A breathtaking, incomparable overview of American poetry at the turn of the millennium, from experimental language poetry to traditional formal verse, with all the vital, monumental stops between, The Body Electric captures the spirit of contemporary American poetry. Among the 180 poets included in this collection are Ai, John Ashbery, John Berryman, Charles Bukowski, Lucille Clifton, Carolyn Forche, Allen Ginsberg, Robert Hass, Seamus Heaney, Kenneth Koch, Yusef Komunyakaa, and Derek Walcott, plus a generous array of exciting new poets from recent years. The breadth and innovation of American poetry as well as the shifting styles and tastes of over a quarter of a century are represented in this volume. No other anthology gives such a complete and wide-ranging representation of American poetry today.

Orbit connects the intimate with what is farthest from us, mixing what we can imagine with what is daily and near. Landscapes stretch from stable and fulfilling domestic interiors to the destiny of our sun as an exploding red giant. That dilemma of human fertility and love facing ultimate destruction is orchestrated by the author's provocative voice and coiled lines, which fondle and handle the reader's heart and mind in a bright light. The book insists on connecting the three eras of human experience – Then, Now, and When – at every turn. Orbit continues the unique aesthetic of Vogelsang's first five award-winning books through its "oddly direct original persona," its "mind – prophetic, wild, loony," its "language of surveillance and trembling," and the poems' ability "to find and magnify the emotion suddenly, instantaneously" (comments draw from other poets' reviews.) Vogelsang's new book Orbit is a dialogue between daily life and transcendent vision, insisting on the reality of each.

"Vogelsang’s poetry is both abrasive and generous."—John Ashbery"Vogelsang has found an interrogating voice at once dissembling and direct."—Stanley PlumlyThe poems in Vogelsang’s fourth collection are events of great pressure, tension, and heat. In a language pitched somewhere just above the vernacular, Vogelsang often connects with the classics and grapples with concerns of our time, offering a singular experience—emotionally affecting and intellectually provocative poetry.Arthur Vogelsang is the author of A Planet, Twentieth Century Women, and Cities and Towns, which received the Juniper Prize. He is the coeditor of The American Poetry Review and teaches at New England College. He divides his time between Los Angeles and Philadelphia.

A breathtaking, incomparable overview of American poetry at the turn of the millennium, from experimental language poetry to traditional formal verse, with all the vital, monumental stops between, The Body Electric captures the spirit of contemporary American poetry. Among the 180 poets included in this collection are Ai, John Ashbery, John Berryman, Charles Bukowski, Lucille Clifton, Carolyn Forche, Allen Ginsberg, Robert Hass, Seamus Heaney, Kenneth Koch, Yusef Komunyakaa, and Derek Walcott, plus a generous array of exciting new poets from recent years. The breadth and innovation of American poetry as well as the shifting styles and tastes of over a quarter of a century are represented in this volume. No other anthology gives such a complete and wide-ranging representation of American poetry today.

Orbit connects the intimate with what is farthest from us, mixing what we can imagine with what is daily and near. Landscapes stretch from stable and fulfilling domestic interiors to the destiny of our sun as an exploding red giant. That dilemma of human fertility and love facing ultimate destruction is orchestrated by the author's provocative voice and coiled lines, which fondle and handle the reader's heart and mind in a bright light. The book insists on connecting the three eras of human experience – Then, Now, and When – at every turn. Orbit continues the unique aesthetic of Vogelsang's first five award-winning books through its "oddly direct original persona," its "mind – prophetic, wild, loony," its "language of surveillance and trembling," and the poems' ability "to find and magnify the emotion suddenly, instantaneously" (comments draw from other poets' reviews.) Vogelsang's new book Orbit is a dialogue between daily life and transcendent vision, insisting on the reality of each.

"Vogelsang’s poetry is both abrasive and generous."—John Ashbery"Vogelsang has found an interrogating voice at once dissembling and direct."—Stanley PlumlyThe poems in Vogelsang’s fourth collection are events of great pressure, tension, and heat. In a language pitched somewhere just above the vernacular, Vogelsang often connects with the classics and grapples with concerns of our time, offering a singular experience—emotionally affecting and intellectually provocative poetry.Arthur Vogelsang is the author of A Planet, Twentieth Century Women, and Cities and Towns, which received the Juniper Prize. He is the coeditor of The American Poetry Review and teaches at New England College. He divides his time between Los Angeles and Philadelphia.