Archie Burnett – författare

The Letters of A. E. Housman is a scholarly edition of over 2200 letters. (The previous edition, edited by Henry Maas, contained just over 880.) The letters cover the whole range of Housman''s daily activities, whether he writes as poet, Professor of Latin, son, brother, uncle, friend, or citizen. Thus they allow the fullest possible revelation of a man whose reserve was legendary. He emerges as a more amiable, more sociable, more generous, more painstaking, and more complex person than has previously been realized. In most cases the source of the text is a manuscript, and this has resulted in a text that is more accurate and more complete than any previously available. Accompanying the text are notes covering persons and places, poetry, classical scholarship, publishing history, and literary allusion and echo.

This is the first complete edition of A. E. Housman's poetry, unprecedented in the extent to which it reveals the shaping processes of his poetic thought. To the major poetry of The Collected Poems (1939) it adds a substantial body of light verse and juvenilia, some of it printed, or collected, for the first time; and it revises the texts - particularly the posthumously published poems and notebook fragments - in the light of a comprehensive survey of manuscript and printed sources, recording all textual variants. As well as charting his compositional practices, the edition illuminates the many sources, from Biblical and Classical to contemporary, which influenced Housman - consciously or unconsciously - in his choice of ideas, images, and phraseology. Drawing on the poet's two commonplace books, works he is known to have read, and volumes from his library, the editor's commentary traces the remarkable range of his echoes and allusions, which have never before been explored in such detail. The introduction and commentary also cover dating and other textual matters, information on persons, places, and historical context, and Housman's linguistic usage.

This entirely new edition brings together all of Philip Larkin's poems. In addition to those in Collected Poems (1988), and in the Early Poems and Juvenilia (2005), some unpublished pieces from Larkin's typescripts and workbooks are included, as well as verse (by turns scurrilous, satirical, affectionate, and sentimental) tucked away in his letters. The manuscript and printed sources have been scrutinized afresh; more detailed accounts than hitherto available of the sources of the text and of dates of composition are provided; and previous accounts of composition dates have been corrected. Variant wordings from Larkin's typescripts and the early printings are recorded.For the first time, the poems are given a comprehensive commentary. This draws critically upon, and substantially extends, the accumulated scholarship on Larkin, and covers closely relevant historical contexts, persons and places, allusions and echoes, and linguistic usage. Due prominence is given to the poet's comments on his poems, which often outline the circumstances that gave rise to a poem, or state what he was trying to achieve. Larkin played down his literariness, but his poetry enrichingly alludes to and echoes the writings of many others; Archie Burnett's commentary establishes him as a more complex and more literary poet than many readers have suspected.

This entirely new edition brings together all of Philip Larkin's poems. In addition to those in Collected Poems (1988), and in the Early Poems and Juvenilia (2005), some unpublished pieces from Larkin's typescripts and workbooks are included, as well as verse (by turns scurrilous, satirical, affectionate, and sentimental) tucked away in his letters. The manuscript and printed sources have been scrutinized afresh; more detailed accounts than hitherto available of the sources of the text and of dates of composition are provided; and previous accounts of composition dates have been corrected. Variant wordings from Larkin's typescripts and the early printings are recorded.For the first time, the poems are given a comprehensive commentary. This draws critically upon, and substantially extends, the accumulated scholarship on Larkin, and covers closely relevant historical contexts, persons and places, allusions and echoes, and linguistic usage. Due prominence is given to the poet's comments on his poems, which often outline the circumstances that gave rise to a poem, or state what he was trying to achieve. Larkin played down his literariness, but his poetry enrichingly alludes to and echoes the writings of many others; Archie Burnett's commentary establishes him as a more complex and more literary poet than many readers have suspected.

T. S. Eliot is regarded as the most important poet-critic of modern times, the twentieth century's 'Man of Letters' whose reputation was forged not only on the strength of his verse, but on the enduring influence of his critical writings. The Collected Prose presents those works that Eliot allowed to reach print in the order of their final revision or printing. Publishing across four volumes, the series aims to provide an authoritative and clean-text record of Eliot's approved texts and their revisions, beginning with his formative observations, written while he was at high school, and concluding in his final major opus, To Criticize the Critic, published in the months after his death.This first volume covers the years 1905-1928, a time of dramatic development for Eliot as both a poet and critic that saw the publication of Prufrock and Other Observations, The Waste Land and Journey of the Magi, and a gathering his seminal early essays under the title The Sacred Wood (1920). In his penetrating surveys of poetic form and the literary milieu of the day, he assesses the era's ageing giants, Yeats, Swinburne, Henry James, and hails the arrival of its new generation, Ezra Pound, James Joyce, Wyndham Lewis. The volume also traces Eliot's deepening search for a meaningful response to the trauma of the Great War, and an exploration of religion that led to his confirmation in the Church of England in 1927.

T. S. Eliot is regarded as the most important poet-critic of modern times, the twentieth century's 'Man of Letters' whose reputation was forged not only on the strength of his verse, but on the enduring influence of his critical writings. The Collected Prose presents those works that Eliot allowed to reach print in the order of their final revision or printing. Publishing across four volumes, the series aims to provide an authoritative and clean-text record of Eliot's approved texts and their revisions, beginning with his formative observations, written while he was at high school, and concluding in his final major opus, To Criticize the Critic, published in the months after his death.This second volume spans 1929-1934, a period in which Eliot's poetry was maturing into the reflective verse of Animula, Ash-Wednesday and Marina. It was also a moment that confirmed his critical reputation with the publication of Selected Essays (1932), reprinting and revising his most important essays on Tradition and the Individual Talent, Hamlet, Marvell and Dante, and culminating in the Harvard lectures that became The Use of Poetry and the Use of Criticism (1933).

T. S. Eliot is regarded as the most important poet-critic of modern times, the twentieth century's 'Man of Letters' whose reputation was forged not only on the strength of his verse, but on the enduring influence of his critical writings. The Collected Prose presents those works that Eliot allowed to reach print in the order of their final revision or printing. Publishing across four volumes, the series aims to provide an authoritative and clean-text record of Eliot's approved texts and their revisions, beginning with his formative observations, written while he was at high school, and concluding in his final major opus, To Criticize the Critic, published in the months after his death.This third volume collects Eliot's prose from 1935-1950, when his works The Idea of a Christian Society (1939) and The Music of Poetry (1942) would engage the seminal grounds of his Four Quartets, while his Notes Towards the Definition of Culture (1948) would appear at the moment he was awarded the Nobel Prize in Literature. It was a period of experimentation in form and genre, in which writings for the theatre were taking centre stage and he was composing for the first time for children, Old Possum's Book of Practical Cats.

T. S. Eliot is regarded as the most important poet-critic of modern times, the twentieth century's 'Man of Letters' whose reputation was forged not only on the strength of his verse, but on the enduring influence of his critical writings. The Collected Prose presents those works that Eliot allowed to reach print in the order of their final revision or printing. Publishing across four volumes, the series aims to provide an authoritative and clean-text record of Eliot's approved texts and their revisions, beginning with his formative observations, written while he was at high school, and concluding in his final major opus, To Criticize the Critic, published in the months after his death.This fourth and final volume from 1951-1966, covers a period of concluding productivity in Eliot's writing. Although his poetry was all but complete, his theatrical and critical work flourished through a decade that included such books as Poetry and Drama (1951), The Frontiers of Criticism (1956) and On Poetry and Poets (1957).