Avril Horner – författare

This new collection of essays by major scholars in the field looks at the ways in which cross-fertilization has taken place in Gothic writing from France, Germany, Britain and America over the last 200 years, and argues that Gothic writing reflects international exchanges in theme and form.

This new collection of essays by major scholars in the field looks at the ways in which cross-fertilization has taken place in Gothic writing from France, Germany, Britain and America over the last 200 years, and argues that Gothic writing reflects international exchanges in theme and form.

The only collection to concentrate on the European Gothic - writing in English, French, German, Russian and Spanish. Charts the rich process of cross-fertilisation, especially regarding Anglo-French exchanges in the development of the Gothic novel. Emphasises the importance of the impact of translation on the development of the Gothic novel. Uses a variety of critical perspectives to reassess the work of authors such as Clara Reeve, Sophia Lee, Charlotte Smith, Ann Radcliffe, Matthew Lewis, Charles Maturin, Coleridge, Mary Shelley, Jan Potocki, Balzac, Dostoevesky, Gaston Leroux and Djuna Barnes. Offers a fresh way of thinking about Gothic lineages and histories.

This new collection of essays by major scholars in the field looks at the ways in which cross-fertilization has taken place in Gothic writing from France, Germany, Britain and America over the last 200 years, and argues that Gothic writing reflects international exchanges in theme and form.

The Edinburgh Companion to Comic Gothic explores the role of irony, satire, parody, pastiche and the absurd in Gothic texts dating from the eighteenth century up to the present day. Its particular focus on the use of Comic Gothic in social media and popular culture make it a distinctive and original contribution to Gothic studies that will be especially welcomed by undergraduate and postgraduate students.

The Edinburgh Companion to Comic Gothic explores the role of irony, satire, parody, pastiche and the absurd in Gothic texts dating from the eighteenth century up to the present day. Its particular focus on the use of Comic Gothic in social media and popular culture make it a distinctive and original contribution to Gothic studies that will be especially welcomed by undergraduate and postgraduate students.

This collection of newly commissioned essays brings together major scholars in the field of Gothic studies in order to re-think the topic of `Women and the Gothic .

The only collection to concentrate on the European Gothic - writing in English, French, German, Russian and Spanish. Charts the rich process of cross-fertilisation, especially regarding Anglo-French exchanges in the development of the Gothic novel. Emphasises the importance of the impact of translation on the development of the Gothic novel. Uses a variety of critical perspectives to reassess the work of authors such as Clara Reeve, Sophia Lee, Charlotte Smith, Ann Radcliffe, Matthew Lewis, Charles Maturin, Coleridge, Mary Shelley, Jan Potocki, Balzac, Dostoevesky, Gaston Leroux and Djuna Barnes. Offers a fresh way of thinking about Gothic lineages and histories.

The extraordinary twentieth-century writer Barbara Comyns led a life as captivating as the narratives she spun. This pioneering biography reveals the journey of a woman who experienced hardship and single-motherhood before the age of thirty but went on to publish a sequence of novels that are unique in the English language.Comyns turned her hand to many jobs in order to survive, from artist’s model to restoring pianos. Hundreds of unpublished letters reveal an occasionally desperate but resourceful and witty woman whose complicated life ranged from enduring poverty when young to mixing with spivs, spies and high society. While working as a housekeeper in her mid-thirties, Comyns began transforming the bleak episodes of her life into compelling fictions streaked with surrealism and deadpan humour. The Vet’s Daughter (1959), championed by Graham Greene, brought her fame, although her use of the gothic and macabre divided readers and reviewers.This biography not only excavates Comyns’s life but also reclaims her fiction, providing a timely reassessment of her literary contribution. It sheds new light on a remarkable author who deftly captured the complexities of human life.

A ground-breaking biography of a cult British novelist.The extraordinary twentieth-century writer Barbara Comyns led a life as captivating as the narratives she spun. This pioneering biography reveals the journey of a woman who experienced hardship and single-motherhood before the age of thirty but went on to publish a sequence of novels unique in the English language.Comyns turned her hand to many jobs in order to survive, from artist’s model to piano restorer. Unpublished letters reveal an occasionally desperate but resourceful and witty woman whose life ranged from enduring poverty when young to mixing with spivs, spies and high society. While working as a housekeeper in her mid-thirties, Comyns began transforming the bleak episodes of her life into compelling fictions streaked with surrealism and deadpan humour. The Vet’s Daughter (1959), championed by Graham Greene, brought her fame, although her use of the gothic and macabre divided readers and reviewers.This biography excavates Comyns’s life and reclaims her fiction, providing a timely reassessment of her literary contribution. It sheds new light on a remarkable author who deftly captured the complexities of human life.