Ayako Ono – författare
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6 produkter
6 produkter
Japonisme in Britain
Whistler, Menpes, Henry, Hornel and nineteenth-century Japan
Inbunden, Engelska, 2003
2 108 kr
Skickas inom 10-15 vardagar
Japan held a profound fascination for western artists in the latter half of the nineteenth century and the influence of Japonisme on western art was pervasive. Paradoxically, just as western artists were beginning to find inspiration in Japan and Japanese art, Japan was opening to the western world and beginning a process of thorough modernisation, some have said westernisation. The mastery of western art was included in the programme.This book examines the nineteenth century art world against this background and explores Japanese influences on four artists working in Britain in particular: the American James McNeill Whistler, the Australian Mortimer Menpes, and the 'Glasgow boys' George Henry and Edward Atkinson Hornel. Japonisme in Britian is richly illustrated throughout.
Japonisme in Britain
Whistler, Menpes, Henry, Hornel and nineteenth-century Japan
Häftad, Engelska, 2006
671 kr
Skickas inom 10-15 vardagar
Japan held a profound fascination for western artists in the latter half of the nineteenth century and the influence of Japonisme on western art was pervasive. Paradoxically, just as western artists were beginning to find inspiration in Japan and Japanese art, Japan was opening to the western world and beginning a process of thorough modernisation, some have said westernisation. The mastery of western art was included in the programme.This book examines the nineteenth century art world against this background and explores Japanese influences on four artists working in Britain in particular: the American James McNeill Whistler, the Australian Mortimer Menpes, and the 'Glasgow boys' George Henry and Edward Atkinson Hornel. Japonisme in Britian is richly illustrated throughout.
Whistler and Artistic Exchange between Japan and the West
After Japonisme in Britain
Inbunden, Engelska, 2023
2 031 kr
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Ono examines cross-cultural artistic exchange between the West and Japan from the late nineteenth century to the early twentieth century. Studies of Japonisme have been dominated by searching out relationships of influence between artworks–trying to identify which specific works influenced a particular artist. Ono argues that a more holistic understanding of 'spillover effects' is necessary in fully comprehending the nuances of these relationships. She bases this argument on documents and works of art in the context of globalisation, looking at the relationships between James McNeill Whistler and others with their contemporaries in the Japanese artistic and literary worlds. This was a more complex two-way exchange than is often appreciated, with Western artists taking inspiration from (to them) new Japanese styles, while Japanese artists and writers were trying to craft a 'modern', more western-influences style to reflect the modern nation of Japan emerging onto the world stage after centuries of relative isolation. A fascinating analysis of the role of globalisation and cultural exchange in the development of new and hybrid artforms, that will be essential reading for scholars of this fascinating period in international art history.
Whistler and Artistic Exchange between Japan and the West
After Japonisme in Britain
Häftad, Engelska, 2024
635 kr
Skickas inom 10-15 vardagar
Ono examines cross-cultural artistic exchange between the West and Japan from the late nineteenth century to the early twentieth century. Studies of Japonisme have been dominated by searching out relationships of influence between artworks–trying to identify which specific works influenced a particular artist. Ono argues that a more holistic understanding of 'spillover effects' is necessary in fully comprehending the nuances of these relationships. She bases this argument on documents and works of art in the context of globalisation, looking at the relationships between James McNeill Whistler and others with their contemporaries in the Japanese artistic and literary worlds. This was a more complex two-way exchange than is often appreciated, with Western artists taking inspiration from (to them) new Japanese styles, while Japanese artists and writers were trying to craft a 'modern', more western-influences style to reflect the modern nation of Japan emerging onto the world stage after centuries of relative isolation. A fascinating analysis of the role of globalisation and cultural exchange in the development of new and hybrid artforms, that will be essential reading for scholars of this fascinating period in international art history.
5 733 kr
Tillfälligt slut
This is the fifth part of the successful series which provides art historians and students with vital primary source materials related to the reception of Japanese arts in Western societies during the period from the late nineteenth century to the early twentieth century. All materials are reproduced in facsimile reprint and include many plates and illustrations.This new collection includes eight French writings by four authors—from different professional backgrounds: art critic, art dealer, art collector, and curator—who played an important role in the Japonism movement in France.
9 713 kr
Skickas inom 5-8 vardagar
This is the 11th part of the successful series which provides art historians and students with vital primary source materials related to the reception of Japanese arts in Western societies during the period from the late nineteenth century to the early twentieth century. Edited and introduced by Ayako Ono, a leading scholar of British Japonisme and the author of Routledge books Japonisme in Britain, Whistler, Menpes, Henry, Hornel and nineteenth-century Japan, and Whistler and Artistic Exchange between Japan and the West: After Japonisme in Britain, the three volumes includes around 150 articles and papers selected from contemporary journals, newspapers and pamphlets from the pre-Japonisme period to the beginning of the 20th century, when the Japan-British Exposition was held in 1910 and the popularity of Japanese art started to diminish. Responding to the recent academic view which treats Japonisme not only in an artistic context but more widely as a cultural trend including literature and religion, the collection includes a number of articles from non-artistic periodicals, and along with the major figures of art critics and collectors of Japanese art such as Alcock, Jarves, Anderson, Huish, Liberty, Bignon, and Frye, more general authors’ writings are selected, including many reviews, commentaries of art exhibitions, papers about various types of Japanese arts, crafts and architecture and international exhibitions in London. With an introduction and forward by Margaret F. Macdonald, this is an indispensable collection of primary materials not only for research into the history of art, but also for research into the Anglo-Japanese cultural relationship of this period.