Ashley Thorpe – författare
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Asian City Crossings is the first volume to examine the relationship between the city and performance from an Asian perspective.
This collection introduces "city as method" as a new conceptual framework for the investigation of practices of city-based performing arts collaboration and city-to-city performance networks across East- and Southeast Asia and beyond. The shared and yet divergent histories of the global cities of Hong Kong and Singapore as postcolonial, multiethnic, multicultural, and multilingual sites, are taken as points of departure to demonstrate how "city as method" facilitates a comparative analytical space that foregrounds in-betweenness and fluid positionalities. It situates inter-Asian relationality and inter-city referencing as centrally significant dynamics in the exploration of the material and ideological conditions of contemporary performance and performance exchange in Asia. This study captures creative dialogue that travels city-based pathways along the Hong Kong-Singapore route, as well as between Hong Kong and Singapore and other cities, through scholarly analyses and practitioner reflections drawn from the fields of theatre, performance, and music.
This book combines essays by scholars of Asian studies, theatre studies, ethnomusicology, and human geography with reflective accounts by Hong Kong and Singapore-based performing arts practitioners to highlight the diversity, vibrancy, and complexity of creative projects that destabilise notions of identity, belonging, and nationhood through strategies of collaborative conviviality and transnational mobility across multi-sited networks of cities in Asia. In doing so, this volume fills a considerable gap in global scholarly discourse on performance and the city and on the production and circulation of the performing arts in Asia.
710 kr
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Asian City Crossings is the first volume to examine the relationship between the city and performance from an Asian perspective.
This collection introduces "city as method" as a new conceptual framework for the investigation of practices of city-based performing arts collaboration and city-to-city performance networks across East- and Southeast Asia and beyond. The shared and yet divergent histories of the global cities of Hong Kong and Singapore as postcolonial, multiethnic, multicultural, and multilingual sites, are taken as points of departure to demonstrate how "city as method" facilitates a comparative analytical space that foregrounds in-betweenness and fluid positionalities. It situates inter-Asian relationality and inter-city referencing as centrally significant dynamics in the exploration of the material and ideological conditions of contemporary performance and performance exchange in Asia. This study captures creative dialogue that travels city-based pathways along the Hong Kong-Singapore route, as well as between Hong Kong and Singapore and other cities, through scholarly analyses and practitioner reflections drawn from the fields of theatre, performance, and music.
This book combines essays by scholars of Asian studies, theatre studies, ethnomusicology, and human geography with reflective accounts by Hong Kong and Singapore-based performing arts practitioners to highlight the diversity, vibrancy, and complexity of creative projects that destabilise notions of identity, belonging, and nationhood through strategies of collaborative conviviality and transnational mobility across multi-sited networks of cities in Asia. In doing so, this volume fills a considerable gap in global scholarly discourse on performance and the city and on the production and circulation of the performing arts in Asia.
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Yearning to save his sister from the mighty Orishas, Kayode stumbles upon a magical fruit that infuses him with unpredictable powers!
With a trickster god, a spiky princess, and a fisherboy by his side, Kayode embarks on an epic adventure to save his sister. But beware! Each Orisha is more powerful than the last. Can Kayode control his newly acquired half-god strength before it runs out?
A fast-paced adventure where one brave boy squares off against six formidable gods, this story details the importance of unity in the face of adversity. It is ideal for fans of ´Percy Jackson and the Olympians´ on Disney+.
©2024 Ashley Thorpe (P)2024 Saga Egmont
Cover artwork reproduced by permission of Usborne Publishing Limited.
Cover illustration by Loyiso Mkize © Usborne Publishing, 2024
Ashley Thorpe is a Black British debut author and Storymix editor, who turns diverse childhood dreams into epic tales. ´The Boy to Beat the Gods´ is his first book.
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Ancient magic and all-new heroes in a battle between the living and the dead!When evil spirits overrun her island home, Evie is saved only by the powerful gemstone her parents entrusted to her. Her best friend Arthur is not so lucky - caught in the magical crossfire, he finds himself turned into a cat.On a mission to return him to his body and defeat the ghouls, Evie and Arthur team up with Cai, a trainee shaman, who helps them discover the truth. The terrifying Blackheart Man is plotting to steal the four magical gemstones and use them to destroy the barrier between the worlds of the living and the dead.With Evie's magic, Cai's bravery and Arthur's talent for thievery, can our heroes stop the Blackheart Man before it's too late?An epic story of chaos, myth, and adventure for fans of Percy Jackson.´Children's fiction at its finest. Thorpe is a talent to watch!´ - Lizzie Huxley-Jones on Ashley's debut THE BOY TO BEAT THE GODS©2025 Ashley Thorpe (P)2025 Saga EgmontCover artwork reproduced by permission of Usborne Publishing LimitedCover illustration by Gashwayne Hudson © Usborne Publishing, 2025´I enjoyed it immensely. It's a deep dive into Jamaican folklore, belief systems and vivid storytelling.´ - Alex Wheatle, author of Crongton KnightsAshley Thorpe, a British author and Storymix editor, turns diverse childhood dreams into epic tales. His debut novel, ´The Boy to Beat the Gods´, is shortlisted for the 2025 Branford Boase Award and the 2025 Jhalak Children's & YA Prize.