Arthur M. Melzer - Böcker

Philosophical esotericism - the practice of communicating one's unorthodox thoughts "between the lines"-was a common practice until the end of the eighteenth century. The famous Encyclopedie of Diderot, for instance, not only discusses this practice in over twenty different articles, but admits to employing it itself. The history of Western thought contains hundreds of such statements by major philosophers testifying to the use of esoteric writing in their own work or that of others. Despite this long and well-documented history, however, esotericism is often dismissed today as a rare occurrence. But by ignoring esotericism, we risk cutting ourselves off from a full understanding of Western philosophical thought. Arthur M. Melzer serves as our deeply knowledgeable guide in this capacious and engaging history of philosophical esotericism. Walking readers through both an ancient (Plato) and a modern (Machiavelli) esoteric work, he explains what esotericism is-and is not. It relies not on secret codes, but simply on a more intensive use of familiar rhetorical techniques like metaphor, irony, and insinuation.Melzer explores the various motives that led thinkers in many different times and places to engage in this strange practice, while also exploring the motives that led more recent thinkers not only to dislike and avoid this practice but to deny its very existence. In the book's final section, "A Beginner's Guide to Esoteric Reading," Melzer turns to how we might once again cultivate the long-forgotten art of reading esoteric works. Philosophy Between the Lines is the first comprehensive, book-length study of the history and theoretical basis of philosophical esotericism, and it provides a crucial guide to how many major writings-philosophical, but also theological, political, and literary-were composed prior to the nineteenth century.

Philosophical esotericism the practice of communicating one's unorthodox thoughts "between the lines" was a common practice until the end of the eighteenth century. The famous Encyclopedie of Diderot, for instance, not only discusses this practice in over twenty different articles, but admits to employing it itself. The history of Western thought contains hundreds of such statements by major philosophers testifying to the use of esoteric writing in their own work or others'. Despite this long and well-documented history, however, esotericism is often dismissed today as a rare occurrence. But by ignoring esotericism, we risk cutting ourselves off from a full understanding of Western philosophical thought. Arthur M. Melzer serves as our deeply knowledgeable guide in this capacious and engaging history of philosophical esotericism. Walking readers through both an ancient (Plato) and a modern (Machiavelli) esoteric work, he explains what esotericism is and is not. It relies not on secret codes, but simply on a more intensive use of familiar rhetorical techniques like metaphor, irony, and insinuation.Melzer explores the various motives that led thinkers in different times and places to engage in this strange practice, while also exploring the motives that lead more recent thinkers not only to dislike and avoid this practice but to deny its very existence. In the book's final section, "A Beginner's Guide to Esoteric Reading," Melzer turns to how we might once again cultivate the long-forgotten art of reading esoteric works. Philosophy Between the Lines is the first comprehensive, book-length study of the history and theoretical basis of philosophical esotericism, and it provides a crucial guide to how many major writings philosophical, but also theological, political, and literary were composed prior to the nineteenth century.

The true key to all the perplexities of the human condition, Rousseau boldly claims, is the “natural goodness of man.” It is also the key to his own notoriously contradictory writings, which, he insists, are actually the disassembled parts of a rigorous philosophical system rooted in that fundamental principle. What if this problematic claim—so often repeated, but as often dismissed—were resolutely followed and explored?Arthur M. Melzer adopts this approach in The Natural Goodness of Man. The first two parts of the book restore the original, revolutionary significance of this now time-worn principle and examine the arguments Rousseau offers in proof of it. The final section unfolds and explains Rousseau’s programmatic thought, especially the Social Contract, as a precise solution to the human problem as redefined by the principle of natural goodness.The result is a systematic reconstruction of Rousseau’s philosophy that discloses with unparalleled clarity both the complex weave of his argument and the majestic unity of his vision. Melzer persuasively resolves one after another of the famous Rousseauian paradoxes–enlarging, in the process, our understanding of modern philosophy and politics. Engagingly and lucidly written, The Natural Goodness of Man will be of interest to general as well as scholarly readers.

Multiculturalism: is it a means of promoting self-esteem among marginalized groups, or is it a dangerous form of relativism? Offering viewpoints from a range of perspectives, this volume addresses the pros and cons of multiculturalism and explores its relationship with liberal democracy.

Behind many of the hottest political issues of the current moment —abortion, stem-cell research, Intelligent Design, Islamic fundamentalism—stands a resurgence of the centuries-old contest between religion and the Enlightenment. In such circumstances, a volume of essays honoring the thought of Werner J. Dannhauser is particularly timely. An expert on Nietzsche and Jewish political thought, Dannhauser's abiding concern was the issue of "reason, faith, and politics." Does secular rationalism, as promoted by the Enlightenment, provide an adequate basis for moral and political life? Or does the modern state ultimately require religious habits and beliefs even while tending to undermine them? Is the emergence of the religious right, then, a necessary and salutary phenomenon? Or does it pose dangers to our liberal constitution and to minority religious communities, such as Jews and Muslims? In short, is Enlightenment rationalism helpful or harmful to social life? And is Biblical religion necessary for or in tension with American liberal democracy? Questions such as these, which have concerned Dannhauser throughout a long scholarly career, have recently reemerged as front-page issues.In addressing this theme, the eleven essays comprising the present volume—by such scholars as Francis Fukuyama, Walter Berns, Jeremy Rabkin, and Ralph Lerner—range widely over Western intellectual history, from classical philosophy and ancient Israel, to the Medieval period and the Renaissance, to Nietzsche, and to contemporary neoconservative thought.

Whether intellectuals are counter-cultural escapists corrupting the young or secular prophets leading us to prosperity, they are a fixture of modern political life. In The Public Intellectual: Between Philosophy and Politics, Arthur M. Melzer, Jerry Weinberger, and M. Richard Zinman bring together a wide variety of noted scholars to discuss the characteristics, nature, and role of public thinkers. By looking at scholarly life in the West, this work explores the relationship between thought and action, ideas and events, reason and history.

Politics has taken a cultural turn in America, and the arts are at the center of today's culture wars. In this book, some of our most prominent cultural critics explore the relationships between culture and politics as played out in the world of novels, television, museums, and even fashion. The authors—John Simon, Greil Marcus, Arthur C. Danto, and other well-known commentators from across the political spectrum—examine the arts in their relation to democracy and consider whether and how they serve one another. The authors consider such topics as high and popular culture in democratic America; the relation of democracy to classical, jazz, and folk music; and the artistic potential of the most democratic of all arts, the movies. All of the essays are as entertaining as they are thoughtful.With its roots in popular sentiment, democracy will forever be entwined with art, a force that powerfully molds popular taste. Democracy and the Arts speaks elegantly to that relationship and reminds readers of its enduring importance.