Austin Clarke – författare

2016 OCM Bocas Prize for Caribbean Literature — Longlisted2016 RBC Taylor Prize — LonglistedThe unforgettable memoir of Giller Prize–winning author and poet Austin Clarke, called “Canada’s first multicultural writer.”Austin Clarke is a distinguished and celebrated novelist and short-story writer. His works often centre around the immigrant experience, of which he writes with humour and compassion, happiness and sorrow. In ’Membering, Clarke shares his own experiences growing up in Barbados and moving to Toronto to attend university in 1955 before becoming a journalist. With vivid realism he describes Harlem of the ’60s, meeting and interviewing Malcolm X and writers Chinua Achebe and LeRoi Jones. Clarke went on to become a pioneering instructor of Afro-American Literature at Yale University and inspired a new generation of Afro-American writers.Clarke has been called Canada’s first multicultural writer. Here he eschews a traditional chronological order of events and takes the reader on a lyrical tour of his extraordinary life, interspersed with thought-provoking meditations on politics and race. Telling things as he ’members them.

Now available after over four decades, the first collection of short fiction from bestselling author and Barbadian-born Canadian luminary Austin Clarke — winner of the Scotiabank Giller Prize, the Commonwealth Writers’ Prize, and the Trillium Book Award for his novel The Polished Hoe — is a vital, lyrical, and provocative exploration of the Black immigrant experience in Canada. Originally issued in 1971, Austin Clarke’s first published collection of eleven remarkable stories showcases his groundbreaking approach to chronicling the Caribbean diaspora experience in Canada. Characters move through the mire of working life, of establishing a home for themselves, of reconciling with what and who they left behind — all the while contending with a place in which their bone-chilling reception is both social and atmospheric. In lyrical, often racy, and wholly unforgettable prose, Clarke portrays a set of provocative, scintillating portraits of the psychological realities faced by people of colour in a society so often lauded for its geniality and openness.

A major voice of twentieth-century Irish poetry, Austin Clarke reshaped the country’s literary landscape through his groundbreaking translations from the Irish and his revival of Irish-language metres andforms – work that continues to influence poets today and remains among the best-loved poems in Ireland.This new selection brings Clarke into vivid focus as a poet of ‘othervoices’, reaching across time and place to recover what history tried to silence. Once censored for his fearless critique of the Catholic state, Clarke’s writing is marked by piercing, clear narrative and satire. As vital and enduring as Patrick Kavanagh, Thomas Kinsella, or Seamus Heaney, this lifetime’s work presents a continually shrewd perspective on Irish literary history.

Austin Clarke's classic story of British colonial education is the subject of Growing Up Stupid Under the Union Jack. It is the story of a boy whose mother struggled against seemingly impossible odds to give her son the best available education. Generations of Barbadians, and West Indians, will identify with young Austin Clarke, from the absentee father to the challenges of a daily life in a society based on colour and class prejudice and a rigid set of customs and rules imported from England and imposed on Caribbean society. Growing Up Stupid Under the Union Jack is more than a memoir; it provides a rare in-depth look into the nature of the colonial condition, told with humour, wit and an authentic Bajan voice.