Astrid Ihle – författare

A place for representation, self-presentation and communication, resistance and protest – this lavishly illustrated volume investigates the multi-layered significance of the street in the art of the twentieth and twenty-first century as an interface for diverse walks of life and groups through international positions in painting, graphics, photography, film, performance and installation.Around 1900, the street moved into the focus of artists in the wake of industrialisation and urbanisation as an elemental component of life. Starting with the Futurists and the Expressionists, who made the street a symbol for modern life full of promises and conflicts, the subject runs like a thread through art: as a social psychogram; as the expression of collective and individual longings and fears; within the context of happenings or graffiti; and currently also redefined within the framework of ecology, sustainability and democratic movements.

Geometric abstraction as a worldview: artists like Sophie Taeuber-Arp and Sonia Delaunay played an essential part in the development of non-representational art. The volume presents an overview of the evolution of geometric abstract art and takes into account in addition to the applied arts the female perspective of the Global South with promising new discoveries.Geometric abstraction emerged around the turn of the last century from an attitude that was permeated by renewal, utopia and resistance, and that aimed at the unity of art and life. Colourful, geometric and highly attractive – this comprehensive view of the time between 1914 and the 1970s is lavishly illustrated and relates the narrative from a female, global, historical and contemporary perspective, revealing the dense network between women artists and gallerists.