Arundhati Virmani – författare

To what extent do urban dwellers relate to their lived and imagined environment through aesthetic perceptions, and aspirations? This book approaches experiences of urban aesthetics not as an established framework, defined by imposed norms or legislations, but as the result of a continuous reflexive and proactive gaze, a complex and deep engagement of the mind, body and sensibilities. It uses empirical studies ranging from China, India to Western Europe.

Three axes are privileged. The first considers urban everyday aesthetic experiences in the long-term as a historical production, from medieval Italy to a future imagined by science fiction. The second examines the impact of aestheticizing everyday material realities in neighbourhoods, and the tensions and conflicts these engender around urban commons. Finally, the third axis considers these relationships as aesthetic inequalities, exacerbated in a new age of urban development. The book combines local and transnational scales with an interdisciplinary approach, bringing together historians, sociologists, cultural geographers, anthropologists, architects and contemporary art curators. They illustrate the importance of combining different social science methods and functional perspectives to study such complex social and cultural realities as cities.

This book will be of interest to students, scholars and practitioners of humanities and social sciences, cultural and urban studies, architecture and political geography.

To what extent do urban dwellers relate to their lived and imagined environment through aesthetic perceptions, and aspirations? This book approaches experiences of urban aesthetics not as an established framework, defined by imposed norms or legislations, but as the result of a continuous reflexive and proactive gaze, a complex and deep engagement of the mind, body and sensibilities. It uses empirical studies ranging from China, India to Western Europe.

Three axes are privileged. The first considers urban everyday aesthetic experiences in the long-term as a historical production, from medieval Italy to a future imagined by science fiction. The second examines the impact of aestheticizing everyday material realities in neighbourhoods, and the tensions and conflicts these engender around urban commons. Finally, the third axis considers these relationships as aesthetic inequalities, exacerbated in a new age of urban development. The book combines local and transnational scales with an interdisciplinary approach, bringing together historians, sociologists, cultural geographers, anthropologists, architects and contemporary art curators. They illustrate the importance of combining different social science methods and functional perspectives to study such complex social and cultural realities as cities.

This book will be of interest to students, scholars and practitioners of humanities and social sciences, cultural and urban studies, architecture and political geography.

The book explores the stakes for the social sciences around four central problems: the challenges of context; modes of intervention; involvement; and the ethical dilemmas for the scholar in a democratic space. The first, challenges of the context, examines the variety of situations confronted by scholars since the beginning of the 20th century. These include their interventions in key judicial affairs, the impact of technological developments like the introduction of big data, or even the positionality of the scholar. Second, the book investigates the modalities according to which social scientists may intervene in the civic space: in particular as specialists, as experts, or in the media. A third problem brings together some cases illustrative of researchers’ involvement in critical issues, such as food policies, major social reforms, or gender-related questions. Finally, the book concludes with a reflection on the modes of exercising critique or dissent in democratic societies and on the ethical dimensions of involvement in the civic space.

A searing examination of the role of social scientists, as they are called upon to address the multiple critical issues faced by contemporary societies, from pandemics to climatic change, sustainable development, migration, ethnicity, or the place of religion. This volume will be of great interest not just to scholars, students, and researchers of the social sciences but to the general reader as a concerned citizen.

The book explores the stakes for the social sciences around four central problems: the challenges of context; modes of intervention; involvement; and the ethical dilemmas for the scholar in a democratic space. The first, challenges of the context, examines the variety of situations confronted by scholars since the beginning of the 20th century. These include their interventions in key judicial affairs, the impact of technological developments like the introduction of big data, or even the positionality of the scholar. Second, the book investigates the modalities according to which social scientists may intervene in the civic space: in particular as specialists, as experts, or in the media. A third problem brings together some cases illustrative of researchers’ involvement in critical issues, such as food policies, major social reforms, or gender-related questions. Finally, the book concludes with a reflection on the modes of exercising critique or dissent in democratic societies and on the ethical dimensions of involvement in the civic space.

A searing examination of the role of social scientists, as they are called upon to address the multiple critical issues faced by contemporary societies, from pandemics to climatic change, sustainable development, migration, ethnicity, or the place of religion. This volume will be of great interest not just to scholars, students, and researchers of the social sciences but to the general reader as a concerned citizen.

Political Aesthetics highlights the complex and ambiguous connections of aesthetics with social, cultural and political experiences in contemporary societies. If today aesthetics seems a rather overused term, mixing a variety of historical realities and complex personal states of being, its relevance as a connecting agent between individual, state and society is stronger than ever.

The actual context of political and economic crisis generates new relations between official imposed aesthetics and the resistance and critiques they trigger. Considered beyond the poles of power and protest, the book examines how traditional or innovative artistic practices may acquire unexpected capacities of subversion. It nourishes the current debate around the new political stakes of aesthetics as an inviolable right of ordinary citizens, an essential element of empowerment and agency in a democratic every day.

It will be of interest to students and scholars of international relations, political culture and political aesthetics, as well as critical sociology and history. It will also be useful for some broad courses in media studies, cultural studies, and sociology.