Asif A. Siddiqi – författare

The Red Rockets' Glare is the first academic study on the birth of the Soviet space program and one of the first social histories of Soviet science. Based on many years of archival research, the book situates the birth of cosmic enthusiasm within the social and cultural upheavals of Russian and Soviet history. Asif A. Siddiqi frames the origins of Sputnik by bridging imagination with engineering - seeing them not as dialectic, discrete, and sequential but as mutable, intertwined, and concurrent. Imagination and engineering not only fed each other but were also co-produced by key actors who maintained a delicate line between secret work on rockets (which interested the military) and public prognostications on the cosmos (which captivated the populace). Sputnik, he argues, was the outcome of both large-scale state imperatives to harness science and technology and populist phenomena that frequently owed little to the whims and needs of the state apparatus.

A new volume in the University of Pittsburgh Press Intersections Series

The launch of the Sputnik satellite in October 1957 changed the course of human history. In the span of a few years, Soviets sent the first animal into space, the first man, and the first woman. These events were a direct challenge to the United States and the capitalist model that claimed ownership of scientific aspiration and achievement.The success of the space program captured the hopes and dreams of nearly every Soviet citizen and became a critical cultural vehicle in the countryÆs emergence from Stalinism and the devastation of World War II. It also proved to be an invaluable tool in a worldwide propaganda campaign for socialism, a political system that could now seemingly accomplish anything it set its mind to.Into the Cosmos shows us the fascinating interplay of Soviet politics, science, and culture during the Khrushchev era, and how the space program became a binding force between these elements. The chapters examine the ill-fitted use of cosmonauts as propaganda props, the manipulation of gender politics after Valentina TereshkovaÆs flight, and the use of public interest in cosmology as a tool for promoting atheism. Other chapters explore the dichotomy of promoting the space program while maintaining extreme secrecy over its operations, space animals as media darlings, the history of Russian space culture, and the popularity of space-themed memorabilia that celebrated Soviet achievement and planted the seeds of consumerism.

The Red Rockets' Glare is the first academic study on the birth of the Soviet space program and one of the first social histories of Soviet science. Based on many years of archival research, the book situates the birth of cosmic enthusiasm within the social and cultural upheavals of Russian and Soviet history. Asif A. Siddiqi frames the origins of Sputnik by bridging imagination with engineering - seeing them not as dialectic, discrete, and sequential but as mutable, intertwined, and concurrent. Imagination and engineering not only fed each other but were also co-produced by key actors who maintained a delicate line between secret work on rockets (which interested the military) and public prognostications on the cosmos (which captivated the populace). Sputnik, he argues, was the outcome of both large-scale state imperatives to harness science and technology and populist phenomena that frequently owed little to the whims and needs of the state apparatus.