August Kleinzahler – författare

1996 Academy Award in Literature from the American Academy of Arts and Letters.In this powerful and inventive collection, August Kleinzahler succeeds in creating a new idiom for American lyric poetry that captures the velocity and swerves of contemporary life in the city. He pushes the language very hard to get there, and the results are breathtaking: an angular, propulsive poetry that transforms character, voice, and setting into buzzing, luminous events.

In a career-spanning selection of poems, August Kleinzahler captures the essence of the West's greatest music.In A History of Western Music, August Kleinzahler’s rhythmic, wry, kinetic style captures the ineffable power and beauty of great songs and artists, as well as the potency of our response to them. In this collection, music is inextricable from life, from landscape, and from the people we remember through it. The poet inhabits the minds and milieus of musicians; he hears arpeggios in the salon of Princesse Edmonde de Polignac and listens to the vibrations of a hummingbird through Béla Bartók. Kleinzahler’s verse not only contains the same sonorous beauty as the compositions he writes of but also the vitality and complexity of the moments we associate with them—the way the soundtrack of one’s life becomes defined by the scenes it scores, and vice versa.From John Coltrane to Annie Lenox, from opera to bebop and all the jingles and melodies in between, A History of Western Music is a portrait of the vast range of meaning and memory that music creates and contains in one’s life.

In a career-spanning selection of poems, August Kleinzahler captures the essence of the West''s greatest music.In A History of Western Music, August Kleinzahler’s rhythmic, wry, kinetic style captures the ineffable power and beauty of great songs and artists, as well as the potency of our response to them. In this collection, music is inextricable from life, from landscape, and from the people we remember through it. The poet inhabits the minds and milieus of musicians; he hears arpeggios in the salon of Princesse Edmonde de Polignac and listens to the vibrations of a hummingbird through Béla Bartók. Kleinzahler’s verse not only contains the same sonorous beauty as the compositions he writes of but also the vitality and complexity of the moments we associate with them—the way the soundtrack of one’s life becomes defined by the scenes it scores, and vice versa.From John Coltrane to Annie Lenox, from opera to bebop and all the jingles and melodies in between, A History of Western Music is a portrait of the vast range of meaning and memory that music creates and contains in one’s life.

Sixteen years’ worth of incisive essays by the great poet and memoirist“Witty, gritty poet and memoirist Kleinzahler” (Publishers Weekly) has gathered the best of sixteen years’ worth of essays, remembrances, and reviews in this scabrous and essential collection, setting down his thoughts about great poets and bad poets, about kvetching fiction writers and homicidal musicians, about eccentric critics and discerning nobodies, always with insight and humor, and never suffering fools gladly.Here, in Sallies, Romps, Portraits, and Send-Offs, August Kleinzahler eulogizes famous friends, warts and all (Thom Gunn, Christopher Middleton, Leonard Michaels); leads the charge in carving up a few bloated reputations (E. E. Cummings, Richard Brautigan); and sings the praises of unjustly neglected masters (Lucia Berlin, Kenneth Cox). He also turns the spotlight on himself in several short, delightful memoirs, covering such subjects as his obsessive CD collecting, the eerie effects of San Francisco fog, and the terrible duty of selling of his childhood home.