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Well known for her translations of the poetry of classical Greece, ancient Egypt, and medieval Portugal, Barbara Hughes Fowler once again makes the poetry of another era accessible to a new generation. This anthology offers modern readers modern, new translations of the lyric poetry transcribed or written by medieval Irish monks. Irish poets were the first Europeans to write in the vernacular, though few people now read this poetry in its original.The 35 lyrics in this book were composed between 800 and 1200 A.D., all of them anonymously, although some are attributed to legendary or historical figures who had died centuries before. Irish monks wrote them in the margins of the manuscripts they were copying, or they interpolated poems they either knew or composed into the pagan tales they were recording.Many of these poems are about what the Irish called Tir na n'Og, the Land of the Young. This was not a place you went after death if you behaved yourself in life. It was where imaginative Irish longed to go—a paradise of lovely women, bountiful food and drink, and endless treasures of silver, gold, and jewels.Lyric poems, rooted so firmly in the expression of human emotion, travel well from an ancient culture to a modern one in the hands of a fine translator. Rendered into language and form intended for a general readership, these lyrics help to preserve an ancient and rich culture.
240 kr
Skickas inom 10-15 vardagar
Well known for her translations of the poetry of classical Greece, ancient Egypt, and medieval Portugal, Barbara Hughes Fowler once again makes the poetry of another era accessible to a new generation. This anthology offers modern readers modern, new translations of the lyric poetry transcribed or written by medieval Irish monks. Irish poets were the first Europeans to write in the vernacular, though few people now read this poetry in its original.The 35 lyrics in this book were composed between 800 and 1200 A.D., all of them anonymously, although some are attributed to legendary or historical figures who had died centuries before. Irish monks wrote them in the margins of the manuscripts they were copying, or they interpolated poems they either knew or composed into the pagan tales they were recording.Many of these poems are about what the Irish called Tir na n'Og, the Land of the Young. This was not a place you went after death if you behaved yourself in life. It was where imaginative Irish longed to go—a paradise of lovely women, bountiful food and drink, and endless treasures of silver, gold, and jewels.Lyric poems, rooted so firmly in the expression of human emotion, travel well from an ancient culture to a modern one in the hands of a fine translator. Rendered into language and form intended for a general readership, these lyrics help to preserve an ancient and rich culture.
240 kr
Skickas inom 10-15 vardagar
302 kr
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With this anthology, Barbara Hughes Fowler presents a comprehensive selection of Greek poetry of the 7th and 6th centuries BC. Fowler's translations provide access to six Homeric hymns, eight selections from Bakchylides, 11 odes of Pindar, selections from the iambicists and elegists, virtually all of Archilochos and of the lyricists, including Sappho, and a number of anonymous poems about work, play and politics. Archaic poets delighted in all that was radiant and delicate, and their poems are read for their narrative charm, celebration of nature, and playful sensuality. There are love poems here, as well as poems of friendship and warfare, of colonisation and homesickness; and there are tantalizing fragments of fables. Along with her notes and bibliography, Fowler has provided a biographical list of poets and a glossary of proper names. In addition to its breadth of subject matter, ""Archaic Greek Poetry"" can claim to be the only volume of its kind translated by a contemporary published poet. Barbara Hughes Fowler offers translations true to the original Greek, while providing modern readers with examples of the beauty of lyric poetry. Students and scholars of classical and comparative literature, ancient history, and art history, as well as lovers of lyric poetry, should find this volume useful.