Banu Bargu – författare

Disembodiment examines self-destruction, self-injury, and self-endangerment as actions that express the injustices and indignities of the life conditions of impoverished, dispossessed, and dominated peoples. Author Banu Bargu troubles the dominant approach that treats these acts as individual pathologies, cries for help, and signs of despair. Instead, she suggests that they should be read as unconventional performances of resistance and refusal that are erased, marginalized, and distorted by metanarratives of history as progress and of agency as freedom and intentionality. Situating these practices in a dialectic of desubjectivation and counter-subjectivation, Bargu argues that they dispel a western metaphysics of subjecthood and invoke alternative ways of being human and of relating to one's body and the world. Pursuing philosophical questions about the meaning of agency, the direction of history, and the limits of the political generated by the forfeiture of the body, Bargu offers a stark and unforgiving critique of our present. As a work in global critical theory whose normative compass is the suffering body, Disembodiment brings together corporeal enactments of defiance and refusal from the global south with major thinkers of western modernity and prominent critical-theoretical traditions of the twentieth century. Bargu moves from such historical precedents as the suicides of enslaved Africans during the transatlantic crossing, the hunger strikes of woman suffragists in England's prisons, and Gandhian fasting practices in the Indian anticolonial struggle to contemporary examples that include the hunger and thirst strikes in the Maze and Guantánamo, the self-incineration of Mohammed Bouazizi, and the lip-sewing practices of migrants and asylum seekers in detention centers and border zones of the global north today. She takes the reader on an unsettling journey that delineates the emergence of a corporeal repertoire of contention. Performed by the powerless who find themselves in crisis, this repertoire is built on the expressive agency of the body and its ability to irrupt, undoing its training in composure and radicalizing the meaning of dignity. Disembodiment presents a bold materialist theory of corporeal agency, which upholds the body's powers as fundamentally rebellious and ultimately undomesticatable

Disembodiment examines self-destruction, self-injury, and self-endangerment as actions that express the injustices and indignities of the life conditions of impoverished, dispossessed, and dominated peoples. Author Banu Bargu troubles the dominant approach that treats these acts as individual pathologies, cries for help, and signs of despair. Instead, she suggests that they should be read as unconventional performances of resistance and refusal that are erased, marginalized, and distorted by metanarratives of history as progress and of agency as freedom and intentionality. Situating these practices in a dialectic of desubjectivation and counter-subjectivation, Bargu argues that they dispel a western metaphysics of subjecthood and invoke alternative ways of being human and of relating to one's body and the world. Pursuing philosophical questions about the meaning of agency, the direction of history, and the limits of the political generated by the forfeiture of the body, Bargu offers a stark and unforgiving critique of our present. As a work in global critical theory whose normative compass is the suffering body, Disembodiment brings together corporeal enactments of defiance and refusal from the global south with major thinkers of western modernity and prominent critical-theoretical traditions of the twentieth century. Bargu moves from such historical precedents as the suicides of enslaved Africans during the transatlantic crossing, the hunger strikes of woman suffragists in England's prisons, and Gandhian fasting practices in the Indian anticolonial struggle to contemporary examples that include the hunger and thirst strikes in the Maze and Guantanamo, the self-incineration of Mohammed Bouazizi, and the lip-sewing practices of migrants and asylum seekers in detention centers and border zones of the global north today. She takes the reader on an unsettling journey that delineates the emergence of a corporeal repertoire of contention. Performed by the powerless who find themselves in crisis, this repertoire is built on the expressive agency of the body and its ability to irrupt, undoing its training in composure and radicalizing the meaning of dignity. Disembodiment presents a bold materialist theory of corporeal agency, which upholds the body's powers as fundamentally rebellious and ultimately undomesticatable

Disembodiment examines self-destruction, self-injury, and self-endangerment as actions that express the injustices and indignities of the life conditions of impoverished, dispossessed, and dominated peoples. Author Banu Bargu troubles the dominant approach that treats these acts as individual pathologies, cries for help, and signs of despair. Instead, she suggests that they should be read as unconventional performances of resistance and refusal that are erased, marginalized, and distorted by metanarratives of history as progress and of agency as freedom and intentionality. Situating these practices in a dialectic of desubjectivation and counter-subjectivation, Bargu argues that they dispel a western metaphysics of subjecthood and invoke alternative ways of being human and of relating to one's body and the world. Pursuing philosophical questions about the meaning of agency, the direction of history, and the limits of the political generated by the forfeiture of the body, Bargu offers a stark and unforgiving critique of our present. As a work in global critical theory whose normative compass is the suffering body, Disembodiment brings together corporeal enactments of defiance and refusal from the global south with major thinkers of western modernity and prominent critical-theoretical traditions of the twentieth century. Bargu moves from such historical precedents as the suicides of enslaved Africans during the transatlantic crossing, the hunger strikes of woman suffragists in England's prisons, and Gandhian fasting practices in the Indian anticolonial struggle to contemporary examples that include the hunger and thirst strikes in the Maze and Guantanamo, the self-incineration of Mohammed Bouazizi, and the lip-sewing practices of migrants and asylum seekers in detention centers and border zones of the global north today. She takes the reader on an unsettling journey that delineates the emergence of a corporeal repertoire of contention. Performed by the powerless who find themselves in crisis, this repertoire is built on the expressive agency of the body and its ability to irrupt, undoing its training in composure and radicalizing the meaning of dignity. Disembodiment presents a bold materialist theory of corporeal agency, which upholds the body's powers as fundamentally rebellious and ultimately undomesticatable

Starve and Immolate tells the story of leftist political prisoners in Turkey who waged a deadly struggle against the introduction of high security prisons by forging their lives into weapons. Weaving together contemporary and critical political theory with political ethnography, Banu Bargu analyzes the death fast struggle as an exemplary though not exceptional instance of self-destructive practices that are a consequence of, retort to, and refusal of the increasingly biopolitical forms of sovereign power deployed around the globe. Bargu chronicles the experiences, rituals, values, beliefs, ideological self-representations, and contentions of the protestors who fought cellular confinement against the background of the history of Turkish democracy and the treatment of dissent in a country where prisons have become sites of political confrontation. A critical response to Michel Foucault's Discipline and Punish, Starve and Immolate centers on new forms of struggle that arise from the asymmetric antagonism between the state and its contestants in the contemporary prison.Bargu ultimately positions the weaponization of life as a bleak, violent, and ambivalent form of insurgent politics that seeks to wrench the power of life and death away from the modern state on corporeal grounds and in increasingly theologized forms. Drawing attention to the existential commitment, sacrificial morality, and militant martyrdom that transforms these struggles into a complex amalgam of resistance, Bargu explores the global ramifications of human weapons' practices of resistance, their possibilities and limitations.

Starve and Immolate tells the story of leftist political prisoners in Turkey who waged a deadly struggle against the introduction of high security prisons by forging their lives into weapons. Weaving together contemporary and critical political theory with political ethnography, Banu Bargu analyzes the death fast struggle as an exemplary though not exceptional instance of self-destructive practices that are a consequence of, retort to, and refusal of the increasingly biopolitical forms of sovereign power deployed around the globe. Bargu chronicles the experiences, rituals, values, beliefs, ideological self-representations, and contentions of the protestors who fought cellular confinement against the background of the history of Turkish democracy and the treatment of dissent in a country where prisons have become sites of political confrontation. A critical response to Michel Foucault's Discipline and Punish, Starve and Immolate centers on new forms of struggle that arise from the asymmetric antagonism between the state and its contestants in the contemporary prison.Bargu ultimately positions the weaponization of life as a bleak, violent, and ambivalent form of insurgent politics that seeks to wrench the power of life and death away from the modern state on corporeal grounds and in increasingly theologized forms. Drawing attention to the existential commitment, sacrificial morality, and militant martyrdom that transforms these struggles into a complex amalgam of resistance, Bargu explores the global ramifications of human weapons' practices of resistance, their possibilities and limitations.

This book makes a strong case that Turkey’s regime and its vicissitudes are dependent on a necropolitical undercurrent. Building on the insights of critical and contemporary theory, the essays address the multiple ways in which lives are brought into the fold of power. Once there, they are subjected to mechanisms of death and destruction, and to modalities of infrastructural violence, strategic neglect and exposure. This produces new forms of impoverishment, inequality and disposability. Bringing together historical, discursive, and ethnographic approaches from multiple disciplines, this collection offers a sobering and original analysis of contemporary Turkey.

This book makes a strong case that Turkey’s regime and its vicissitudes are dependent on a necropolitical undercurrent. Building on the insights of critical and contemporary theory, the essays address the multiple ways in which lives are brought into the fold of power. Once there, they are subjected to mechanisms of death and destruction, and to modalities of infrastructural violence, strategic neglect and exposure. This produces new forms of impoverishment, inequality and disposability. Bringing together historical, discursive, and ethnographic approaches from multiple disciplines, this collection offers a sobering and original analysis of contemporary Turkey.

This edited collection examines the relationship between three central terms—capitalism, feminism, and critique—while critically celebrating the work and life of a thinker who has done the most to address this nexus: Nancy Fraser. In honor of her seventieth birthday, and in the spirit of her work in the tradition of critical theory, this collection brings together scholars from different disciplines and theoretical approaches to address this conjunction and evaluate Fraser’s lifelong contributions to theorizing it. Scholars from philosophy, political science, sociology, gender studies, race theory and economics come together to think through the vicissitudes of capitalism and feminism while also responding to different elements of Nancy Fraser’s work, which weaves together a strong feminist standpoint with a vibrant and complex critique of capitalism. Going beyond conventional disciplinary distinctions and narrow debates, all the contributors to this project share a commitment to critically understanding the connection between capitalism, exploitation, and the viable roads for emancipation. They recover insights provided by classical traditions of political and social thought, but they also open new research directions adapted to the global challenges of our time.

This edited collection examines the relationship between three central terms—capitalism, feminism, and critique—while critically celebrating the work and life of a thinker who has done the most to address this nexus: Nancy Fraser. In honor of her seventieth birthday, and in the spirit of her work in the tradition of critical theory, this collection brings together scholars from different disciplines and theoretical approaches to address this conjunction and evaluate Fraser’s lifelong contributions to theorizing it. Scholars from philosophy, political science, sociology, gender studies, race theory and economics come together to think through the vicissitudes of capitalism and feminism while also responding to different elements of Nancy Fraser’s work, which weaves together a strong feminist standpoint with a vibrant and complex critique of capitalism. Going beyond conventional disciplinary distinctions and narrow debates, all the contributors to this project share a commitment to critically understanding the connection between capitalism, exploitation, and the viable roads for emancipation. They recover insights provided by classical traditions of political and social thought, but they also open new research directions adapted to the global challenges of our time.