Ardian Ahmedaja – författare

Culture as local practice embedded in sound emerges through inherent tensions between historical legacies and contemporary change, and between individual and community. These affect the construction, presentation and representation of culture, renewing the sense of belonging through each performance.Members of Albanian communities in Montenegro are Christian and Muslim, inhabiting mountainous and coastal areas, and both rural and urban environments. These specific circumstances affect the emergence of culture as “that complex whole which includes knowledge, belief, art, morals, law, custom, and any other capacities acquired by man as a member of society” (Tylor), in distinctive ways. These ways are explored in the present study primarily through the impact exercised by musical practices, which are immanent in the creation and shaping of common attitudes and behaviours. Interaction and tensions between individual and community consequently become a condition of belonging, enabling deeper insights when tracing aesthetic topographies and their ever-changing consistency.

Johann Gottfried Herder characterised singing and song as human acts of personal and cultural agency (Herder and Bohlman 2017). These agencies are enacted musically, centralising the idea of “performance”. In this context, “singing” refers to the act of performance, which, due to its interactive nature in real time, is the most important moment of music-making, particularly in multipart music traditions, while “song” and its emergence remain the object and subject of the act of creation. “Sound” is an indispensable part of all these processes. The perception and interpretation of these aspects by different people affect both the practice and discourse of music, shaping meaningful experiences in terms of the attitudes and cognitive processes involved in its creation (Blacking 1973).