Armstrong – författare

Doctors working for the first time in an intensive care unit are faced with a variety of extremely ill and technically demanding patients. Very often they are exposed to situations for which they have not been properly prepared. Although most disciplines and professional examinations now demand some understanding of intensive care, opportunities for learning intensive care medicine are limited, with few courses available. Critical Care Cases presents a cross section of common problems seen in intensive care, presented by experienced teachers working in this field. Each topic begins with a real life case history, complete with examination findings, biochemistry, and blood gases. The readers are then given the opportunity to consider how they would manage the situation, before turning over to find a full discussion and recommendations from an expert in the field. The book covers all the common intensive care problems, including: respiratory failure, trauma, infection, and neurological disorders, and will provide a stimulating and thought provoking text for anyone preparing to work in intensive care medicine.

The success of the algorithm approach as a means of teaching management strategies has led to their increasing use in teaching texts. In this book, up-to-date strategies are presented in an algorithm format enabling easy review, access, and revision. The algorithms deal with common anaesthetic problems and include reminders of dangers and controversies. Each algorithm is combined with a page of short notes and a small number of selected references. The text is intended to be an easily accessible reference for practising anaesthetists. In addition, it would act as a useful guide for entrance to the FRCA examinations as well as an in-theatre prompt.

Louis Armstrong has been the subject of countless biographies and music histories. Yet scant attention has been paid to the remarkable array of writings he left behind. Louis Armstrong: In His Own Words introduces readers to a little-known facet of this master trumpeter, band leader, and entertainer. Based on extensive research through the Armstrong archives, this important volume includes some of his earliest letters, personal correspondence with one of his first biographers in 1943-44, autobiographical writings, magazine articles, and essays. Here are Armstrong's own thoughts on his life and career--from poverty in New Orleans to playing in the famous cafes, cabarets, and saloons of Storyville, from his big break in 1922 with the King Oliver band to his storming of New York, from his breaking of color barriers in Hollywood to the infamous King of the Zulus incident in 1949, and finally, to his last days in Queens, New York. Along the way Armstrong recorded touching portraits of his times and offered candid, often controversial, opinions about racism, marijuana, bebop, and other jazz artists such as Jelly Roll Morton and Coleman Hawkins. Indeed, these writings provide a balanced portrait of his life as a musician, entertainer, civil rights activist, and cultural icon. Armstrong's idiosyncratic use of language and punctuation have been preserved to give the reader an unvarnished portrayal of this compelling artist. This volume also includes introductions to the writings, as well as an annotated index of names and places significant to Armstrong's life.

Children with life-threatening and terminal illnesses- and their families- require a unique kind of care to meet a wide variety of needs. This book, now in its third edition, provides an authoritative source for the many people involved in the care of dying children. Written by leading authorities in pediatrics and palliative medicine, this comprehensive resource emphasizes practical topics and covers the entire range of issues related to the hospice care from psychological stress to pain and symptom management. The text has been fully updated and includes an international perspective chapter and a chapter written by Children's Hospice International with detailed all-inclusive care plans.

This collection of 12 essays on women's poetry of the 18th century and the Enlightenment ranges widely over individual poets and undertakes an exploration of their work. Experiment with genre and form, the poetics of the body, the politics of gender, revolutionary critique, and patronage, are themes of the collection which includes discussions of the projects of Mary Leapor, Ann Yearsley, Helen Maria Williams, Joanna Baillie, Charlotte Smith, Anna Barbauld and Lucy Aikin.

Carol Armstrong offers an important study of Edgar Degas's work and reputation. Armstrong grapples with contradictory portrayals of Degas as "odd man out" within the modernist canon: he was a realist whom realists rejected; a storyteller in pictures who did not satisfy novelist-critics; a painter of modern life who was not a modernist; a member of the impressionist group who was no impressionist. Armstrong confronts these and other paradoxes by analysing the critical vocabularies used to describe Degas's work. By reading several groups of the artist's images through the lens of a sequence of critical texts, Armstrong shows how our critical and popular expectations of Degas are overturned and subverted.

Where to begin when you've begun with ChristIf you are a new Christian, you are on a new path. But where are you going and how do you get there? As an adult convert, Aaron Armstrong had to face these questions himself. In I'm a Christian--Now What? A Guide to Your New Life With Christ, Aaron helps you take those important first steps, including:-How to read the Bible and pray-How to think about your favorite TV show-How to find the right church-How to disagree with other Christians-How to rethink sex and marriageYou probably have a lot of questions. You might not even know which questions to ask. This practical and friendly book helps make sense of your new life with Jesus. It ends with suggestions for how you can take the next step by helping other new Christians.I'm a Christian--Now What? is a perfect handbook for new believers and those who want to disciple them.