a political symbol; his life and career illuminate America''s racial history. In such films as Lilies of the Field, In the Heat of the Night, and Guess Who''s Coming to Dinner, Poitier''s middle-class, mannered, virtuous screen persona contradicted prevailing film stereotypes of blacks as half-wits, comic servants, or oversexed threats. His screen image and public support of nonviolent integration assuaged the fears of a broad political center, and by 1968, Poitier was voted America''s favorite movie star.Through careful readings of every Poitier film, Goudsouzian shows that Poitier''s characters often made sacrifices for the good of whites and rarely displayed sexuality. As the only black leading man during the civil rights era, Poitier chose roles and public positions that negotiated the struggle for dignity. By 1970, times had changed and Poitier was the target of a backlash from film critics and black radicals, as the new heroes of "blaxploitation" movies reversed the Poitier model. In the 1970s, Poitier shifted his considerable talents toward directing, starring in, and producing popular movies that employed many African Americans, both on and off screen. After a long hiatus, he returned to starring roles in the late 1980s. More recently, the film industry has reappraised his career, and Poitier has received numerous honors recognizing his multi-faceted work for black equality in Hollywood. As this biography affirms, Poitier remains one of American popular culture''s foremost symbols of the possibilities for and limits of racial equality.