Ariana Traill – författare

Taking a fresh look at mistaken identity in the work of an author who helped to introduce the device to comedy, in this book Professor Traill shows how the outrageous mistakes many male characters in Menander make about women are grounded in their own emotional needs. The core of the argument derives from analysis of speeches by or about women, with particular attention to the language used to articulate problems of knowledge and perception, responsibility and judgement. Not only does Menander freely borrow language, situations, and themes from tragedy, but he also engages with some of tragedy's epistemological questions, particularly the question of how people interpret what they see and hear. Menander was instrumental in turning the tragic theme of human ignorance into a comic device and inventing a plot type with enormous impact on the western tradition. This book provides original insights into his achievements within their historical and intellectual context.

Taking a fresh look at mistaken identity in the work of an author who helped to introduce the device to comedy, in this book Professor Traill shows how the outrageous mistakes many male characters in Menander make about women are grounded in their own emotional needs. The core of the argument derives from analysis of speeches by or about women, with particular attention to the language used to articulate problems of knowledge and perception, responsibility and judgement. Not only does Menander freely borrow language, situations, and themes from tragedy, but he also engages with some of tragedy's epistemological questions, particularly the question of how people interpret what they see and hear. Menander was instrumental in turning the tragic theme of human ignorance into a comic device and inventing a plot type with enormous impact on the western tradition. This book provides original insights into his achievements within their historical and intellectual context.

This volume is the first book-length introduction to Plautus’ Cistellaria (The Jewelry Box), offering an incisive overview for both students and scholars coming to it for the first time. This play is a story of young lovers defying social norms and disapproving parents in order to be together, featuring a memorable cast of characters and moments of both high humor and drama. This classic mistaken-identity plot includes witty interchanges and a lively conflict of values and ideals.Drawing on performance and cultural studies, gender and sexuality, and philology and intertextuality, Ariana Traill combines a lucid exploration of Cistellaria's setting, characters, plot and themes, with detailed analyses of its literary and socio-cultural contexts. Readers are able to appreciate the play both as a literary artifact, with its attendant issues of generic conventions and variations, and language and imagery, and as a performance script written for a rich tradition of acting, singing and stage movement at Rome, with its conventional costumes, masks and venues. With its majority female line-up (seven of the twelve roles are female), Cistellaria offers an unusual focus on women’s thoughts and feelings as they struggle for their economic and social existence, making it a fascinating source for the study of women and gender in ancient Rome. The play continues to cast a shadow in the western dramatic tradition through its history of reception and adaptation.