Ashley M Jones – författare

When did you feel the pull of poetry? For Ashley M. Jones, the moment she knew she would be a poet was at seven years old—reciting “Harriet Tubman” by Eloise Greenfield. That moment, that poem, showed her there was a place for her in the world of literature as her full Black self. As she continued to grow as a person and a poet, becoming the first person of color and the youngest person to serve as Poet Laureate of Alabama, Jones encountered so many incredible Black women poets who showed her the possibilities.Part critical essay, part personal essay collection, What the Mirror Said traces the influence of nine Black women poets in Jones’s writing and life. She brings together historical biographical information, personal reflection, and close readings as she explores personal connections to poets from Phillis Wheatley to Patricia Smith. This book is expansive in its study, from classical metrical scansion to metaphorical explication. In offering new ways to interpret poems by important contemporary poets, What the Mirror Said makes the case for the need to study and celebrate Black women poets.

When did you feel the pull of poetry? For Ashley M. Jones, the moment she knew she would be a poet was at seven years old-reciting "e;Harriet Tubman"e; by Eloise Greenfield. That moment, that poem, showed her there was a place for her in the world of literature as her full Black self. As she continued to grow as a person and a poet, becoming the first person of color and the youngest person to serve as Poet Laureate of Alabama, Jones encountered so many incredible Black women poets who showed her the possibilities. Part critical essay, part personal essay collection, What the Mirror Said traces the influence of nine Black women poets in Jones's writing and life. She brings together historical biographical information, personal reflection, and close readings as she explores personal connections to poets from Phillis Wheatley to Patricia Smith. This book is expansive in its study, from classical metrical scansion to metaphorical explication. In offering new ways to interpret poems by important contemporary poets, What the Mirror Said makes the case for the need to study and celebrate Black women poets.

dark // thing is a multifaceted work that explores the darkness/otherness by which the world sees Black people. Ashley M. Jones stares directly into the face of the racism that allows people to be seen as dark things, as objects that can be killed/enslaved/oppressed/devalued. This work, full as it is of slashes of all kinds, ultimately separates darkness from thingness, affirming and celebrating humanity.

Magic City Gospel is a love song to Birmingham, the Magic City of the South. In traditional forms and free verse poems, 2015 Rona Jaffe Writer’s Award-winner Ashley M. Jones takes readers on an historical, geographical, cultural, and personal journey through her life and the life of her home state. From De Soto’s “discovery” of Alabama to George Wallace’s infamous stance in the schoolhouse door, to the murders of black men like Trayvon Martin and Eric Garner in modern America, Jones weaves personal history with the troubled, triumphant, and complicated history of Birmingham, and of Alabama at large. In this assured debut, you’ll find why “gold is laced in Alabama’s teeth.” In the ghosts and the grits, this collection speaks to Jones' generation and beyond: “Let me wash you in Alabama heat / and tell you who you are.” Magic City Gospel is a book of personal, political, and cultural history, whose red dirt stained pages offer a fresh and unvarnished gaze on Birmingham, Alabama, and America.

Magic City Gospel is a love song to Birmingham, the Magic City of the South. In traditional forms and free verse poems, 2015 Rona Jaffe Writer’s Award-winner Ashley M. Jones takes readers on an historical, geographical, cultural, and personal journey through her life and the life of her home state. From De Soto’s “discovery” of Alabama to George Wallace’s infamous stance in the schoolhouse door, to the murders of black men like Trayvon Martin and Eric Garner in modern America, Jones weaves personal history with the troubled, triumphant, and complicated history of Birmingham, and of Alabama at large. In this assured debut, you’ll find why “gold is laced in Alabama’s teeth.” In the ghosts and the grits, this collection speaks to Jones'' generation and beyond: “Let me wash you in Alabama heat / and tell you who you are.” Magic City Gospel is a book of personal, political, and cultural history, whose red dirt stained pages offer a fresh and unvarnished gaze on Birmingham, Alabama, and America.

Reparations Now! asks for what’s owed.In formal and non-traditional poems, award-winning poet Ashley M. Jones calls for long-overdue reparations to the Black descendants of enslaved people in the United States of America. In this, her third collection, Jones deftly takes on the worst of today—state-sanctioned violence, pandemic-induced crises, and white silence—all while uplifting Black joy. These poems explore trauma past and present, cultural and personal: the lynching of young, pregnant Mary Turner in 1918; the current white nationalist political movement; a case of infidelity. These poems, too, are a celebration of Black life and art: a beloved grandmother in rural Alabama, the music of James Brown and Al Green, and the soil where okra, pole beans, and collards thrive thanks to her father’s hands. By exploring the history of a nation where “Black oppression’s not happenstance; it’s the law,” Jones links past harm to modern heartache and prays for a peaceful world where one finds paradise in the garden in the afternoon with her family, together, safe, and worry-free.  While exploring the ways we navigate our relationships with ourselves and others, Jones holds us all accountable, asking us to see the truth, to make amends, to honor one another.

Reparations Now!asks for whats owed.In formal and non-traditional poems, award-winning poet Ashley M. Jones calls for long-overdue reparations to the Black descendants of enslaved people in the United States of America. In this, her third collection, Jones deftly takes on the worst of todaystate-sanctioned violence, pandemic-induced crises, and white silenceall while uplifting Black joy. These poems explore trauma past and present, cultural and personal: the lynching of young, pregnant Mary Turner in 1918; the current white nationalist political movement; a case of infidelity. These poems, too, are a celebration of Black life and art: a beloved grandmother in rural Alabama, the music of James Brown and Al Green, and the soil where okra, pole beans, and collards thrive thanks to her fathers hands.By exploring the history of a nation where Black oppressions not happenstance; its the law, Jones links past harm to modern heartache and prays for a peaceful world where one finds paradise in the garden in the afternoon with her family, together, safe, and worry-free. While exploring the ways we navigate our relationships with ourselves and others, Jones holds us all accountable, asking us to see the truth, to make amends, to honor one another.

A Shelf Awareness 2025 Best Book of the YearSouthern Literary Review's Best Poetry Book of the YearMaya Angelou Book Award 2025, Poetry, longlistWith previous work hailed by the New York Times as “unflinching” and “piercing”, Ashley M. Jones’s Lullaby for the Grieving is her most personal collection to date.In her fourth poetry collection, Jones studies the multifaceted nature of grief: the personal grief of losing her father, and the political grief tied to Black Southern identity. How does one find a path through the deep sorrow of losing a parent? What wonders of Blackness have to be suppressed to make way for "progress"?Journeying through landscapes of Alabama, the Middle Passage and Underground Railroad, interior spaces of loss and love, and her father’s garden, Jones constructs both an elegy for her father and a celebration of the sacred exuberance and audacity of life. Featuring poems from her tenure as Alabama’s first Black and youngest Poet Laureate, Lullaby for the Grieving finds calm in unimaginable storms and attempts to listen for the sounds of healing.