First published in 1966. By pursuing a group of cognate themes, the author relates major critical approaches to the fiction of James Joyce. One of the major issues explored is that of the existence of ‘symbols’ in his fiction, and of the quality of Joyce’s feelings shown through an examination of the extent of his human sympathies. This title will be of interest to students of literature.

First published in 1966. By pursuing a group of cognate themes, the author relates major critical approaches to the fiction of James Joyce. One of the major issues explored is that of the existence of ‘symbols’ in his fiction, and of the quality of Joyce’s feelings shown through an examination of the extent of his human sympathies. This title will be of interest to students of literature.

This volume, first published in 1968, draws attention to the special relationship between Joyce’s life and his writing. The passages are presented in chronological order, with a commentary that pays particular attention to the bibliographical aspects of Joyce’s art. Goldman focuses on three texts; A Portrait of the Artist as a Young Man, Ulysses, and Finnegans Wake. James Joyce will be of interest to students of literature.

First published in 1966. By pursuing a group of cognate themes, the author relates major critical approaches to the fiction of James Joyce. One of the major issues explored is that of the existence of ‘symbols’ in his fiction, and of the quality of Joyce’s feelings shown through an examination of the extent of his human sympathies. This title will be of interest to students of literature.

First published in 1966. By pursuing a group of cognate themes, the author relates major critical approaches to the fiction of James Joyce. One of the major issues explored is that of the existence of ‘symbols’ in his fiction, and of the quality of Joyce’s feelings shown through an examination of the extent of his human sympathies. This title will be of interest to students of literature.

This volume, first published in 1968, draws attention to the special relationship between Joyce’s life and his writing. The passages are presented in chronological order, with a commentary that pays particular attention to the bibliographical aspects of Joyce’s art. Goldman focuses on three texts; A Portrait of the Artist as a Young Man, Ulysses, and Finnegans Wake. James Joyce will be of interest to students of literature.